{"id":20692,"date":"2021-07-03T20:01:27","date_gmt":"2021-07-03T19:01:27","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20692"},"modified":"2021-07-03T20:01:27","modified_gmt":"2021-07-03T19:01:27","slug":"weekend-links-576","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/07\/03\/weekend-links-576\/","title":{"rendered":"Weekend links 576"},"content":{"rendered":"

\"haberfield.jpg\"<\/a><\/p>\n

Cover art by Bob Haberfield, 1976.<\/em><\/p>\n

\u2022 I’ve been reliably informed that Australian artist Bob Haberfield died recently but I can’t point to an online confirmation of this so you’ll have to take my word for it. “Science” and “sorcery” might describe the two poles of Haberfield’s career while he was working as a cover artist. His paintings made a big impression on British readers of fantasy and science fiction in the 1970s, especially if you were interested in Michael Moorcock’s books when they appeared en masse as Mayflower paperbacks covered in Haberfield’s art. Haberfield also appeared alongside Bruce Pennington providing covers for Panther paperbacks by HP Lovecraft, Clark Ashton Smith and others, although his work there isn’t always credited. Dangerous Minds<\/a> collected some of his covers for a feature in 2017. (The US cover for The Iron Dream<\/em> isn’t a Haberfield, however.)<\/p>\n

\u2022 “Like Alice, who can only reach the house in Through the Looking-Glass<\/em> by turning her back to it, Gorey reversed the usual advice to ‘write what you know’ and wrote the apparent opposite of his own situation.” Rosemary Hill<\/a> reviewing Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey<\/em> by Mark Dery.<\/p>\n

\u2022 “Orvil…wanders the countryside, visits churches, rummages in antique shops, and encounters strange men to whom he is no doubt equally strange.” John Self<\/a> reviewing a new edition of In Youth Is Pleasure<\/em> by Denton Welch.<\/p>\n

\u2022 At the Wyrd Daze<\/em> blog<\/a>: Q&A sessions with Stephen Buckley (aka Polypores), Gareth Hanrahan, and Kemper Norton.<\/p>\n

\u2022 “Fellini liked to say that ‘I fall asleep, and the f\u00eate begins’.” Matt Hanson<\/a> on Federico Fellini\u2019s phenomenal films.<\/p>\n

\u2022 A Beautiful Space: Ned Raggett talks to Mick Harris<\/a> about the thirty-year history of Scorn.<\/p>\n

\u2022 Deep in the dial: Lawrence English<\/a> on the enduring appeal of shortwave radio.<\/p>\n

\u2022 Clive Hicks-Jenkins<\/a> on making a picture for Annie Darwin (1841\u20131851).<\/p>\n

\u2022 DJ Food<\/a> looks at pages from Grunt Free Press<\/em> circa 1970.<\/p>\n

\u2022 Mix of the week: Fact Mix 814 by Loraine James<\/a>.<\/p>\n

\u2022 New music: Clash (feat. Logan)<\/em><\/a> by The Bug.<\/p>\n

\u2022 At BLDGBLOG: Terrestrial Astronomy<\/a>.<\/p>\n

\u2022 LoneLady<\/a>‘s favourite albums.<\/p>\n

\u2022 At Dennis Cooper’s: Porn 2<\/a>.<\/p>\n

\u2022 Tilings Encyclopedia<\/a><\/p>\n

\u2022 Betrayal (Sorcerer Theme)<\/a><\/em> (1977) by Tangerine Dream | Science Fiction<\/em><\/a> (1981) by Andy Burnham | Sorceress<\/a><\/em> (2018) by Beautify Junkyards<\/p>\n","protected":false},"excerpt":{"rendered":"

Cover art by Bob Haberfield, 1976. \u2022 I’ve been reliably informed that Australian artist Bob Haberfield died recently but I can’t point to an online confirmation of this so you’ll have to take my word for it. “Science” and “sorcery” might describe the two poles of Haberfield’s career while he was working as a cover … Continue reading “Weekend links 576”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 576","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,21,7,5,22,48,43,3,17,20,13,15],"tags":[11595,11591,9276,1841,2238,2783,1279,767,3109,3886,4941,2313,6674,11597,11592,1687,11590,11598,8696,11594,6990,11593,2389,10915,65,6625,5809,8112,11589,9591,11596,889,10651,5379],"class_list":["post-20692","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-fantasy","category-film","category-gay","category-horror","category-illustrators","category-magazines","category-music","category-psychedelia","category-science-fiction","category-science","category-technology","tag-andy-burnham","tag-annie-darwin","tag-beautify-junkyards","tag-bldgblog","tag-bob-haberfield","tag-bruce-pennington","tag-clark-ashton-smith","tag-clive-hicks-jenkins","tag-dennis-cooper","tag-denton-welch","tag-dj-food","tag-edward-gorey","tag-federico-fellini","tag-gareth-hanrahan","tag-grunt-free-press","tag-hp-lovecraft","tag-john-self","tag-kemper-norton","tag-lawrence-english","tag-logan-musician","tag-lonelady","tag-loraine-james","tag-mark-dery","tag-matt-hanson","tag-michael-moorcock","tag-mick-harris","tag-ned-raggett","tag-polypores","tag-rosemary-hill","tag-scorn-group","tag-stephen-buckley","tag-tangerine-dream","tag-the-bug-group","tag-wyrd-daze"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5nK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20692"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20692\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}