{"id":20196,"date":"2020-11-18T16:59:31","date_gmt":"2020-11-18T16:59:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20196"},"modified":"2020-11-18T16:59:31","modified_gmt":"2020-11-18T16:59:31","slug":"the-art-of-shinji-horimura","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/11\/18\/the-art-of-shinji-horimura\/","title":{"rendered":"The art of Shinji Horimura"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/11\/horimura1.jpg\" alt=\"horimura1.jpg\" \/><\/p>\n<p><em>Lagrimas del Mar (2016).<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a> continues to be the most popular destination on these pages which makes me feel I ought to add to it more often than I do. Not all of Shinji Horimura&#8217;s art is homoerotic but these drawings from his <a href=\"https:\/\/www.coroflot.com\/truepath\/WAH\" target=\"_blank\"><em>WAH<\/em><\/a> series certainly are. In these and other works Horimura renders the male body with broken outlines that fragment into abstract patterns. In the black-and-white drawings these might be read as tattoos but in his colour art they suggest the hallucinatory revelations of Alex Grey&#8217;s paintings. There&#8217;s more to see on the artist&#8217;s <a href=\"https:\/\/www.coroflot.com\/truepath\/portfolio\" target=\"_blank\">Coroflot<\/a> pages.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/11\/horimura2.jpg\" alt=\"horimura2.jpg\" \/><\/p>\n<p><em>Loosen (2016).<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/11\/horimura3.jpg\" alt=\"horimura3.jpg\" \/><\/p>\n<p><em>Ready (2016).<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/11\/horimura4.jpg\" alt=\"horimura4.jpg\" \/><\/p>\n<p><em>After Hours (2016).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lagrimas del Mar (2016). The gay artists archive continues to be the most popular destination on these pages which makes me feel I ought to add to it more often than I do. Not all of Shinji Horimura&#8217;s art is homoerotic but these drawings from his WAH series certainly are. In these and other works &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/11\/18\/the-art-of-shinji-horimura\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Shinji Horimura&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: The art of Shinji Horimura","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5],"tags":[7332,11031],"class_list":["post-20196","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","tag-alex-grey","tag-shinji-horimura"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5fK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20196"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20196\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}