{"id":21246,"date":"2022-01-15T19:54:51","date_gmt":"2022-01-15T19:54:51","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21246"},"modified":"2022-01-15T19:54:51","modified_gmt":"2022-01-15T19:54:51","slug":"weekend-links-604","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/01\/15\/weekend-links-604\/","title":{"rendered":"Weekend links 604"},"content":{"rendered":"

\"ware.jpg\"<\/a><\/p>\n

Poster by Chris Ware for Uncle Boonmee Who Can Recall His Past Lives<\/a> (2010).<\/em><\/p>\n

\u2022 “He is a proponent of \u201cslow cinema,\u201d which is to say, movies that inspire reflection because they are unhurried but fluid, clear but framed by mystery.” Hilton Als<\/a> on the metaphysical world of Apichatpong Weerasethakul.<\/p>\n

\u2022 “You could take off your clothes and lay in the sun, nude, with other guys looking for sex, right in Manhattan. And the police didn\u2019t care. It was safe…” Stanley Stellar<\/a> on his photographs of New York\u2019s “Gay Piers”.<\/p>\n

\u2022 At Wormwoodiana: An interview with RB Russell<\/a> who talks about his new book, Robert Aickman: An Attempted Biography<\/em>.<\/p>\n

\u2022 New music: Mysterium<\/a><\/em> by Held By Trees; A Journey<\/em><\/a> by Hinako Omori; Waves<\/a><\/em> by The Soundcarriers.<\/p>\n

\u2022 Get some cosmic perspective with an updated version of Charles & Ray Eames’ Powers of Ten<\/em><\/a>.<\/p>\n

\u2022 You Cut Your Hair and Made a Friend: Richard Conway<\/a> on Ladytron\u2019s 604<\/em> and Light & Magic<\/em>.<\/p>\n

\u2022 At Unquiet Things: The Tawdry Technicolor Horrors of Vicente B. Ballestar<\/a>.<\/p>\n

\u2022 Alexis Petridis compiles a list of the late James Mtume<\/a>\u2019s greatest recordings.<\/p>\n

\u2022 Steven Heller\u2019s Font of the Month is Valvolina<\/a>.<\/p>\n

\u2022 Slow Motion<\/a><\/em> (1978) by Ultravox | Slow And Low<\/em><\/a> (1995) by Tetsu Inoue | Slow Burning Ghosts<\/em><\/a> (1996) by Paul Sch\u00fctze<\/p>\n","protected":false},"excerpt":{"rendered":"

Poster by Chris Ware for Uncle Boonmee Who Can Recall His Past Lives (2010). \u2022 “He is a proponent of \u201cslow cinema,\u201d which is to say, movies that inspire reflection because they are unhurried but fluid, clear but framed by mystery.” Hilton Als on the metaphysical world of Apichatpong Weerasethakul. \u2022 “You could take off … Continue reading “Weekend links 604”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 604","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,22,48,3,12,13,10],"tags":[5187,12013,162,12011,12014,12012,12015,12019,12017,465,163,8103,12016,2947,10778,1536,12020,4962,2210,12018],"class_list":["post-21246","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-illustrators","category-music","category-photography","category-science","category-typography","tag-alexis-petridis","tag-apichatpong-weerasethakul","tag-charles-eames","tag-chris-ware","tag-held-by-trees","tag-hilton-als","tag-hinako-omori","tag-james-mtume","tag-ladytron-group","tag-paul-schutze","tag-ray-eames","tag-rb-russell","tag-richard-conway","tag-robert-aickman","tag-stanley-stellar","tag-steven-heller","tag-tetsu-inoue","tag-the-soundcarriers","tag-ultravox","tag-vicente-b-ballestar"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5wG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21246"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21246\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}