{"id":20123,"date":"2020-10-16T16:25:33","date_gmt":"2020-10-16T15:25:33","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=20123"},"modified":"2020-10-16T16:25:33","modified_gmt":"2020-10-16T15:25:33","slug":"manuel-orazis-fleurs-du-mal","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/10\/16\/manuel-orazis-fleurs-du-mal\/","title":{"rendered":"Manuel Orazi&#8217;s Fleurs du Mal"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi01.jpg\" alt=\"orazi01.jpg\" \/><\/p>\n<p>This collection of Baudelaire&#8217;s poems with illustrations by French artist Manuel Orazi (1860\u20131934) didn&#8217;t turn up when I was searching for illustrated editions a few years ago. With over 50 full-page drawings or vignettes it&#8217;s more profusely illustrated than most. It&#8217;s also more determinedly erotic than most, concentrating on depictions of female flesh at the expense of the poet&#8217;s other themes; Orazi&#8217;s <em>fleurs<\/em> on the title pages are a succession of priapic or vaginal orchids and fungi. The book was published in 1934, which means it was probably the last thing that Orazi worked on, but it resembles something from the <em>fin de si\u00e8cle<\/em>, especially the work of F\u00e9licien Rops. Browse it or download it <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k15219092\/f91.planchecontact\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi02.jpg\" alt=\"orazi02.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi03.jpg\" alt=\"orazi03.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi04.jpg\" alt=\"orazi04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi05.jpg\" alt=\"orazi05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi06.jpg\" alt=\"orazi06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi07.jpg\" alt=\"orazi07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi08.jpg\" alt=\"orazi08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi09.jpg\" alt=\"orazi09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi10.jpg\" alt=\"orazi10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi11.jpg\" alt=\"orazi11.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi12.jpg\" alt=\"orazi12.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi13.jpg\" alt=\"orazi13.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi14.jpg\" alt=\"orazi14.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi15.jpg\" alt=\"orazi15.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi16.jpg\" alt=\"orazi16.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi17.jpg\" alt=\"orazi17.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi18.jpg\" alt=\"orazi18.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi19.jpg\" alt=\"orazi19.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi20.jpg\" alt=\"orazi20.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi21.jpg\" alt=\"orazi21.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/10\/orazi22.jpg\" alt=\"orazi22.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/03\/15\/calendrier-magique\/\">Calendrier Magique<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/04\/victor-delhezs-fleurs-du-mal\/\">Victor Delhez\u2019s Fleurs du Mal<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/03\/raphael-drouarts-fleurs-du-mal\/\">Rapha\u00ebl Drouart\u2019s Fleurs du Mal<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/02\/tony-george-rouxs-fleurs-du-mal\/\">Tony George-Roux\u2019s Fleurs du Mal<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/01\/percy-walter-wolffs-die-vorholle\/\">Percy Walter Wolff\u2019s Die Vorh\u00f6lle<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/01\/la-morphine-by-victorien-du-saussay\/\">La Morphine by Victorien du Saussay<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/03\/08\/the-art-of-mario-laboccetta\/\">The art of Mario Laboccetta<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/04\/16\/manuel-orazis-salome\/\">Manuel Orazi\u2019s Salom\u00e9<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/19\/la-belle-sans-nom\/\">La belle sans nom<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/11\/carlos-schwabes-fleurs-du-mal\/\">Carlos Schwabe\u2019s Fleurs du Mal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This collection of Baudelaire&#8217;s poems with illustrations by French artist Manuel Orazi (1860\u20131934) didn&#8217;t turn up when I was searching for illustrated editions a few years ago. With over 50 full-page drawings or vignettes it&#8217;s more profusely illustrated than most. It&#8217;s also more determinedly erotic than most, concentrating on depictions of female flesh at the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/10\/16\/manuel-orazis-fleurs-du-mal\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Manuel Orazi&#8217;s Fleurs du Mal&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Manuel Orazi's Fleurs du Mal","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48],"tags":[2346,1202,1208],"class_list":["post-20123","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-charles-baudelaire","tag-felicien-rops","tag-manuel-orazi"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5ez","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=20123"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/20123\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=20123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=20123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=20123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}