{"id":20579,"date":"2021-05-08T20:36:31","date_gmt":"2021-05-08T19:36:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20579"},"modified":"2021-05-08T20:36:31","modified_gmt":"2021-05-08T19:36:31","slug":"weekend-links-568","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/05\/08\/weekend-links-568\/","title":{"rendered":"Weekend links 568"},"content":{"rendered":"

\"gekko.jpg\"<\/a><\/p>\n

Dragon Rising to the Heavens (1897) by Ogata Gekko.<\/em><\/p>\n

\u2022 “Electronic music of the past is often portrayed in a dreamy, magical light\u2014a hazy historical landscape filled with misty, otherworldly sounds. But while the music of a bygone era may seem ineffable, it is not inaccessible.” Geeta Dayal<\/a> reviews Reminded by the Instruments: David Tudor\u2019s Music<\/em> by You Nakai.<\/p>\n

\u2022 Modular Therapy: Mute Records boss Daniel Miller and former snooker champ turned kraut-psych powerhouse Steve Davis<\/a> discuss their love of modular synthesisers, ill-fated Jools Holland collaborations, commandeering Elton John’s ARP 2600 and more.<\/p>\n

\u2022 “Some contemporary art is a little bit like an intellectual game…I\u2019m not a big fan of this kind of stuff, because I\u2019m a musician.” Ryoji Ikeda<\/a> presents: point of no return<\/em>.<\/p>\n

One of the tunnels that Turrell has completed is 854 feet long. When the moon passes overhead, its light streams down the tunnel, refracting through a six-foot-diameter lens and projecting an image of the moon onto an eight-foot-high disk of white marble below. The work is built to align most perfectly during the Major Lunar Standstill every 18.61 years. The next occurrence will be in April 2025. To calculate the alignment, Turrell worked closely with astronomers and astrophysicists. Because the universe is expanding, he must account for imperceptible changes in the geometry of the galaxy. He has designed the tunnel, like other features of the crater, to be most precise in about 2,000 years. Turrell\u2019s friends sometimes joke that\u2019s also when he\u2019ll finish the project.<\/p>\n

Wil S. Hylton<\/a> on an exclusive visit to James Turrell’s astronomical art complex at Roden Crater, Arizona. Related: 147 Orbiting 1 Through 6 for 5, Music for Roden Crater<\/a> by Paul Sch\u00fctze (with free download of an excerpt from the 5-hour piece)<\/em><\/p><\/blockquote>\n

\u2022 New music: The Black Mill Tapes, Volume 5<\/em><\/a> by Pye Corner Audio, and Interreferences<\/em><\/a> by Richard Chartier.<\/p>\n

\u2022 At Spoon & Tamago: Dense pencil drawings of retro-future worlds by Yota Tsukino<\/a>.<\/p>\n

\u2022 “‘I\u2019m bursting with fiction’: Alan Moore announces five-volume fantasy epic”<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Lindsay Anderson<\/a> Day.<\/p>\n

\u2022 Beverly Glenn-Copeland<\/a>\u2019s favourite music.<\/p>\n

\u2022 Volcano Diving<\/a> (1989) by David Van Tieghem | Crater Scar<\/a> (1994) by Main | Eye Of The Volcano<\/a> (2006) by Stereolab<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Dragon Rising to the Heavens (1897) by Ogata Gekko. \u2022 “Electronic music of the past is often portrayed in a dreamy, magical light\u2014a hazy historical landscape filled with misty, otherworldly sounds. But while the music of a bygone era may seem ineffable, it is not inaccessible.” Geeta Dayal reviews Reminded by the Instruments: David Tudor\u2019s … Continue reading “Weekend links 568”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 568","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,21,7,3,13,41],"tags":[103,11477,2541,11472,5222,3109,1393,1967,1123,2926,11471,465,4222,4400,11474,2407,9214,11475,11476,11473],"class_list":["post-20579","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-fantasy","category-film","category-music","category-science","category-sculpture","tag-alan-moore","tag-beverly-glenn-copeland","tag-daniel-miller","tag-david-tudor","tag-david-van-tieghem","tag-dennis-cooper","tag-geeta-dayal","tag-james-turrell","tag-lindsay-anderson","tag-main-group","tag-ogata-gekko","tag-paul-schutze","tag-pye-corner-audio","tag-richard-chartier","tag-ryoji-ikeda","tag-stereolab","tag-steve-davis","tag-wil-s-hylton","tag-yota-tsukino","tag-you-nakai"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5lV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20579"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20579\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}