{"id":20754,"date":"2021-07-31T20:18:24","date_gmt":"2021-07-31T19:18:24","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20754"},"modified":"2021-08-13T15:26:23","modified_gmt":"2021-08-13T14:26:23","slug":"weekend-links-580","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/07\/31\/weekend-links-580\/","title":{"rendered":"Weekend links 580"},"content":{"rendered":"

\"kausch.jpg\"<\/a><\/p>\n

The Collective Lie We All Live By, a cut-paper collage by Allan Kausch from Maintenant 15<\/a>, A Journal of Contemporary Dada Writing and Art.<\/em><\/p>\n

\u2022 “It\u2019s unusual that an album manages to be at once so much of its moment, yet so much outside it. Time<\/em> was unmistakably a response to the electronic and synth waves that rose in the wake of punk. It was also a concept album about time travel, which couldn\u2019t have been more pre-punk had it been focus-grouped that way.” David Bennun<\/a> on Time<\/em> (1981), ELO’s masterwork of science-fiction pop. The first song on the album, Twilight<\/em>, is a thundering piece of synth bombast that prefigures Trevor Horn’s equally bombastic productions, and was used to memorable effect in the copyright-infringing animation<\/a> made in 1983 for the opening of Daicon IV.<\/p>\n

\u2022 New music: Disciples Of The Scorpion<\/em><\/a> by The Rowan Amber Mill, and Shade<\/em><\/a> by Grouper.<\/p>\n

\u2022 “Psychedelic spirituality: Inside a growing Bay Area religious movement<\/a>“.<\/p>\n

\u2022 “It’s time to farewell this project,” says Ballardian<\/a>.<\/p>\n

\u2022 At Wormwoodiana: the seven greek vowels<\/a>.<\/p>\n

\u2022 A playlist for The Wire<\/em> by Douglas Benford<\/a>.<\/p>\n

\u2022 Norman Blake<\/a>‘s favourite albums.<\/p>\n

\u2022 Astronomia Playing Cards<\/a>.<\/p>\n

\u2022 RIP Dusty Hill<\/a>.<\/p>\n

\u2022 Time<\/a><\/em> (1973) by David Bowie | Time<\/a><\/em> (1976) by La D\u00fcsseldorf | Time<\/a><\/em> (1992) by Lull<\/p>\n","protected":false},"excerpt":{"rendered":"

The Collective Lie We All Live By, a cut-paper collage by Allan Kausch from Maintenant 15, A Journal of Contemporary Dada Writing and Art. \u2022 “It\u2019s unusual that an album manages to be at once so much of its moment, yet so much outside it. Time was unmistakably a response to the electronic and synth … Continue reading “Weekend links 580”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 580","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,1029,4,851,29,7,43,3,31,20,13],"tags":[3008,792,9589,1301,11684,11686,6049,9479,8004,6615,11387,11685,5356,1551],"class_list":["post-20754","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-collage","category-design","category-drugs","category-electronica","category-film","category-magazines","category-music","category-religion","category-science-fiction","category-science","tag-allan-kausch","tag-ballardian","tag-david-bennun","tag-david-bowie","tag-douglas-benford","tag-dusty-hill","tag-elo","tag-grouper","tag-la-dusseldorf","tag-lull-musician","tag-maintenant-journal","tag-norman-blake","tag-the-rowan-amber-mill","tag-trevor-horn"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5oK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20754"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20754\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}