{"id":21362,"date":"2022-02-19T19:38:36","date_gmt":"2022-02-19T19:38:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21362"},"modified":"2022-02-19T19:38:36","modified_gmt":"2022-02-19T19:38:36","slug":"weekend-links-609","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/02\/19\/weekend-links-609\/","title":{"rendered":"Weekend links 609"},"content":{"rendered":"

\"tv1.jpg\"<\/a><\/p>\n

Cover of Tom Veitch Magazine #1 (1970).<\/em><\/p>\n

\u2022 RIP Tom Veitch<\/a>, a writer with whom I almost created a comic-book series in the 1990s. Things didn’t work out for a variety of reasons but we had some good conversations. All the news notices focus on his writing for comics, a career which ranged from angry, political strips with Greg Irons<\/a> to typical franchise fare. But he had short stories published in New Worlds<\/em> magazine when it was at its peak under Michael Moorcock’s editorship, and in Quark<\/em>, a short-lived paperback magazine edited by Samuel Delany & Marilyn Hacker. Veitch was also among the first 35 contributors to John Giorno’s Dial-a-Poem<\/a> service when it launched in 1968, part of a select group that included John Ashbery, William Burroughs and Allen Ginsberg. Related: An interview with Tom Veitch<\/a> on William Burroughs at Reality Studio.<\/p>\n

\u2022 “I won’t deny that I thought very much about a post punk influence on it. Everybody knows that I love post punk, but I didn’t want to copy anybody.” Robert Hampson<\/a> talking to Jonathan Selzer about the return of Loop.<\/p>\n

\u2022 “What Joyce and Eliot, Ulysses<\/em> and The Waste Land<\/em>, had in common was a showiness, an overt ambition as well as a magpie approach to literature as assemblage.” John Self<\/a> on the year 1922, “literature\u2019s year zero”.<\/p>\n

\u2022 At Spoon & Tamago: All of Japan\u2019s 47 prefectures captured in expressive typography<\/a>.<\/p>\n

\u2022 At Public Domain Review: Composition<\/em> (1905) by Arthur Wesley Dow<\/a>, a book for art students influenced by the example of Japanese prints.<\/p>\n

\u2022 At Wormwoodiana: Mark Valentine<\/a> on the unending attempts to solve The Mystery of Edwin Drood<\/em>.<\/p>\n

\u2022 Mixes of the week: Fact Mix 846 by Ehua<\/a>, and Soylent Green \u2013 No Escape by The Ephemeral Man<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Matthew Suss presents…Joseph Cornell<\/a> Day.<\/p>\n

\u2022 At Bandcamp: A guide to Alvin Lucier<\/a>.<\/p>\n

\u2022 Loop The Loop<\/em><\/a> (1980) by Young Marble Giants | Q-Loop<\/em><\/a> (1995) by Basic Channel | Loop-Loop<\/em><\/a> (1996) by Michael Rother<\/p>\n","protected":false},"excerpt":{"rendered":"

Cover of Tom Veitch Magazine #1 (1970). \u2022 RIP Tom Veitch, a writer with whom I almost created a comic-book series in the 1990s. Things didn’t work out for a variety of reasons but we had some good conversations. All the news notices focus on his writing for comics, a career which ranged from angry, … Continue reading “Weekend links 609”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 609","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,29,3,41,10],"tags":[967,3512,12089,12092,1480,3109,12090,12087,135,4191,2898,11590,12088,932,11903,2382,2903,12091,65,1671,346,2927,9268,5321,925,468,428,1190,7642],"class_list":["post-21362","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-electronica","category-music","category-sculpture","category-typography","tag-allen-ginsberg","tag-alvin-lucier","tag-arthur-wesley-dow","tag-basic-channel","tag-charles-dickens","tag-dennis-cooper","tag-ehua","tag-greg-irons","tag-james-joyce","tag-john-ashbery","tag-john-giorno","tag-john-self","tag-jonathan-selzer","tag-joseph-cornell","tag-loop-group","tag-marilyn-hacker","tag-mark-valentine","tag-matthew-suss","tag-michael-moorcock","tag-michael-rother","tag-new-worlds","tag-robert-hampson","tag-samuel-delany","tag-the-ephemeral-man","tag-tom-veitch","tag-ts-eliot","tag-ulysses","tag-william-burroughs","tag-young-marble-giants"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5yy","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21362"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21362\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}