{"id":21586,"date":"2022-05-21T19:32:06","date_gmt":"2022-05-21T18:32:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21586"},"modified":"2022-05-21T19:32:06","modified_gmt":"2022-05-21T18:32:06","slug":"weekend-links-622","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/05\/21\/weekend-links-622\/","title":{"rendered":"Weekend links 622"},"content":{"rendered":"

\"balbi.jpg\"<\/a><\/p>\n

Testa Anatomica (1854) by Filippo Balbi<\/a>.<\/em><\/p>\n

\u2022 The New School of the Anthropocene<\/a> is “…an experiment. But it is also an act of repair. In partnership with October Gallery in London, we seek to reinstate the intellectual adventure and creative risk that formerly characterised arts education before the university system capitulated to market principles and managerial bureaucracy… (more<\/a>)”<\/p>\n

\u2022 “Every once in a while, you come across old music that generates a shock of new excitement.” Geeta Dayal on Oksana Linde<\/a> whose electronic compositions are being released in a retrospective collection<\/a> next month.<\/p>\n

\u2022 More Walerian Borowczyk: Anatomy of the Devil<\/em><\/a>, a collection of Borowczyk’s short stories, newly translated into English by Michael Levy, and with a cover design by the Quay Brothers.<\/p>\n

\u2022 Washing machines, garden snails, and plastic surgery: A stroll through the Matmos<\/a> catalogue. Related: “Why scientists are turning molecules into music<\/a>.”<\/p>\n

\u2022 Coming soon from Strange Attractor: Boogie Down Predictions, Hip Hop, Time and Afrofuturism<\/em><\/a>, edited by Roy Christopher.<\/p>\n

\u2022 At Spoon & Tamago: Exploring Japan\u2019s historical landmarks and shrines in the middle of streets<\/a>.<\/p>\n

\u2022 New music: Adrian Sherwood Presents: Dub No Frontiers<\/em><\/a>, music by female dub artists.<\/p>\n

\u2022 Winners of the 2022 Milky Way Photographer of the Year<\/a>.<\/p>\n

\u2022 A Vision In Many Voices: The art of Leo and Diane Dillon<\/a>.<\/p>\n

\u2022 Molecular Delusion<\/em><\/a> (1971) by Ramases | DNA Music (Molecular Meditation)<\/em><\/a> (1985) by Riley McLaughlin | Pop Molecule (Molecular Pop 1)<\/em><\/a> (2008) by Stereolab<\/p>\n","protected":false},"excerpt":{"rendered":"

Testa Anatomica (1854) by Filippo Balbi. \u2022 The New School of the Anthropocene is “…an experiment. But it is also an act of repair. In partnership with October Gallery in London, we seek to reinstate the intellectual adventure and creative risk that formerly characterised arts education before the university system capitulated to market principles and … Continue reading “Weekend links 622”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 622","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,48,3,44,12,14,31,20,13],"tags":[1593,399,4694,12234,1393,4693,2378,12237,12235,12236,4610,12239,12238,2407,98,4056],"class_list":["post-21586","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-illustrators","category-music","category-painting","category-photography","category-politics","category-religion","category-science-fiction","category-science","tag-adrian-sherwood","tag-brothers-quay","tag-diane-dillon","tag-filippo-balbi","tag-geeta-dayal","tag-leo-dillon","tag-matmos","tag-michael-levy","tag-new-school-of-the-anthropocene","tag-oksana-linde","tag-ramases","tag-riley-mclaughlin","tag-roy-christopher","tag-stereolab","tag-strange-attractor","tag-walerian-borowczyk"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Ca","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21586"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21586\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}