{"id":20618,"date":"2021-05-29T20:34:50","date_gmt":"2021-05-29T19:34:50","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20618"},"modified":"2021-05-29T20:34:50","modified_gmt":"2021-05-29T19:34:50","slug":"weekend-links-571","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/05\/29\/weekend-links-571\/","title":{"rendered":"Weekend links 571"},"content":{"rendered":"

\"valck.jpg\"<\/a><\/p>\n

Habit d’Astrologue (c. 1700) by Gerard Valck.<\/em><\/p>\n

\u2022 “The Appointed Cloud<\/em> begins with the high-pitched, keening sound of many bagpipes noisily playing at once\u2014and then the music slowly coalesces, approaching a peaceful, tranquil hum. This gives way to fast-paced repetitive pulses, reminiscent of the minimalist works of composers such as Terry Riley and Philip Glass. Then the bagpipes join in once more, in a ferocious swarm of energy.” Geeta Dayal<\/a> on the music of Yoshi Wada.<\/p>\n

\u2022 “How can we conceive of the time of climate change, the time of planetary death? The House on the Borderland<\/em> tried to conceive of exactly this a century ago. Yes, the narrator\u2019s acts are fruitless. He gets haplessly carted about the universe to witness the end of time, which never really ends, is always at the edge, nearing an asymptote, on the borderland.” Namwali Serpell<\/a> journeys through space and time with William Hope Hodgson.<\/p>\n

\u2022 The Bureau of Lost Culture: DJ Food hosts a podcast discussion with Tony Bennett<\/a>, founder and publisher of Knockabout Comics.<\/p>\n

\u2022 Mixes of the week: Isolated Mix 111 (plus interview) by Ian Boddy<\/a>, and a Wire<\/em> mix (plus interview) by Teresa Winter<\/a>.<\/p>\n

\u2022 Fantastic visions and unknown worlds: Edwin Pouncey<\/a> on Van Der Graaf Generator\u2019s sleeve art.<\/p>\n

\u2022 At Spoon & Tamago: Sculptor Kenichi Nakaya<\/a> reconfigures ubiquitous Japanese rural crafts.<\/p>\n

\u2022 My Bloody Valentine\u2019s Kevin Shields<\/a>: “We wanted to sound like a band killing their songs.”<\/p>\n

\u2022 At Wormwoodiana: More earth mysteries are explored in Northern Earth<\/em><\/a> magazine.<\/p>\n

\u2022 New music: Black Horses Of The Sun<\/em><\/a> by Dave Bessell.<\/p>\n

\u2022 The Exotica Project: One Hundred Dreamland 45s<\/a><\/p>\n

\u2022 At Dennis Cooper’s: Hans Richter<\/a> Day.<\/p>\n

\u2022 Mdou Moctar<\/a>‘s favourite music.<\/p>\n

\u2022 Earth Floor<\/a><\/em> (1985) by Michael Brook | Earth Tribe<\/a><\/em> (1993) by Transglobal Underground | Earth Lights<\/a><\/em> (2012) by Belbury Poly<\/p>\n","protected":false},"excerpt":{"rendered":"

Habit d’Astrologue (c. 1700) by Gerard Valck. \u2022 “The Appointed Cloud begins with the high-pitched, keening sound of many bagpipes noisily playing at once\u2014and then the music slowly coalesces, approaching a peaceful, tranquil hum. This gives way to fast-paced repetitive pulses, reminiscent of the minimalist works of composers such as Terry Riley and Philip Glass. … Continue reading “Weekend links 571”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 571","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,2,42,9,4,29,7,22,3,16,41],"tags":[3319,11520,3109,4941,3446,9587,1393,11522,3258,6724,11519,3683,8461,11521,5555,3684,10775,3131,11517,352,11516,6024,11518,1951,11515],"class_list":["post-20618","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-horror","category-music","category-occult","category-sculpture","tag-belbury-poly","tag-dave-bessell","tag-dennis-cooper","tag-dj-food","tag-edwin-pouncey","tag-exotica","tag-geeta-dayal","tag-gerard-valck","tag-hans-richter","tag-ian-boddy","tag-kenichi-nakaya","tag-kevin-shields","tag-knockabout-comics","tag-mdou-moctar","tag-michael-brook","tag-my-bloody-valentine","tag-namwali-serpell","tag-philip-glass","tag-teresa-winter","tag-terry-riley","tag-tony-bennett","tag-transglobal-underground","tag-van-der-graaf-generator","tag-william-hope-hodgson","tag-yoshi-wada"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5my","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20618"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20618\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}