{"id":20855,"date":"2021-09-11T20:05:23","date_gmt":"2021-09-11T19:05:23","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20855"},"modified":"2025-09-21T12:02:30","modified_gmt":"2025-09-21T11:02:30","slug":"weekend-links-586","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/09\/11\/weekend-links-586\/","title":{"rendered":"Weekend links 586"},"content":{"rendered":"<p><a href=\"https:\/\/smithsonianlibraries.tumblr.com\/post\/184898065990\/proving-that-nothing-is-new-under-the-sun-we\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/09\/ertz.jpg\" alt=\"ertz.jpg\" \/><\/a><\/p>\n<p><em>Cover by Gordon Ertz for The Inland Printer, June 1916.<\/em><\/p>\n<p>\u2022 &#8220;I worry that enthusiasm is being mistaken for a moral virtue, and negative criticism for a character flaw.&#8221; <a href=\"https:\/\/unherd.com\/2021\/09\/the-dying-art-of-the-hatchet-job\/\" target=\"_blank\" rel=\"noopener\">Dorian Lynskey<\/a> on the dying art of the hatchet job. Also a reminder (not that we require it) that the word &#8220;fan&#8221; in this context has always been an abbreviation of &#8220;fanatic&#8221;.<\/p>\n<p>\u2022 Culture.pl explores the work of <a href=\"https:\/\/culture.pl\/en\/podcast\/SFTEW-35-VISIONARY\" target=\"_blank\" rel=\"noopener\">Stanis\u0142aw Lem<\/a>, the science-fiction writer &#8220;whose works, abilities and quirky sense of humor convinced Philip K. Dick that he was too brilliant to exist and must have actually been a committee of people&#8221;.<\/p>\n<p>\u2022 The electronic music of Paul Sch\u00fctze receives a reappraisal on Phantom Limb in November with a compilation album, <a href=\"https:\/\/phantomlimblabel.bandcamp.com\/album\/the-second-law\" target=\"_blank\" rel=\"noopener\"><em>The Second Law<\/em><\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/lithub.com\/amanita-muscaria-the-real-life-mushroom-we-know-from-disney-movies\/\" target=\"_blank\" rel=\"noopener\">Aliya Whiteley<\/a> on <em>Amanita Muscaria<\/em>, the hallucinogenic mushroom seen in hundreds of fairy-tale illustrations.<\/p>\n<p>\u2022 Stuart Firestein talks to <a href=\"http:\/\/nautil.us\/issue\/105\/whale-songs\/the-man-who-seduced-the-world-with-whale-songs\" target=\"_blank\" rel=\"noopener\">Roger Payne<\/a> about changing the world&#8217;s attitude to whales by recording their songs.<\/p>\n<p>\u2022 Jennifer Lucy Allan talks to <a href=\"https:\/\/thequietus.com\/articles\/30468-sam-underwood-ams-interview\" target=\"_blank\" rel=\"noopener\">Sam Underwood<\/a> about his unique Acoustic Modular Synth.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.ruv.is\/frett\/2021\/09\/07\/songkona-i-stad-tolvu-i-lagi-um-mennskar-tilfinningar\" target=\"_blank\" rel=\"noopener\">J\u00f3na G. Kolbr\u00fanard\u00f3ttir<\/a> sings <em>Odi Et Amo<\/em> from <em>Englab\u00f6rn<\/em> by J\u00f3hann J\u00f3hannsson.<\/p>\n<p>\u2022 A forthcoming release on Dark Entries: <a href=\"https:\/\/darkentriesrecords.bandcamp.com\/album\/back-up-mexican-tecno-pop-1980-1989\" target=\"_blank\" rel=\"noopener\"><em>Back Up: Mexican Tecno Pop 1980\u20131989<\/em><\/a>.<\/p>\n<p>\u2022 Luc Sante looks at <a href=\"https:\/\/www.theparisreview.org\/blog\/2021\/09\/07\/jim-jarmuschs-collages\/\" target=\"_blank\" rel=\"noopener\">Jim Jarmusch\u2019s collages<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/articles\/30470-john-grant-bakers-dozen-favourite-albums\" target=\"_blank\" rel=\"noopener\">John Grant<\/a>&#8216;s favourite albums.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/music\/2021\/sep\/11\/michael-chapman-british-folk-musician-dies-aged-80\" target=\"_blank\" rel=\"noopener\">Michael Chapman<\/a>.<\/p>\n<p>\u2022\u00a0<em><a href=\"https:\/\/www.youtube.com\/watch?v=pDj5eKqhxCs\" target=\"_blank\" rel=\"noopener\">The Divination Of The Bowhead Whale<\/a><\/em> (1978) by David Toop &amp; Max Eastley | <em><a href=\"https:\/\/www.youtube.com\/watch?v=ypc38uoTYEs\" target=\"_blank\" rel=\"noopener\">Keflavik: The Whale Dance<\/a><\/em> (1980) by Richard Pinhas | <em><a href=\"https:\/\/www.youtube.com\/watch?v=k1VztU9NRI8\" target=\"_blank\" rel=\"noopener\">Ballet For A Blue Whale<\/a><\/em> (1983) by Adrian Belew<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cover by Gordon Ertz for The Inland Printer, June 1916. \u2022 &#8220;I worry that enthusiasm is being mistaken for a moral virtue, and negative criticism for a character flaw.&#8221; Dorian Lynskey on the dying art of the hatchet job. Also a reminder (not that we require it) that the word &#8220;fan&#8221; in this context has &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/09\/11\/weekend-links-586\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 586&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 586","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,851,29,21,3,20,13,15],"tags":[3013,11755,412,6244,1547,10535,4334,7864,11760,11759,7717,140,1334,465,667,891,11757,11758,2663,11756],"class_list":["post-20855","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-drugs","category-electronica","category-fantasy","category-music","category-science-fiction","category-science","category-technology","tag-adrian-belew","tag-aliya-whiteley","tag-david-toop","tag-dorian-lynskey","tag-gordon-ertz","tag-jennifer-lucy-allan","tag-jim-jarmusch","tag-johann-johannsson","tag-john-grant","tag-jona-g-kolbrunardottir","tag-luc-sante","tag-max-eastley","tag-michael-chapman","tag-paul-schutze","tag-philip-k-dick","tag-richard-pinhas","tag-roger-payne","tag-sam-underwood","tag-stanislaw-lem","tag-stuart-firestein"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5qn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20855"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20855\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}