{"id":21494,"date":"2022-04-20T16:32:21","date_gmt":"2022-04-20T15:32:21","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21494"},"modified":"2022-04-20T16:32:21","modified_gmt":"2022-04-20T15:32:21","slug":"pavonine-pattern-play","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/04\/20\/pavonine-pattern-play\/","title":{"rendered":"Pavonine pattern play"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern1-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern1.jpg\" alt=\"pattern1.jpg\" \/><\/a><\/p>\n<p>One of the projects I&#8217;ve been working on recently contains a large quantity of Art Nouveau design. I can&#8217;t discuss this any further for the usual embargo reasons, but I can show off this pattern which has been generated as a by-product of the main work. This is one of those <em>fin-de-si\u00e8cle<\/em> designs that looks like it might have originated in the 1960s, a decade which saw a revival of interest in Art Nouveau graphics. Those sinuous lines would work well on a psychedelic poster, and there&#8217;s even a touch of Op art in the melting ovals that separate the peacock feathers.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern7.jpg\" alt=\"pattern7.jpg\" \/><\/p>\n<p>But this isn&#8217;t a design from 1970, it actually dates from 1900, the source being a small wallpaper sample that I spotted some years ago in <a href=\"https:\/\/digi.ub.uni-heidelberg.de\/diglit\/dkd1900_1901\/0146\/image,info#col_thumbs\" target=\"_blank\" rel=\"noopener\">issue 7 of <em>Deutsche Kunst und Dekoration<\/em><\/a>. &#8220;Frau Dunsky, Berlin&#8221; is named as the designer although there&#8217;s no further information about her design in the text. After seeing this I thought I&#8217;d have a go at copying the pattern in order to create a digital version but I soon gave up when it became apparent that too much work was required to convert the indistinct image into a sharp outline. I didn&#8217;t have a graphics tablet at the time, and my printer had broken down, so the only way to draw an outline was the hard way, using a mouse pointer.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern2-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern2.jpg\" alt=\"pattern2.jpg\" \/><\/a><\/p>\n<p><em>Vectorised and coloured.<\/em><\/p>\n<p>A few days ago I pulled out the copy I&#8217;d been working on and, since I now have a graphics tablet, decided to try again. Even though creating the outline was easier this time I still wasn&#8217;t sure whether a repeatable pattern would be possible. The magazine sample is slightly warped, and the repeated elements don&#8217;t match exactly when overlaid, but I was able to compensate for the flaws with some stretching and redrawing in Photoshop. It&#8217;s very satisfying getting something like this to work, even more so when it&#8217;s a 120-year-old design that you&#8217;ve managed to resurrect. I also feel a little familial continuity with this kind of pattern making. My mother worked as a textile designer for a few years in the 1950s, although she never worked on anything like this, the designs produced by her studio were generally chintz-like floral patterns.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern3.jpg\" alt=\"pattern3.jpg\" \/><\/p>\n<p>Prior to redrawing the peacock design I&#8217;d resurrected another wallpaper design from the same period. This is one of several examples by a French designer, Andr\u00e9 Morisset, that appeared in <a href=\"https:\/\/digi.ub.uni-heidelberg.de\/diglit\/art_decoratif1899_1900\/0150\/image,info#col_thumbs\" target=\"_blank\" rel=\"noopener\">issue 15 of <em>L&#8217;Art Decoratif<\/em><\/a>. Monsieur\u00a0Morisset&#8217;s design was easier to work into a digital version, being a better reproduction, while the design itself is a square that tiles vertically and horizontally so it&#8217;s easier to build into a pattern.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern4.jpg\" alt=\"pattern4.jpg\" \/><\/p>\n<p><em>Drawing the outline.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern5-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern5.jpg\" alt=\"pattern5.jpg\" \/><\/a><\/p>\n<p><em>A tessellated tiff.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern6-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/04\/pattern6.jpg\" alt=\"pattern6.jpg\" \/><\/a><\/p>\n<p><em>A coloured vector version.<\/em><\/p>\n<p>I&#8217;ll be doing a few more things like this when I get the chance. I&#8217;m not sure yet whether they&#8217;ll find a place in the things I&#8217;m working on, but once you have a satisfactory vector outline you can file the art away until you need it later.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/05\/19\/louis-rheads-peacocks\/\">Louis Rhead\u2019s peacocks<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/07\/peacocks\/\">Peacocks<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/30\/rene-beauclair\/\">Rene Beauclair<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/14\/whistlers-peacock-room\/\">Whistler\u2019s Peacock Room<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/01\/20\/beardsleys-salome\/\">Beardsley\u2019s Salom\u00e9<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the projects I&#8217;ve been working on recently contains a large quantity of Art Nouveau design. I can&#8217;t discuss this any further for the usual embargo reasons, but I can show off this pattern which has been generated as a by-product of the main work. This is one of those fin-de-si\u00e8cle designs that looks &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/04\/20\/pavonine-pattern-play\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Pavonine pattern play&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Pavonine pattern play","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,4,43,17,23],"tags":[12181,2260,444],"class_list":["post-21494","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-design","category-magazines","category-psychedelia","category-work","tag-andre-morisset","tag-frau-dunsky","tag-peacocks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5AG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21494"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21494\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}