{"id":19844,"date":"2020-06-30T16:15:44","date_gmt":"2020-06-30T15:15:44","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19844"},"modified":"2020-06-30T16:15:44","modified_gmt":"2020-06-30T15:15:44","slug":"death-and-the-maiden","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/30\/death-and-the-maiden\/","title":{"rendered":"Death and the maiden"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/06\/kausch-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/06\/kausch.jpg\" alt=\"kausch.jpg\" \/><\/a><\/p>\n<p>Allan Kausch sent me his collage contribution to <a href=\"http:\/\/threeroomspress.com\/authors\/maintenant-dada-journal\/\" target=\"_blank\"><em>Maintenant 14: A Journal of Contemporary Dada Writing and Art<\/em><\/a> last week (thanks, Allan!). I don&#8217;t know if this was meant to be a comment on current events but it&#8217;s difficult to avoid such an interpretation, especially regarding the USA where people continue to behave like children while the corpses pile up around them.<\/p>\n<p>By coincidence, <a href=\"https:\/\/strangeflowers.wordpress.com\/2020\/06\/30\/dada-1920\/\" target=\"_blank\">Strange Flowers<\/a> notes today that the First International Dada Fair was staged in Berlin 100 years ago this week. The efflorescence of Dada was a brief one thanks to contradictory impulses, conflicting personalities and a hostile social reaction, so the participants might be surprised that their ethos lives on in magazine form a century later. They might also be satisfied that the site of the First International Dada Fair is now an empty plot in a rebuilt street. What better memorial for the Death of Art than a hole in the ground?<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/09\/the-original-cabaret-voltaire\/\">The original Cabaret Voltaire<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Allan Kausch sent me his collage contribution to Maintenant 14: A Journal of Contemporary Dada Writing and Art last week (thanks, Allan!). I don&#8217;t know if this was meant to be a comment on current events but it&#8217;s difficult to avoid such an interpretation, especially regarding the USA where people continue to behave like children &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/30\/death-and-the-maiden\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Death and the maiden&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Death and the maiden","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,1029,43],"tags":[3008,150,2419],"class_list":["post-19844","post","type-post","status-publish","format-standard","hentry","category-art","category-collage","category-magazines","tag-allan-kausch","tag-cabaret-voltaire","tag-strange-flowers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5a4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19844"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19844\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}