{"id":21399,"date":"2022-03-12T19:42:44","date_gmt":"2022-03-12T19:42:44","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21399"},"modified":"2022-03-12T19:42:44","modified_gmt":"2022-03-12T19:42:44","slug":"weekend-links-612","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/03\/12\/weekend-links-612\/","title":{"rendered":"Weekend links 612"},"content":{"rendered":"<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Domenico_Remps_-_Cabinet_of_Curiosities_-_WGA19254.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/03\/remps.jpg\" alt=\"remps.jpg\" \/><\/a><\/p>\n<p><em>Cabinet of Curiosities (c. 1690s) by Domenico Remps. <\/em><\/p>\n<p>\u2022 &#8220;&#8230;the human voice is an astonishing landscape&#8221;. <a href=\"https:\/\/thequietus.com\/articles\/31252-desert-equations-azax-attra-made-to-measure-sussan-deyhim-richard-horowitz-review\" target=\"_blank\" rel=\"noopener\">Jeremy Allen<\/a> on <em>Desert Equations: Azax Attra<\/em> (1986) by Sussan Deyhim &amp; Richard Horowitz, an album which is being reissued by <a href=\"https:\/\/crammed-discs.bandcamp.com\/album\/desert-equations-azax-attra-made-to-measure-vol-8\" target=\"_blank\" rel=\"noopener\">Crammed Discs<\/a> with bonus tracks and an inexplicably rearranged track list. Good as it is, their follow-up release from 1996, <a href=\"https:\/\/www.discogs.com\/master\/817713-Richard-Horowitz-Sussan-Deyhim-Majoun\" target=\"_blank\" rel=\"noopener\"><em>Majoun<\/em><\/a>, is even better, and might be better known if it hadn&#8217;t been so thoroughly abandoned by Sony Classical.<\/p>\n<p>\u2022 &#8220;On view through May 29, <a href=\"https:\/\/www.dia.org\/byherhand\" target=\"_blank\" rel=\"noopener\"><em>By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500\u20131800<\/em><\/a> showcases masterpieces done by 17 Italian women to make the case for a broader view of women\u2019s participation in the Italian Renaissance.&#8221; <a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/you-know-artemisia-gentileschi-now-learn-about-these-other-renaissance-women-artists-180979618\/\" target=\"_blank\" rel=\"noopener\">Nora McGreevy<\/a> reports.<\/p>\n<p>\u2022 &#8220;We had a far more profound effect on society than we really understood, and some of us paid for that&#8221;: <a href=\"https:\/\/diggersdocs.home.blog\/2022\/03\/05\/we-had-a-far-more-profound-effect\/\" target=\"_blank\" rel=\"noopener\">Jane Lapiner and David Simpson<\/a> of the San Francisco Diggers talking to Jay Babcock in another installment of Jay\u2019s verbal history of the hippie anarchists.<\/p>\n<p>\u2022 &#8220;Close your eyes and you could almost imagine it\u2019s the muffled screams of a ghost trapped in a bottle.&#8221; <a href=\"https:\/\/thequietus.com\/articles\/31235-stars-of-the-lid-the-ballasted-orchestra\" target=\"_blank\" rel=\"noopener\">Daryl Worthington<\/a> on 25 years of <em>The Ballasted Orchestra<\/em> by Stars Of The Lid.<\/p>\n<p>\u2022 More <em>Dangerous Visions and New Worlds<\/em>: <a href=\"https:\/\/www.youtube.com\/watch?v=VpR0sPvt3us\" target=\"_blank\" rel=\"noopener\">Mike Stax talks with Michael Moorcock<\/a> about music, science fiction, politics, and their intersections in the 1960s.<\/p>\n<p>\u2022 &#8220;<a href=\"https:\/\/www.nytimes.com\/2022\/03\/08\/books\/cormac-mccarthy-new-novels.html\" target=\"_blank\" rel=\"noopener\">Cormac McCarthy to publish two new novels<\/a>.&#8221; Oboy oboy.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/larry-gottheim-day\/\" target=\"_blank\" rel=\"noopener\">Larry Gottheim<\/a> Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=17AiDQ2b0ww\" target=\"_blank\" rel=\"noopener\"><em>Metal Machine Music For Airports<\/em><\/a><\/p>\n<p>\u2022 <a href=\"https:\/\/search.marginalia.nu\/\" target=\"_blank\" rel=\"noopener\">Marginalia Search<\/a><\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=YDiQsfcKmO0\" target=\"_blank\" rel=\"noopener\"><em>Music For Meditation I<\/em><\/a> (1973) by\u00a0Eberhard Schoener | <a href=\"https:\/\/www.youtube.com\/watch?v=G0xyavRjz_M\" target=\"_blank\" rel=\"noopener\"><em>Music For Evenings<\/em><\/a> (1980) by Young Marble Giants | <a href=\"https:\/\/www.youtube.com\/watch?v=bsHUkK-qPoQ\" target=\"_blank\" rel=\"noopener\"><em>Music for Twin Peaks Episode #30 (Part I)<\/em><\/a> (1996) by Stars Of The Lid<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cabinet of Curiosities (c. 1690s) by Domenico Remps. \u2022 &#8220;&#8230;the human voice is an astonishing landscape&#8221;. Jeremy Allen on Desert Equations: Azax Attra (1986) by Sussan Deyhim &amp; Richard Horowitz, an album which is being reissued by Crammed Discs with bonus tracks and an inexplicably rearranged track list. Good as it is, their follow-up release &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/03\/12\/weekend-links-612\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 612&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 612","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,47,7,3,44,14,20],"tags":[4485,96,12115,12114,3109,12111,12118,12113,1801,9299,12117,65,12116,12112,1640,10503,5595,1639,7642],"class_list":["post-21399","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-cormac","category-film","category-music","category-painting","category-politics","category-science-fiction","tag-artemisia-gentileschi","tag-cormac-mccarthy","tag-daryl-worthington","tag-david-simpson","tag-dennis-cooper","tag-domenico-remps","tag-eberhard-schoener","tag-jane-lapiner","tag-jay-babcock","tag-jeremy-allen","tag-larry-gottheim","tag-michael-moorcock","tag-mike-stax","tag-nora-mcgreevy","tag-richard-horowitz","tag-san-francisco-diggers","tag-stars-of-the-lid","tag-sussan-deyhim","tag-young-marble-giants"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5z9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21399"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21399\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}