{"id":21129,"date":"2021-11-29T16:29:09","date_gmt":"2021-11-29T16:29:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21129"},"modified":"2021-12-15T14:58:05","modified_gmt":"2021-12-15T14:58:05","slug":"bill-travis-revisited","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/11\/29\/bill-travis-revisited\/","title":{"rendered":"Bill Travis revisited"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/11\/travis1.jpg\" alt=\"travis1.jpg\" \/><\/p>\n<p><em>\u201cTodd,\u201d backlit alternative process photo with wax, 28 x 41 in., 2017.<\/em><\/p>\n<p>Bill Travis was in touch last week to let me know about <a href=\"https:\/\/www.billtravis.art\/\" target=\"_blank\" rel=\"noopener\">his new website<\/a> which showcases his latest artwork. Travis&#8217;s photographs of male bodies. pastoral views and cityscapes are processed in a manner that gives them a painted finish, with the prints being further backlit to create the luminosity commonly associated with stained-glass windows. It&#8217;s a beautiful effect that enhances the inherent beauty of the images. Some of the prints are <a href=\"https:\/\/www.billtravis.art\/shop\" target=\"_blank\" rel=\"noopener\">available for purchase<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/11\/travis2.jpg\" alt=\"travis2.jpg\" \/><\/p>\n<p><em>\u201cDancers 1,\u201d backlit alternative process photo with wax and oil paint, 22 x 18 in., 2019.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/11\/travis3.jpg\" alt=\"travis3.jpg\" \/><\/p>\n<p><em>&#8220;Receive Me Darkness&#8221; (artist book), pp. 36-37, mixed media, 24 x 36 in., 2021.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/15\/the-art-of-bill-travis\/\">The art of Bill Travis<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cTodd,\u201d backlit alternative process photo with wax, 28 x 41 in., 2017. Bill Travis was in touch last week to let me know about his new website which showcases his latest artwork. Travis&#8217;s photographs of male bodies. pastoral views and cityscapes are processed in a manner that gives them a painted finish, with the prints &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/11\/29\/bill-travis-revisited\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Bill Travis revisited&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Bill Travis revisited","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,5,12],"tags":[11955],"class_list":["post-21129","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-gay","category-photography","tag-bill-travis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5uN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21129"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21129\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}