{"id":19802,"date":"2020-06-23T16:20:00","date_gmt":"2020-06-23T15:20:00","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19802"},"modified":"2020-06-23T16:20:00","modified_gmt":"2020-06-23T15:20:00","slug":"scarabus-a-film-by-gerald-frydman","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/23\/scarabus-a-film-by-gerald-frydman\/","title":{"rendered":"Scarabus, a film by G\u00e9rald Frydman"},"content":{"rendered":"<p><a href=\"https:\/\/vimeo.com\/184716494\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/06\/scarabus1.jpg\" alt=\"scarabus1.jpg\" \/><\/a><\/p>\n<p>Another tip from Philip Strick&#8217;s <em>Science Fiction Movies<\/em> (1976) (<a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/12\/the-heat-of-a-thousand-suns-by-pierre-kast\/\">previously<\/a>) that&#8217;s also another short animated film I hadn&#8217;t seen before. G\u00e9rald Frydman is a Belgian director, and <a href=\"https:\/\/vimeo.com\/184716494\" target=\"_blank\"><em>Scarabus<\/em><\/a> (1971) was his debut film. As with a number of the selections in Strick&#8217;s book, <em>Scarabus<\/em> tends more towards Surrealism than science fiction, although this always depends how broadly you define SF: identical men in black clothes populate a crumbling urban environment where much of the architecture is inside out and upside down, and unidentified yellow blobs clutter the place. Airships drift overhead while the men interact with each other, sometimes in a violent manner. The meaning may be elusive but it&#8217;s all very well done, and the film was later chosen to accompany the French theatrical screenings of Alain Resnais&#8217;s <em>Providence<\/em>. That&#8217;s what I call a good night out.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/184716494\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/06\/scarabus2.jpg\" alt=\"scarabus2.jpg\" \/><\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/19\/labirynt-by-jan-lenica\/\">Labirynt by Jan Lenica<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another tip from Philip Strick&#8217;s Science Fiction Movies (1976) (previously) that&#8217;s also another short animated film I hadn&#8217;t seen before. G\u00e9rald Frydman is a Belgian director, and Scarabus (1971) was his debut film. As with a number of the selections in Strick&#8217;s book, Scarabus tends more towards Surrealism than science fiction, although this always depends &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/23\/scarabus-a-film-by-gerald-frydman\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Scarabus, a film by G\u00e9rald Frydman&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Scarabus, a film by G\u00e9rald Frydman","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7,20,18],"tags":[3864,2384,10711,4055,5845],"class_list":["post-19802","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","category-science-fiction","category-surrealism","tag-airships","tag-alain-resnais","tag-gerald-frydman","tag-jan-lenica","tag-philip-strick"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-59o","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19802"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19802\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}