{"id":21573,"date":"2022-05-18T16:29:17","date_gmt":"2022-05-18T15:29:17","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21573"},"modified":"2022-05-18T16:29:17","modified_gmt":"2022-05-18T15:29:17","slug":"scena-illustrata-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/05\/18\/scena-illustrata-covers\/","title":{"rendered":"Scena Illustrata covers"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si06.jpg\" alt=\"si06.jpg\" \/><\/p>\n<p><em>Art by Ezio Anichini, one of the magazine&#8217;s regular illustrators.<\/em><\/p>\n<p><em>Scena Illustrata<\/em>, an Italian culture magazine launched in 1884, was a prime exponent of the variant of Art Nouveau that Italians call <em>stile Liberty<\/em>. Or it was on its covers&#8230; To date there isn&#8217;t a substantial archive of back issues so I can&#8217;t say how much of the cover style was carried through to the interior. But since this was a fortnightly magazine there are many covers to be found. The examples here inevitably concentrate on the two decades either side of 1900 although a few are later; elements of the <em>stile Liberty<\/em> persisted into the 1920s, as did versions of that marvellous logo design.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si13.jpg\" alt=\"si13.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si03.jpg\" alt=\"si03.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si04.jpg\" alt=\"si04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si11.jpg\" alt=\"si11.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si01.jpg\" alt=\"si01.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si08.jpg\" alt=\"si08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si09.jpg\" alt=\"si09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si10.jpg\" alt=\"si10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si12.jpg\" alt=\"si12.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si02.jpg\" alt=\"si02.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si15.jpg\" alt=\"si15.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si16.jpg\" alt=\"si16.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si17.jpg\" alt=\"si17.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si18.jpg\" alt=\"si18.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si05.jpg\" alt=\"si05.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si19.jpg\" alt=\"si19.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si20.jpg\" alt=\"si20.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si21.jpg\" alt=\"si21.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si22.jpg\" alt=\"si22.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si23.jpg\" alt=\"si23.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si24.jpg\" alt=\"si24.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si07.jpg\" alt=\"si07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/si14.jpg\" alt=\"si14.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/04\/30\/ezio-anichini-postcards\/\">Ezio Anichini postcards<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/04\/29\/ezio-anichinis-salome\/\">Ezio Anichini\u2019s Salom\u00e9<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/08\/30\/lussuria-invidia-superbia\/\">Lussuria, Invidia, Superbia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art by Ezio Anichini, one of the magazine&#8217;s regular illustrators. Scena Illustrata, an Italian culture magazine launched in 1884, was a prime exponent of the variant of Art Nouveau that Italians call stile Liberty. Or it was on its covers&#8230; To date there isn&#8217;t a substantial archive of back issues so I can&#8217;t say how &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/05\/18\/scena-illustrata-covers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Scena Illustrata covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Scena Illustrata covers","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,4,48,43],"tags":[2020,12232],"class_list":["post-21573","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-design","category-illustrators","category-magazines","tag-ezio-anichini","tag-scena-illustrata"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5BX","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21573"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21573\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}