{"id":21354,"date":"2022-02-12T19:28:01","date_gmt":"2022-02-12T19:28:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21354"},"modified":"2022-02-12T19:28:01","modified_gmt":"2022-02-12T19:28:01","slug":"weekend-links-608","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/02\/12\/weekend-links-608\/","title":{"rendered":"Weekend links 608"},"content":{"rendered":"<p><a href=\"https:\/\/web.archive.org\/web\/20091026202422\/http:\/\/geocities.com\/anaiselise2nd\/35_full_.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/02\/timlin.jpg\" alt=\"timlin.jpg\" \/><\/a><\/p>\n<p><em>The Temple, an illustration from <a href=\"https:\/\/web.archive.org\/web\/20091027084355\/http:\/\/geocities.com\/anaiselise2nd\/sec01.html\" target=\"_blank\" rel=\"noopener\">The Ship that Sailed to Mars<\/a> (1923) by William Timlin.<\/em><\/p>\n<p>\u2022 &#8220;With the <em>grotteschi<\/em>, Piranesi produced hybrid forms of ornament juxtaposed in an array without regard to single-point perspective. With his <em>capricci<\/em>, he brought disparate structures into a landscape that existed only within the borders of the plate. Perhaps because of his early fidelity to accuracy and the long tradition of printmaking as a medium for the measured representation of antique forms, Piranesi\u2019s <em>capricci<\/em> take on a particularly fantastic aura.&#8221; <a href=\"https:\/\/publicdomainreview.org\/essay\/a-paper-archaeology\" target=\"_blank\" rel=\"noopener\">Susan Stewart<\/a> on the ruinous fantasias of Giovanni Battista Piranesi, one of whose etchings happens to be providing the page header this month.<\/p>\n<p>\u2022 At Dangerous Minds: <em>23rd Century Giants<\/em>, the incredible true story of <a href=\"https:\/\/dangerousminds.net\/comments\/23rd_century_giants_the_incredible_true_story_of_renaldo_the_loaf\" target=\"_blank\" rel=\"noopener\">Renaldo &amp; The Loaf<\/a>! Oliver Hall conducts a long and very informative interview with two of Britain&#8217;s strangest music makers.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/kevinrichardmartin.bandcamp.com\/album\/nightcrawler-3\" target=\"_blank\" rel=\"noopener\"><em>Nightcrawler<\/em><\/a> by Kevin Richard Martin, recommended to anyone who enjoys the nocturnal doom of Bohren &amp; Der Club Of Gore; and <a href=\"https:\/\/leabertucci.bandcamp.com\/album\/murmurations\" target=\"_blank\" rel=\"noopener\"><em>Murmurations<\/em><\/a> by Lea Bertucci &amp; Ben Vida.<\/p>\n<blockquote><p>&#8220;Throughout the book, McCarthy writes as if he knows something that more conventional historians aren\u2019t always keen to accept: that the past doesn\u2019t always make sense, that it\u2019s often cruel and irrational, and that some things aren\u2019t so explainable. History is not a book waiting to be opened so much as a Pandora\u2019s box that might curse us and leave us chastened by what we find inside.&#8221;<\/p>\n<p><em><a href=\"https:\/\/lareviewofbooks.org\/article\/crossing-the-blood-meridian-cormac-mccarthy-and-american-history\/\" target=\"_blank\" rel=\"noopener\">Bennett Parten<\/a> on Cormac McCarthy&#8217;s baleful masterpiece, Blood Meridian<\/em><\/p><\/blockquote>\n<p>\u2022 &#8220;Inside me are two wolves and they are both paintings by Kazimierz Stabrowski.&#8221; <a href=\"https:\/\/unquietthings.com\/inside-me-are-two-wolves-and-they-are-both-paintings-by-kazimierz-stabrowski\/\" target=\"_blank\" rel=\"noopener\">S. Elizabeth<\/a>&#8216;s latest art discoveries.<\/p>\n<p>\u2022 At Wormwoodiana: <a href=\"http:\/\/wormwoodiana.blogspot.com\/2022\/02\/arthur-machen-and-mysteries-of-grail.html\" target=\"_blank\" rel=\"noopener\">Mark Valentine<\/a> on Arthur Machen and the mysteries of the Grail.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/thequietus.com\/articles\/31111-betty-davis-obituary\" target=\"_blank\" rel=\"noopener\">Betty Davis<\/a> and <a href=\"https:\/\/www.theguardian.com\/film\/2022\/feb\/11\/douglas-trumbull-obituary\" target=\"_blank\" rel=\"noopener\">Douglas Trumbull<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/tobe-hooper-day\/\" target=\"_blank\" rel=\"noopener\">Tobe Hooper<\/a> Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=DO7TXWAPqvs\" target=\"_blank\" rel=\"noopener\"><em>Temple Bells<\/em><\/a> (1959) by Frank Hunter And His Orchestra | <em><a href=\"https:\/\/www.youtube.com\/watch?v=JvsdIlo4JsM\" target=\"_blank\" rel=\"noopener\">Temple Of Gold<\/a><\/em> (1960) by Les Baxter | <em><a href=\"https:\/\/www.youtube.com\/watch?v=Fp9PG2IOmjY\" target=\"_blank\" rel=\"noopener\">Temple<\/a><\/em> (2018) by J\u00f3hann J\u00f3hannsson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Temple, an illustration from The Ship that Sailed to Mars (1923) by William Timlin. \u2022 &#8220;With the grotteschi, Piranesi produced hybrid forms of ornament juxtaposed in an array without regard to single-point perspective. With his capricci, he brought disparate structures into a landscape that existed only within the borders of the plate. Perhaps because &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/02\/12\/weekend-links-608\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 608&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 608","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,47,29,7,48,3,44,31],"tags":[197,12073,12074,8318,100,2028,96,3109,12076,12077,12071,7864,12075,11271,12072,7531,2903,10639,4249,1852,12070,9059,4877],"class_list":["post-21354","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-cormac","category-electronica","category-film","category-illustrators","category-music","category-painting","category-religion","tag-arthur-machen","tag-ben-vida","tag-bennett-parten","tag-betty-davis","tag-blood-meridian","tag-bohren-der-club-of-gore","tag-cormac-mccarthy","tag-dennis-cooper","tag-douglas-trumbull","tag-frank-hunter-and-his-orchestra","tag-giovanni-battista-piranesi","tag-johann-johannsson","tag-kazimierz-stabrowski","tag-kevin-richard-martin","tag-lea-bertucci","tag-les-baxter","tag-mark-valentine","tag-oliver-hall","tag-renaldo-the-loaf","tag-s-elizabeth","tag-susan-stewart","tag-tobe-hooper","tag-william-timlin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5yq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21354"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21354\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}