{"id":21227,"date":"2022-01-08T20:23:28","date_gmt":"2022-01-08T20:23:28","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21227"},"modified":"2022-01-09T20:51:13","modified_gmt":"2022-01-09T20:51:13","slug":"weekend-links-603","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/01\/08\/weekend-links-603\/","title":{"rendered":"Weekend links 603"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/01\/weird.jpg\" alt=\"weird.jpg\" \/><\/p>\n<p><em>Weird Tales (Canada), May 1942. Cover art by Edmond Good.<\/em><\/p>\n<p>\u2022 &#8220;&#8230;in 1968, seven years after the MOMA retrospective, Orson Welles appreciatively got in touch and suggested that Bogdanovich do a book-length set of interviews with him like the one that Bogdanovich had just done with Ford. The resulting book, <em>This Is Orson Welles<\/em> (which took a winding path to publication, in 1992, seven years after Welles\u2019s death), is a classic of the literature of movies.&#8221; Richard Brody on the late <a href=\"https:\/\/www.newyorker.com\/culture\/postscript\/how-peter-bogdanovich-shaped-the-backstory-of-modern-cinema\" target=\"_blank\" rel=\"noopener\">Peter Bogdanovich<\/a>. The book of Welles interviews is one of my favourite film books, as good in its way as <em>Hitchcock\/Truffaut<\/em>, and like Truffaut&#8217;s book you wish it was twice as long.<\/p>\n<p>\u2022 At Public Domain Review: Paloma Ruiz and Hunter Dukes on <a href=\"https:\/\/publicdomainreview.org\/collection\/frogs-to-apollo\" target=\"_blank\" rel=\"noopener\">Johann Caspar Lavater&#8217;s frog-to-human physiognomies<\/a>. If you reverse the sequence, as I did for one of the illustrations in <a href=\"http:\/\/www.johncoulthart.com\/bibliopoesy\/lovecraftsmonsters.html\" target=\"_blank\" rel=\"noopener\"><em>Lovecraft&#8217;s Monsters<\/em><\/a>, you approach <em>The Shadow Over Innsmouth<\/em>.<\/p>\n<p>\u2022 The week in virtual exploration (via MetaFilter): <a href=\"https:\/\/minitokyo3d.com\/\" target=\"_blank\" rel=\"noopener\">Mini Tokyo 3D<\/a> and <a href=\"http:\/\/explore.soane.org\/?_ga=2.223419867.1577745166.1641570824-277149445.1641570824#\/\" target=\"_blank\" rel=\"noopener\">Explore the Soane Museum<\/a>, London.<\/p>\n<p>\u2022 Submissions are open for the 16th issue of Dada journal <a href=\"https:\/\/threeroomspress.submittable.com\/submit\/210431\/maintenant-16-a-journal-of-contemporary-dada-writing-and-art\"><em>Maintenant<\/em><\/a> which will have the theme &#8220;Nyet Zero&#8221;.<\/p>\n<p>\u2022 At Spoon &amp; Tamago: <a href=\"https:\/\/www.spoon-tamago.com\/2022\/01\/03\/144-maekake-apron-exhibition\/\" target=\"_blank\" rel=\"noopener\">Artists and artisans collaborate on exhibition of 144 maekake aprons<\/a>.<\/p>\n<p>\u2022 DJ Food unearths flyers and posters for the <a href=\"http:\/\/www.djfood.org\/a-million-volt-light-sound-rave\/\" target=\"_blank\" rel=\"noopener\">Million Volt Light &amp; Sound Rave<\/a>, 1967.<\/p>\n<p>\u2022 Mix of the week: Isolatedmix 116 by <a href=\"https:\/\/www.astrangelyisolatedplace.com\/blog\/2022\/1\/3\/isolatedmix-116-chris-ssg\" target=\"_blank\" rel=\"noopener\">Chris SSG<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/stephen-dwoskin-day\/\" target=\"_blank\" rel=\"noopener\">Stephen Dwoskin<\/a> Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=8K1sEVOL84U\" target=\"_blank\" rel=\"noopener\"><em>The Little Blue Frog<\/em><\/a> (1970) by Miles Davis | <em><a href=\"https:\/\/www.youtube.com\/watch?v=g-6PuzqoNYQ\" target=\"_blank\" rel=\"noopener\">Jail-House Frog<\/a><\/em> (1972) by Amon D\u00fc\u00fcl II | <a href=\"https:\/\/www.youtube.com\/watch?v=4c5xwHq3LGA\" target=\"_blank\" rel=\"noopener\"><em>Tree Frog<\/em><\/a> (1995) by Facil<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Weird Tales (Canada), May 1942. Cover art by Edmond Good. \u2022 &#8220;&#8230;in 1968, seven years after the MOMA retrospective, Orson Welles appreciatively got in touch and suggested that Bogdanovich do a book-length set of interviews with him like the one that Bogdanovich had just done with Ford. The resulting book, This Is Orson Welles (which &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/01\/08\/weekend-links-603\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 603&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 603","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,7,22,43,3,17,13],"tags":[2169,8755,3109,4941,11996,12001,9291,1687,11998,11999,3378,11387,1515,762,11997,2868,6695,12000,2396],"class_list":["post-21227","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-film","category-horror","category-magazines","category-music","category-psychedelia","category-science","tag-amon-duul-ii","tag-chris-ssg","tag-dennis-cooper","tag-dj-food","tag-edmond-good","tag-facil","tag-francois-truffaut","tag-hp-lovecraft","tag-hunter-dukes","tag-johann-caspar-lavater","tag-john-soane","tag-maintenant-journal","tag-miles-davis","tag-orson-welles","tag-paloma-ruiz","tag-peter-bogdanovich","tag-richard-brody","tag-stephen-dwoskin","tag-weird-tales"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5wn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21227"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21227\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}