{"id":20497,"date":"2021-04-10T20:33:41","date_gmt":"2021-04-10T19:33:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20497"},"modified":"2021-04-10T20:33:41","modified_gmt":"2021-04-10T19:33:41","slug":"weekend-links-564","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/04\/10\/weekend-links-564\/","title":{"rendered":"Weekend links 564"},"content":{"rendered":"

\"kolbe.jpg\"<\/a><\/p>\n

Fantastical Tree (c. 1830) by Carl Wilhelm Kolbe<\/a>.<\/em><\/p>\n

\u2022 “It\u2019s just a square and a semi-circle at the end of the day.” Pete Adlington<\/a> navigates the rapids of high-profile cover design for the UK edition of Kazuo Ishiguro’s Klara and The Sun<\/em>. I’m not always keen on the minimal approach but the Faber edition is a better design than the equally minimal US cover<\/a> whose circle in a hand makes it look like a reprint of Logan’s Run<\/em>. Faber also produced a limited edition with the sun circle wrapped onto sprayed page edges<\/a>.<\/p>\n

\u2022 “‘With a mysterious smile on her lips,’ writes the Chilean film director Alejandro Jodorowsky, ‘the painter whispered to me, “What you just dictated to me is the secret. As each Arcana is a mirror and not a truth in itself, become what you see in it. That tarot is a chameleon.”‘” The painter referred to is the now-ubiquitous Leonora Carrington whose own Tarot deck is investigated by Rhian Sasseen<\/a>.<\/p>\n

\u2022 “‘Horror is an emotion,’ Douglas E. Winter tells us. I would respectfully like to amend that assertion. Horror is a range of emotions. And each of these moods, if they are to be successful, must be cultivated differently.” Brian J. Showers<\/a> offers his thoughts on horror fiction.<\/p>\n

\u2022 “You move from awareness of\u2014and preoccupation with\u2014how sounds affect our bodies, into how that might create a web of connection with the external world\u2014with the natural world.” Annea Lockwood<\/a> talking to Jennifer Lucy Allan about her career as a composer and sound artist.<\/p>\n

\u2022 Gay cruising and its geography in cinema and documentary, a list of films by Mike Kennedy<\/a>. Related: Shiv Kotecha<\/a> on O Fantasma<\/em> (2000), a film by Jo\u00e3o Pedro Rodrigues.<\/p>\n

\u2022 Coming from Strange Attractor in June: Coil: Camera Light Oblivion<\/em><\/a>, a photographic record by Ruth Beyer of the first live performances by Coil from 2000\u20132002.<\/p>\n

\u2022 At Wormwoodiana: Mark Valentine<\/a> on The Star Called Wormwood<\/em> (1941), a strange novel by Morchard Bishop.<\/p>\n

\u2022 At Unquiet Things: Ephemeral and Irresistible: The Spectacular Still-life Botanical Drama of Gatya Kelly<\/a>.<\/p>\n

\u2022 “Fevers of Curiosity”: Charles Baudelaire and the convalescent fl\u00e2neur by Matthew Beaumont<\/a>.<\/p>\n

\u2022 1066 and all that: Explore the Bayeux Tapestry online<\/a>.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 311 by Arigto<\/a>.<\/p>\n

\u2022 New music: Terrain<\/em><\/a> by Portico Quartet.<\/p>\n

\u2022 Fever<\/a><\/em> (1956) by Little Willie John | Fever<\/a><\/em> (1972) by Junior Byles | Fever<\/a><\/em> (1980) The Cramps<\/p>\n","protected":false},"excerpt":{"rendered":"

Fantastical Tree (c. 1830) by Carl Wilhelm Kolbe. \u2022 “It\u2019s just a square and a semi-circle at the end of the day.” Pete Adlington navigates the rapids of high-profile cover design for the UK edition of Kazuo Ishiguro’s Klara and The Sun. I’m not always keen on the minimal approach but the Faber edition is … Continue reading “Weekend links 564”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 564","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,21,7,5,22,3,16,44,12,20],"tags":[718,3513,11340,8227,11330,2346,2272,11333,11339,10535,11336,11343,10235,731,11342,2903,4911,11334,11338,11331,11341,11332,11337,11335,98,552,213],"class_list":["post-20497","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-fantasy","category-film","category-gay","category-horror","category-music","category-occult","category-painting","category-photography","category-science-fiction","tag-alejandro-jodorowsky","tag-annea-lockwood","tag-arigto","tag-brian-j-showers","tag-carl-wilhelm-kolbe","tag-charles-baudelaire","tag-coil-group","tag-douglas-e-winter","tag-gatya-kelly","tag-jennifer-lucy-allan","tag-joao-pedro-rodrigues","tag-junior-byles","tag-kazuo-ishiguro","tag-leonora-carrington","tag-little-willie-john","tag-mark-valentine","tag-matthew-beaumont","tag-mike-kennedy","tag-morchard-bishop","tag-pete-adlington","tag-portico-quartet","tag-rhian-sasseen","tag-ruth-beyer","tag-shiv-kotecha","tag-strange-attractor","tag-tarot","tag-the-cramps"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5kB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20497"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20497\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}