{"id":2068,"date":"2007-06-18T01:23:00","date_gmt":"2007-06-18T00:23:00","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2068"},"modified":"2008-07-21T18:30:45","modified_gmt":"2008-07-21T17:30:45","slug":"finnegan-begin-again","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/18\/finnegan-begin-again\/","title":{"rendered":"Finnegan begin again"},"content":{"rendered":"

\"joyce2.jpg\"<\/p>\n

I posted an old James Joyce portrait sketch for Bloomsday<\/a> a couple of days ago and today decided to rework it as a vector graphic. This is the result. I was producing a lot of sketches like this while working on Reverbstorm<\/em><\/a> a decade ago, most of them post-Picasso\/Bauhaus\/De Stijl variations. Joyce is particularly easy to render in a semi-abstract form on account of his distinctive features and apparel: hat, glasses, nose, moustache and bow tie. The Reverbstorm<\/em> series is still in the process of being reworked as a single volume so this will probably find a home there.<\/p>\n","protected":false},"excerpt":{"rendered":"

I posted an old James Joyce portrait sketch for Bloomsday a couple of days ago and today decided to rework it as a vector graphic. This is the result. I was producing a lot of sketches like this while working on Reverbstorm a decade ago, most of them post-Picasso\/Bauhaus\/De Stijl variations. Joyce is particularly easy … Continue reading “Finnegan begin again”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,4,23],"tags":[135,165,728],"class_list":["post-2068","post","type-post","status-publish","format-standard","hentry","category-books","category-design","category-work","tag-james-joyce","tag-picasso","tag-reverbstorm"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-xm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2068"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2068\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}