{"id":20465,"date":"2021-03-24T17:05:59","date_gmt":"2021-03-24T17:05:59","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20465"},"modified":"2021-03-24T17:05:59","modified_gmt":"2021-03-24T17:05:59","slug":"body-shocks","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/03\/24\/body-shocks\/","title":{"rendered":"Body Shocks"},"content":{"rendered":"

\"bodyshocks.jpg\"<\/a><\/p>\n

Presenting my latest cover design for Tachyon Publications<\/a>, and one which it hardly needs stating is another collection of horror stories edited by Ellen Datlow. Body horror is the general theme but these aren’t all accounts of evisceration and dismemberment of the type that made the later Pan horror collections an increasingly dismal read. Several of the stories are outright science fiction, while the final entry, Tissue Ablation and Variant Regeneration: A Case Report<\/em> by Michael Blumlein, is a Ballardian critique of a former US President that unnerves with its dispassionate medical tone.<\/p>\n

\"eyeballs.jpg\"<\/p>\n

The cover design for this one went through many drafts before everyone was satisfied, the placing of the solitary eyeball being the crucial element. This is something of a stereotype on horror covers, a feature I’ve seen often enough to have it mentally tagged as “the Eyeball of Horror” (see above). But design stereotypes evolve because they serve their purpose so well, as this one does. Some of the earlier drafts incorporated anatomical diagrams but none of the results were really satisfying, especially when a large amount of text also needed to be placed on the cover. In the past I might have posted one or two of these early versions but I was dissuaded from doing this when Jonathan Barnbrook wrote about the gentle rebuke he received from David Bowie after he showed the preliminary stages of his cover design for Bowie’s The Next Day<\/em>. Bowie’s attitude was that making public a working version changed the audience’s perception of the end result, a comment that comes to mind every time Spine<\/a> has a new post showing drafts of recent cover designs.<\/p>\n

Body Shocks<\/em> will be published in October.<\/p>\n

Previously on { feuilleton }
\n\u2022 The Monstrous<\/a>
\n\u2022 Lovecraft\u2019s Monsters unleashed<\/a>
\n\u2022 New work: Two forms of darkness<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Presenting my latest cover design for Tachyon Publications, and one which it hardly needs stating is another collection of horror stories edited by Ellen Datlow. Body horror is the general theme but these aren’t all accounts of evisceration and dismemberment of the type that made the later Pan horror collections an increasingly dismal read. Several … Continue reading “Body Shocks”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Body Shocks","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,22,23],"tags":[1301,1440,982,11300,383],"class_list":["post-20465","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-horror","category-work","tag-david-bowie","tag-ellen-datlow","tag-jonathan-barnbrook","tag-michael-blumlein","tag-tachyon-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5k5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20465"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20465\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}