{"id":21093,"date":"2021-11-20T19:53:23","date_gmt":"2021-11-20T19:53:23","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21093"},"modified":"2021-11-20T19:53:23","modified_gmt":"2021-11-20T19:53:23","slug":"weekend-links-596","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/11\/20\/weekend-links-596\/","title":{"rendered":"Weekend links 596"},"content":{"rendered":"

\"hoshiyama.jpg\"<\/a><\/p>\n

Jam III (2021) by Kotaro Hoshiyama.<\/em><\/p>\n

\u2022 “Powell and Pressburger are peerless in realizing what Orson Welles would term plotless scenes\u2014extra bits that ostensibly do not advance the story, but are a story unto themselves, and aggregate such that they\u2019re vital to how we understand the characters who are living the story.” Colin Fleming<\/a> says thanks for the Archers.<\/p>\n

\u2022 A short promo for The Incal: The Movie<\/em><\/a>. Hmm, okay. A film that adapted all 300 pages of the original story without changing anything or trying to explain away the weirdness would be worth seeing. But I doubt that’s what this will be. Read the book<\/a>.<\/p>\n

\u2022 “If a single word distills the New Wave aesthetic, it\u2019s plastic…ironically flaunted artificiality became a leitmotif of the era.” Simon Reynolds<\/a> reviews Reversing Into the Future: New Wave Graphics 1977\u20131990 <\/em>by Andrew Krivine.<\/p>\n

\u2022 Mixes of the week: a mix by Princess Diana Of Wales<\/a> (not that one) for The Wire<\/em>, and At The Outer Marker Part I<\/em>, a Grateful Dead Twilight Zone<\/em> mix by David Colohan<\/a>.<\/p>\n

\u2022 The Bloomingdale Story<\/em><\/a>: read the never-before published Patricia Highsmith draft that would become Carol<\/em> (aka The Price of Salt<\/em>).<\/p>\n

\u2022 At Spoon & Tamago: Multiple panels form collaged portraits painted by Kotaro Hoshiyama<\/a>.<\/p>\n

\u2022 New music: Pyroclasts F (excerpt)<\/em><\/a> by Sunn O))), and Loop return with Halo<\/em><\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: William E. Jones<\/a> Day.<\/p>\n

\u2022 Plastic Bamboo<\/em><\/a> (1978) by Ryuichi Sakamoto | Barock-Plastik<\/a><\/em> (2000) by Stereolab | Black Plastic<\/a><\/em> (2002) by Ladytron<\/p>\n","protected":false},"excerpt":{"rendered":"

Jam III (2021) by Kotaro Hoshiyama. \u2022 “Powell and Pressburger are peerless in realizing what Orson Welles would term plotless scenes\u2014extra bits that ostensibly do not advance the story, but are a story unto themselves, and aggregate such that they\u2019re vital to how we understand the characters who are living the story.” Colin Fleming says … Continue reading “Weekend links 596”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 596","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,4,7,5,3,44,20],"tags":[718,11901,4401,7160,3109,355,3450,11900,4210,11903,354,8235,11902,1412,1216,2407,2147,4151,3204],"class_list":["post-21093","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-film","category-gay","category-music","category-painting","category-science-fiction","tag-alejandro-jodorowsky","tag-andrew-krivine","tag-colin-fleming","tag-david-colohan","tag-dennis-cooper","tag-emeric-pressburger","tag-jean-giraud-moebius","tag-kotaro-hoshiyama","tag-ladytron","tag-loop-group","tag-michael-powell","tag-patricia-highsmith","tag-princess-diana-of-wales","tag-ryuichi-sakamoto","tag-simon-reynolds","tag-stereolab","tag-sunn-o","tag-the-grateful-dead","tag-william-e-jones"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5ud","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21093"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21093\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}