{"id":20320,"date":"2021-01-16T20:02:11","date_gmt":"2021-01-16T20:02:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20320"},"modified":"2021-01-16T20:02:11","modified_gmt":"2021-01-16T20:02:11","slug":"weekend-links-552","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/01\/16\/weekend-links-552\/","title":{"rendered":"Weekend links 552"},"content":{"rendered":"

\"keen.jpg\"<\/a><\/p>\n

White Peacock and Garden God (c. 1922) by Henry Keen.<\/em><\/p>\n

\u2022 “Though both writers confront some of the most unsavory and unjust dimensions of human life, Genet revels in moral ambiguity and coarse language, while Erpenbeck satisfies her audience\u2019s desire for tidy ethical responses by using careful, equally tidy sentences. Genet\u2019s world is dirty; Erpenbeck\u2019s is clean.” Christy Wampole<\/a> compares two newly-translated collections of non-fiction writing by Jean Genet and Jenny Erpenbeck.<\/p>\n

\u2022 Gaspar No\u00e9’s notorious, controversial (etc, etc) Irreversible<\/em><\/a> receives the prestige blu-ray treatment from Indicator in April. Still no UK blu-ray of Enter the Void<\/em> is there? I had to order a German release.<\/p>\n

\u2022 Stereolab<\/a> release Electrically Possessed: Switched On Vol. 4<\/em> next month, the latest in their series of albums which collect singles, compilation tracks and other rarities.<\/p>\n

\u2022 At Nautilus: Antonio Zadra and Robert Stickgold<\/a> on how dreaming is like taking LSD.<\/p>\n

\u2022 At Dennis Cooper’s: Bollo presents\u2026\u00c9liane Radigue (& The Lappetites)<\/a>.<\/p>\n

\u2022 Playwriting & Pornography: Adam Baran remembers Jerry Douglas<\/a>.<\/p>\n

\u2022 At Spine: Vyki Hendy<\/a> on the joy of monochrome book covers.<\/p>\n

\u2022 Mix of the week: Subterraneans 2 by The Ephemeral Man<\/a>.<\/p>\n

\u2022 John Boardley’s favourite typefaces of\u00a02020<\/a>.<\/p>\n

\u2022 New music: Spirit Box<\/em><\/a> by Blanc Sceol.<\/p>\n

\u2022 Life In Reverse<\/a><\/em> (1981) by Marine | Reverse World<\/a><\/em> (1995) by David Toop | Reverse Bubble<\/a><\/em> (2014) by Air<\/p>\n","protected":false},"excerpt":{"rendered":"

White Peacock and Garden God (c. 1922) by Henry Keen. \u2022 “Though both writers confront some of the most unsavory and unjust dimensions of human life, Genet revels in moral ambiguity and coarse language, while Erpenbeck satisfies her audience\u2019s desire for tidy ethical responses by using careful, equally tidy sentences. Genet\u2019s world is dirty; Erpenbeck\u2019s … Continue reading “Weekend links 552”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 552","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,29,7,5,3,13,46,10],"tags":[2948,3295,11149,11153,11147,412,3109,8275,3507,751,11148,11152,7423,124,11154,11150,2407,5321,11151,11084],"class_list":["post-20320","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-gay","category-music","category-science","category-theatre","category-typography","tag-adam-baran","tag-air-group","tag-antonio-zadra","tag-blanc-sceol","tag-christy-wampole","tag-david-toop","tag-dennis-cooper","tag-eliane-radigue","tag-gaspar-noe","tag-jean-genet","tag-jenny-erpenbeck","tag-jerry-douglas","tag-john-boardley","tag-lsd","tag-marine-group","tag-robert-stickgold","tag-stereolab","tag-the-ephemeral-man","tag-the-lappetites","tag-vyki-hendy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5hK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20320"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20320\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}