{"id":20348,"date":"2021-01-30T20:06:35","date_gmt":"2021-01-30T20:06:35","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20348"},"modified":"2021-01-30T20:06:35","modified_gmt":"2021-01-30T20:06:35","slug":"weekend-links-554","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/01\/30\/weekend-links-554\/","title":{"rendered":"Weekend links 554"},"content":{"rendered":"

\"yokoo.jpg\"<\/a><\/p>\n

Tadanori Yokoo Emphasizes Deliberate Misalignment in Contemporary Woodblock Series<\/a>.<\/em><\/p>\n

\u2022 Another week, another Paris Review<\/em> essay on Leonora Carrington. This time it’s Olga Tokarczuk<\/a> exploring eccentricity as feminism. At the same publication there’s more eccentricity in Lucy Scholes<\/a>‘ feature about the neglected novels of Irene Handl, a woman best known for the characters she played in many British films and TV dramas. I’ve long been curious about Handl’s writing career so this was good to see.<\/p>\n

\u2022 “The denial of our participation in the world, [Fisher] implies\u2014the disavowal of our desire for iPhones even as we diligently think anti-capitalist thoughts\u2014is incapacitating. It leads to a regressive utopianism that cannot envision going through capitalism, but only retreating or escaping from it, into a primitive past or fictional future.” Lola Seaton<\/a> on the ghosts of Mark Fisher.<\/p>\n

\u2022 More ghosts: Paranormal<\/em><\/a> is the latest collection of spooky, atmospheric electronica from Grey Frequency, “an audio document exploring extraordinary phenomena which have challenged orthodox science, but which have also grown and evolved as part of contemporary culture and a wider folkloric landscape.”<\/p>\n

\u2022 “Items billed as THE BEST EVER can stop us cold, and even cause us to take them for granted, never reassessing them,\u00a0as we instead gesture, often without thought,\u00a0to where they sit in the corner, under a halo and backdrop of blue ribbons.” Colin Fleming<\/a> on Miles Davis and Kind Of Blue<\/em>.<\/p>\n

\u2022 “Diaboliques<\/em> and Psycho<\/em> both achieve something very rare: a perfect plot twist but an unspoilable movie,” says Milan Terlunen<\/a>.<\/p>\n

\u2022 Richard Kirk returns once more as “Cabaret Voltaire” with a new recording, Billion Dollar<\/em><\/a>.<\/p>\n

\u2022 Even more Leonora Carrington: some of the cards from her Tarot deck<\/a>.<\/p>\n

\u2022 DJ Food<\/a> on Zodiac Posters by Simboli Design, 1969.<\/p>\n

\u2022 Kodak Ghosts<\/a><\/em> (1970) by Michael Chapman | Plight (The Spiralling Of Winter Ghosts)<\/a><\/em> (1988) by David Sylvian & Holger Czukay | The Ghosts Of Animals<\/a> <\/em>(1995) by Paul Sch\u00fctze<\/p>\n","protected":false},"excerpt":{"rendered":"

Tadanori Yokoo Emphasizes Deliberate Misalignment in Contemporary Woodblock Series. \u2022 Another week, another Paris Review essay on Leonora Carrington. This time it’s Olga Tokarczuk exploring eccentricity as feminism. At the same publication there’s more eccentricity in Lucy Scholes‘ feature about the neglected novels of Irene Handl, a woman best known for the characters she played … Continue reading “Weekend links 554”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 554","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,22,3,16,14,18],"tags":[150,4401,411,4941,6723,2276,2528,731,11175,10831,1405,1334,11176,1515,11174,465,3763,11177,662,552],"class_list":["post-20348","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-horror","category-music","category-occult","category-politics","category-surrealism","tag-cabaret-voltaire","tag-colin-fleming","tag-david-sylvian","tag-dj-food","tag-grey-frequency","tag-holger-czukay","tag-irene-handl","tag-leonora-carrington","tag-lola-seaton","tag-lucy-scholes","tag-mark-fisher","tag-michael-chapman","tag-milan-terlunen","tag-miles-davis","tag-olga-tokarczuk","tag-paul-schutze","tag-richard-kirk","tag-simboli-design","tag-tadanori-yokoo","tag-tarot"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5ic","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20348"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20348\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}