![\"varo\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/05\/varo.jpg\")
<\/p>\n<\/p>\n
Premonition (1953) by Remedios Varo.<\/em><\/p>\n \u2022 “Classical mythology, Arcadian idylls, occult speculation, and an interest in cultural curiosities coexisted in the grotto, allowing for the playful exploration of a new tension emerging between Nature and Artifice.” Laura Tradii<\/a> explores the artificial grottoes of the Renaissance and beyond.<\/p>\n \u2022 “Some of the symbols and signs seem like bridges to nowhere, and perhaps Nabokov was lovingly teasing our endless quest to find patterns and generate meaning.” David M. Rubin<\/a> on writing a response to a Nabokov short story.<\/p>\n \u2022 New music: “KMRU & Aho Ssan erupt in post-apocalyptic extremity with Resurgence<\/em><\/a>“. I did the layout for this latest release on the Subtext label<\/a> but I still haven’t got round to updating my web pages so you’ll have to take my word for it.<\/p>\n \u2022 Powell & Pressburger’s Black Narcissus<\/em> “unleashes a level of eroticism that\u2019s surprising for 1940s British cinema,” says Adam Scovell<\/a>.<\/p>\n \u2022 “Premonitions are impossible, and they come true all the time.” Fiona Sturges<\/a> reviews The Premonitions Bureau<\/em> by Sam Knight.<\/p>\n \u2022 Between Hell and Paradise: paintings by Hieronymus Bosch<\/a> and his followers at the Museum of Fine Arts, Budapest.<\/p>\n \u2022 At The Collector: Olivia Barrett<\/a> on the Voodoo Queens of New Orleans.<\/p>\n \u2022 Steven Heller’s font of the month is Astronef Super<\/a>.<\/p>\n \u2022 Mix of the week: Isolatedmix 118<\/a> by Pan American.<\/p>\n \u2022 TMP-01 Vintage Synth TV Series from Benge<\/a>.<\/p>\n \u2022 Vale, A Year In The Country<\/a>.<\/p>\n \u2022 Premonition<\/a><\/em> (1979) by Simple Minds | Premonition<\/a><\/em> (1980) by Cabaret Voltaire | Premonition (Giant Empty Iron Vessel)<\/em><\/a> (1987) by David Sylvian & Holger Czukay<\/p>\n","protected":false},"excerpt":{"rendered":" Premonition (1953) by Remedios Varo. \u2022 “Classical mythology, Arcadian idylls, occult speculation, and an interest in cultural curiosities coexisted in the grotto, allowing for the playful exploration of a new tension emerging between Nature and Artifice.” Laura Tradii explores the artificial grottoes of the Renaissance and beyond. \u2022 “Some of the symbols and signs seem … Continue reading “Weekend links 620”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 620","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,21,7,3,16,44,31,18,15,10],"tags":[6350,7444,12209,2420,150,12207,411,355,12210,69,2276,12208,12206,354,12212,12213,1431,12211,6781,1536,8295,807,185],"class_list":["post-21541","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-fantasy","category-film","category-music","category-occult","category-painting","category-religion","category-surrealism","category-technology","category-typography","tag-a-year-in-the-country","tag-adam-scovell","tag-aho-ssan","tag-benge","tag-cabaret-voltaire","tag-david-m-rubin","tag-david-sylvian","tag-emeric-pressburger","tag-fiona-sturges","tag-hieronymus-bosch","tag-holger-czukay","tag-kmru","tag-laura-tradii","tag-michael-powell","tag-olivia-barrett","tag-pan-american","tag-remedios-varo","tag-sam-knight","tag-simple-minds","tag-steven-heller","tag-subtext-recordings","tag-vladimir-nabokov","tag-voodoo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Br","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21541"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21541\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}