{"id":19893,"date":"2020-07-11T18:51:57","date_gmt":"2020-07-11T17:51:57","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19893"},"modified":"2020-07-11T18:51:57","modified_gmt":"2020-07-11T17:51:57","slug":"weekend-links-525","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/07\/11\/weekend-links-525\/","title":{"rendered":"Weekend links 525"},"content":{"rendered":"

\"mademoiselle.jpg\"<\/a><\/p>\n

Polish poster by Franciszek Starowieyski, 1970.<\/em><\/p>\n

\u2022 Tony Richardson’s Mademoiselle<\/em> (1966) is one of those cult films that’s more written about than seen, despite having Jeanne Moreau in the lead role as a sociopathic schoolteacher, together with a screenplay by Marguerite Duras and Jean Genet, plus uncredited script-doctoring by David Rudkin. John Waters listed the film as a “guilty pleasure” in Crackpot<\/em> but it’s been unavailable on disc for over a decade. The BFI will be releasing a restored print on blu-ray<\/a> in September.<\/p>\n

“While the hurdy-gurdy’s capacity to fill space with its unrelenting multi-tonal dirge is for some the absolute sonic dream, for others it is the stuff of nightmares.” Jennifer Lucy Allan<\/a> on the pleasures and pains of a medieval musical instrument.<\/p>\n

\u2022 “I truly believed”: Vicki Pollack<\/a> of the San Francisco Diggers talking to Jay Babcock for the fifth installment of Jay\u2019s verbal history of the hippie anarchists.<\/p>\n

\u2022 “If you want to call yourself a composer, you follow every step of the instrumentation.” Ennio Morricone<\/a> talking to Guido Bonsaver in 2006.<\/p>\n

\u2022 Dutchsteammachine<\/a> converts jerky 12fps film from the NASA archive to 24fps. Here’s the Apollo 14 lunar mission: landing, EVA and liftoff<\/a>.<\/p>\n

\u2022 New music: Suddenly the World Had Dropped Away<\/a><\/em> by David Toop; Skeleton<\/a><\/em> and Unclean Spirit<\/a><\/em> by John Carpenter; An Ascent<\/em><\/a> by Scanner.<\/p>\n

\u2022 Peter Hujar<\/a>\u2019s illicit photographs of New York\u2019s\u00a0cruising utopia. Not to be confused with Alvin Batrop<\/a>‘s photos of gay New York.<\/p>\n

\u2022 Mixes of the week: XLR8R Podcast 651 by Dave Harrington<\/a>, and Mr.K’s Side 1, Track 1’s #1 by radioShirley & Mr.K<\/a>.<\/p>\n

\u2022 Simon Reynolds<\/a> on the many electronic surprises to be found in the Smithsonian Folkways music archive.<\/p>\n

\u2022 The Gone Away<\/em><\/a> by Belbury Poly will be the next release on the Ghost Box label.<\/p>\n

\u2022 At Dennis Cooper’s: Ed Emshwiller<\/a> Day.<\/p>\n

\u2022 Shirley Collins’ favourite music<\/a>.<\/p>\n

\u2022 Mademoiselle Mabry<\/a><\/em> (1969) by Miles Davis | Hurdy Gurdy Man<\/em><\/a> (1970) by Eartha Kitt | Danger Cruising<\/em><\/a> (1979) by Pyrolator<\/p>\n","protected":false},"excerpt":{"rendered":"

Polish poster by Franciszek Starowieyski, 1970. \u2022 Tony Richardson’s Mademoiselle (1966) is one of those cult films that’s more written about than seen, despite having Jeanne Moreau in the lead role as a sociopathic schoolteacher, together with a screenplay by Marguerite Duras and Jean Genet, plus uncredited script-doctoring by David Rudkin. John Waters listed the … Continue reading “Weekend links 525”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 525","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,2,29,7,5,3,12,14,13,15],"tags":[10764,3319,10765,1114,412,3109,6547,476,4189,254,172,10762,1801,751,2871,10535,680,1812,10760,1515,569,10763,10766,10263,10503,8497,5350,1216,3195,10761],"class_list":["post-19893","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-art","category-electronica","category-film","category-gay","category-music","category-photography","category-politics","category-science","category-technology","tag-alvin-batrop","tag-belbury-poly","tag-dave-harrington","tag-david-rudkin","tag-david-toop","tag-dennis-cooper","tag-eartha-kitt","tag-ed-emshwiller","tag-ennio-morricone","tag-franciszek-starowieyski","tag-ghost-box","tag-guido-bonsaver","tag-jay-babcock","tag-jean-genet","tag-jeanne-moreau","tag-jennifer-lucy-allan","tag-john-carpenter","tag-john-waters","tag-marguerite-duras","tag-miles-davis","tag-nasa","tag-peter-hujar","tag-pyrolator","tag-radioshirley","tag-san-francisco-diggers","tag-scanner-musician","tag-shirley-collins","tag-simon-reynolds","tag-tony-richardson","tag-vicki-pollack"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5aR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19893"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19893\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}