{"id":20310,"date":"2021-01-13T16:35:56","date_gmt":"2021-01-13T16:35:56","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20310"},"modified":"2021-01-13T21:22:43","modified_gmt":"2021-01-13T21:22:43","slug":"gigers-first-alien-swissmade-2069","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/01\/13\/gigers-first-alien-swissmade-2069\/","title":{"rendered":"Giger’s first alien: Swissmade: 2069"},"content":{"rendered":"

\"swissmade1.jpg\"<\/a><\/p>\n

You wait decades for an obscure HR Giger-related film then two copies turn up at once. Swissmade: 2069<\/em> (1968) was the last of the short films from Giger’s pre-Alien<\/em> career that I’d been waiting to see, and is of note for being a 40-minute work of science fiction rather than a documentary about the artist and his art. All the other Giger films have come and gone on YouTube over the past few years although none seem to have had any recent official release apart from Passagen<\/em>, Fredi M. Murer’s Giger documentary from 1972 which is now available for rent with English subtitles<\/a>. Swissmade: 2069<\/em> was directed by Murer prior to Passagen<\/em> and is also available for rent<\/a> at the same site. Alternatively, there’s a fuzzy VHS copy at YouTube<\/a> with no subtitles. Murer’s film is more properly titled 2069<\/em>, Swissmade<\/em> being the umbrella title for a compilation feature that comprised three films by Swiss directors. 1980 (Der Neinsager)<\/em> by Yves Yersin and Alarm<\/em> by Fritz E. Maeder were the first two films; 2069<\/em> provided the conclusion:<\/p>\n

The theme of Fredi M. Murer’s contribution to the episode film Swissmade<\/em> is “Switzerland after us”. Murer’s episode takes place in the year 2069. An “integrated citizen with a latent tendency to become an unintegrated citizen” is commissioned by the “Brain Center” to produce a film report about the unknown mission of a foreign being. The alien being is an extraterrestrial designed by HR Giger long before Alien<\/em> with a built-in camera and tape, which travels across the earth in the year 2069 to explore current conditions. The film reporter is Murer himself. Without exception, the performers in real life were authentic 1968 activists, some of whom later made political or artistic careers.<\/p><\/blockquote>\n

\"swissmade2.jpg\"<\/a><\/p>\n

As science fiction this is typical of the period, with the world of the future represented by the most “futuristic” features of 1968 which means Brutalist architecture, Space Age fashion and institutes filled with advanced technology. The most surprising thing about the direction is how casually Murer treats Giger’s alien visitor. The being (played by Tina Gwerder) has a camera in its head and a working tape recorder in its chest but we only see the tape reels turning when the film is halfway through. Another director would have made much more of this, and of the carapace that Giger made for a dog to wear which is only seen in a single shot at the very end. Giger himself has a wordless role, appearing with some of his drawings, as does his partner, Li Tobler. It’s unlikely that many people would be interested in 2069<\/em> today without the Giger connection but it’s a well-made curio that points the way to another extraterrestrial with an elongated cranium. (Thanks to Jason for the tip!)<\/em><\/p>\n

\"swissmade3.jpg\"<\/p>\n

Stills from HR Giger’s Film Design<\/em> (1996).<\/p>\n

\"swissmade4.jpg\"<\/p>\n

\"swissmade5.jpg\"<\/p>\n

Previously on { feuilleton }
\n\u2022 HR Giger\u2019s Passagen<\/a>
\n\u2022 Heimkiller and High<\/a>
\n\u2022 The Man Who Paints Monsters In The Night<\/a>
\n\u2022 Hans by Sibylle<\/a>
\n\u2022 Giger\u2019s Tarot<\/a>
\n\u2022 HR Giger album covers<\/a>
\n\u2022 Giger\u2019s Necronomicon<\/a>
\n\u2022 Dan O\u2019Bannon, 1946\u20132009<\/a>
\n\u2022 Alejandro Jodorowsky\u2019s Dune<\/a>
\n\u2022 The monstrous tome<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

You wait decades for an obscure HR Giger-related film then two copies turn up at once. Swissmade: 2069 (1968) was the last of the short films from Giger’s pre-Alien career that I’d been waiting to see, and is of note for being a 40-minute work of science fiction rather than a documentary about the artist … Continue reading “Giger’s first alien: Swissmade: 2069”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Giger's first alien: Swissmade: 2069","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,4,7,20],"tags":[9373,720,9374],"class_list":["post-20310","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-design","category-film","category-science-fiction","tag-fredi-m-murer","tag-hr-giger","tag-li-tobler"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5hA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20310"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20310\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}