{"id":20201,"date":"2020-11-21T20:53:57","date_gmt":"2020-11-21T20:53:57","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20201"},"modified":"2020-11-21T20:53:57","modified_gmt":"2020-11-21T20:53:57","slug":"weekend-links-544","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/11\/21\/weekend-links-544\/","title":{"rendered":"Weekend links 544"},"content":{"rendered":"

\"wright.jpg\"<\/a><\/p>\n

“You may if you please, call a partial View of Immensity, or without much Impropriety perhaps, a finite View of Infinity.” An illustration from Thomas Wright’s An Original Theory or New Hypothesis of the Universe<\/a> (1750).<\/em><\/p>\n

\u2022 If you read about electronic music for any length of time today you’ll eventually come across the term “pad”, referring to a feature of the music itself not the instrumentation. I’ve noticed increasing instances of this with no accompanying explanation of what the term actually refers to. Rob Wreglesworth<\/a> has the answer.<\/p>\n

\u2022 At Dangerous Minds: Richard H. Kirk<\/a> talks to Oliver Hall about Cabaret Voltaire and Shadow Of Fear<\/em>. No comment from Kirk as to why the new album warrants the CV name when the music is indistinguishable from his many solo works.<\/p>\n

\u2022 Eyeball Fodder: The Art of the Occult<\/em> Edition. S. Elizabeth<\/a> presents artwork featured in her new book, together with links to artist interviews, including one to the interview we did for Coilhouse<\/em> magazine a few years ago.<\/p>\n

\u2022 More electronica: Music From Patch Cord Productions<\/em><\/a> is a new compilation of music by Mort Garson that features some previously unreleased pieces. Great cover art by Robert Beatty as well.<\/p>\n

\u2022 A trailer for Fireball: Visitors from Darker Worlds<\/em><\/a>, a documentary film about meteorites by Werner Herzog and Clive Oppenheimer.<\/p>\n

\u2022 From 2019: John Waters and Lynn Tillman<\/a> in conversation. “The pair discussed Waters\u2019s recent exhibitions and art career.”<\/p>\n

\u2022 Harlan Ellison’s The Last Dangerous Visions<\/em><\/a> may finally be published, after a five-decade wait.<\/p>\n

\u2022 Turn your feline into a god with this cardboard Shinto shrine for cats<\/a>.<\/p>\n

\u2022 Mix of the week: XLR8R Podcast 670 by Dadub<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Harry Dean Stanton<\/a> Day.<\/p>\n

\u2022 John Cooper Clarke<\/a>‘s favourite songs.<\/p>\n

\u2022 Meteor Storm<\/a><\/em> (1994) by FFWD | The Third Chamber: Part 5 \u2013 7pm Tokyo Shrine<\/em><\/a> (1994) by Loop Guru | Fireball<\/a><\/em> (1994) by Sun Dial<\/p>\n","protected":false},"excerpt":{"rendered":"

“You may if you please, call a partial View of Immensity, or without much Impropriety perhaps, a finite View of Infinity.” An illustration from Thomas Wright’s An Original Theory or New Hypothesis of the Universe (1750). \u2022 If you read about electronic music for any length of time today you’ll eventually come across the term … Continue reading “Weekend links 544”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 544","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,3,16,44,31,20,13],"tags":[150,11034,1292,11036,3555,3109,11037,59,9089,799,1812,11039,11035,7235,10639,1254,11033,4817,1852,11038,11032,611],"class_list":["post-20201","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-music","category-occult","category-painting","category-religion","category-science-fiction","category-science","tag-cabaret-voltaire","tag-clive-oppenheimer","tag-coilhouse","tag-dadub","tag-dangerous-minds","tag-dennis-cooper","tag-ffwd-group","tag-harlan-ellison","tag-harry-dean-stanton","tag-john-cooper-clarke","tag-john-waters","tag-loop-guru","tag-lynn-tillman","tag-mort-garson","tag-oliver-hall","tag-richard-h-kirk","tag-rob-wreglesworth","tag-robert-beatty","tag-s-elizabeth","tag-sun-dial-group","tag-thomas-wright","tag-werner-herzog"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5fP","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20201"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20201\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}