{"id":20785,"date":"2021-08-11T16:35:37","date_gmt":"2021-08-11T15:35:37","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20785"},"modified":"2021-08-11T16:35:37","modified_gmt":"2021-08-11T15:35:37","slug":"typografia-1903-04","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/08\/11\/typografia-1903-04\/","title":{"rendered":"Typografia, 1903\u201304"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia01.jpg\" alt=\"typografia01.jpg\" \/><\/p>\n<p>The Internet Archive has a few bound volumes of this Czech print journal in its collection, although not a complete run, unfortunately. The most interesting one for me is <a href=\"https:\/\/archive.org\/details\/typografia1519unse\" target=\"_blank\">Volume 15<\/a> which covers the years 1903 to 1904, a period in which the Art Nouveau style predominates. Prague is often listed as a centre of Art Nouveau but good examples of this aren&#8217;t always easy to find. <em>Typografia<\/em> does at least demonstrate that all the familiar elements\u2014sinuous borders, floral motifs, stylised female figures\u2014had found their way into Czech design even if many of the typefaces being showcased had their origins in Germany.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia02.jpg\" alt=\"typografia02.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia03.jpg\" alt=\"typografia03.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia04.jpg\" alt=\"typografia04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia05.jpg\" alt=\"typografia05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia06.jpg\" alt=\"typografia06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia07.jpg\" alt=\"typografia07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia08.jpg\" alt=\"typografia08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia09.jpg\" alt=\"typografia09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia10.jpg\" alt=\"typografia10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia11.jpg\" alt=\"typografia11.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia12.jpg\" alt=\"typografia12.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia13.jpg\" alt=\"typografia13.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia14.jpg\" alt=\"typografia14.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia15.jpg\" alt=\"typografia15.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia16.jpg\" alt=\"typografia16.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia17.jpg\" alt=\"typografia17.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/08\/typografia18.jpg\" alt=\"typografia18.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/02\/23\/typographische-jahrbucher-1902\/\">Typographische Jahrb\u00fccher, 1902<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Internet Archive has a few bound volumes of this Czech print journal in its collection, although not a complete run, unfortunately. The most interesting one for me is Volume 15 which covers the years 1903 to 1904, a period in which the Art Nouveau style predominates. Prague is often listed as a centre of &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/08\/11\/typografia-1903-04\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Typografia, 1903\u201304&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Typografia, 1903\u201304","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,42,4,10],"tags":[11708],"class_list":["post-20785","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-books","category-design","category-typography","tag-typografia"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5pf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20785"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20785\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}