{"id":20317,"date":"2021-01-15T16:56:14","date_gmt":"2021-01-15T16:56:14","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20317"},"modified":"2021-01-15T19:54:54","modified_gmt":"2021-01-15T19:54:54","slug":"moebius-redux","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/01\/15\/moebius-redux\/","title":{"rendered":"Moebius Redux"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/01\/moebius1.jpg\" alt=\"moebius1.jpg\" \/><\/p>\n<p>It&#8217;s Arzak\u00a0(or Arzach, or Harzak, or Harzakc, etc) again, arriving in today&#8217;s post. Hasko Baumann&#8217;s <em>Moebius Redux<\/em> is one of my favourite arts documentaries of recent years but I only discovered recently that the version broadcast by the BBC in 2007 was shorter by 20 minutes than the original 70-minute running time, hence this purchase. It&#8217;s a German DVD but has subtitles in French and English plus an extra disc containing 125 minutes of extras, including extended interviews with Philippe Druillet, Enki Bilal and many others. That&#8217;s my weekend viewing sorted.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/01\/moebius2-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/01\/moebius2.jpg\" alt=\"moebius2.jpg\" \/><\/a><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/01\/moebius3.jpg\" alt=\"moebius3.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2021\/01\/moebius4.jpg\" alt=\"moebius4.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/12\/24\/jean-giraud-record-covers\/\">Jean Giraud record covers<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/12\/21\/arzak-rhapsody\/\">Arzak Rhapsody<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/12\/05\/the-captive-a-film-by-rene-laloux\/\">The Captive, a film by Ren\u00e9 Laloux<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/25\/the-horror\/\">The horror<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/23\/chute-libre-science-fiction\/\">Chute Libre science fiction<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/15\/heavy-metal-october-1979-the-lovecraft-special\/\">Heavy Metal, October 1979: The Lovecraft Special<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s Arzak\u00a0(or Arzach, or Harzak, or Harzakc, etc) again, arriving in today&#8217;s post. Hasko Baumann&#8217;s Moebius Redux is one of my favourite arts documentaries of recent years but I only discovered recently that the version broadcast by the BBC in 2007 was shorter by 20 minutes than the original 70-minute running time, hence this purchase. &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/01\/15\/moebius-redux\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Moebius Redux&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Moebius Redux","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,9,7,20],"tags":[3452,3454,3450,863],"class_list":["post-20317","post","type-post","status-publish","format-standard","hentry","category-art","category-comics","category-film","category-science-fiction","tag-enki-bilal","tag-hasko-baumann","tag-jean-giraud-moebius","tag-philippe-druillet"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5hH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20317"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20317\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}