{"id":19794,"date":"2020-06-21T01:05:01","date_gmt":"2020-06-21T00:05:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19794"},"modified":"2020-06-21T01:05:01","modified_gmt":"2020-06-21T00:05:01","slug":"weekend-links-522","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/21\/weekend-links-522\/","title":{"rendered":"Weekend links 522"},"content":{"rendered":"

\"moesman.jpg\"<\/a><\/p>\n

Self-Portrait (1935) by Johannes Hendrikus Moesman.<\/em><\/p>\n

\u2022 At Biblioth\u00e8que Gay, Ren\u00e9 Bolliger<\/a> (1911\u20141971), an artist whose homoerotica is being celebrated in an exhibition, Les Beaux M\u00e2les<\/em><\/a>, at Galerie Au Bonheur du Jour, Paris, next month. There are more beaux m\u00e2les in a new book of photographs, Hi, Hello!<\/em>, by Roman Duquesne<\/a>.<\/p>\n

\u2022 The summer solstice is here which means it’s time for Dennis Cooper<\/a>‘s favourite fiction, poetry, non-fiction, film, art and internet of the year so far. As before, I’m flattered to be listed in the internet selection. Thanks! Also at DC’s, Michael Snow<\/a> Day.<\/p>\n

\u2022 “I hope Roger Corman<\/a> is doing okay,” I was thinking last week while rewatching one of Corman’s Poe films. He’s been overseeing the production of three new features during the lockdown so, yes, he’s doing okay. I loved the Cries and Whispers<\/em> anecdote.<\/p>\n

\u2022 “Unsettling and insinuating, fabulously alert to the spaces between things, Harrison is without peer as a chronicler of the fraught, unsteady state we\u2019re in.” Olivia Laing<\/a> reviewing The Sunken Land Begins to Rise Again<\/em> by M. John Harrison.<\/p>\n

\u2022 The original Brain label release of Aqua<\/em><\/a> (1974), the first solo album by Tangerine Dream’s Edgar Froese, had a different track list and different mixes from the Virgin releases. The album has never been reissued in this form.<\/p>\n

\u2022 New music at Bandcamp: Without Thought<\/em><\/a>, music for an installation by Paul Sch\u00fctze; and Hatching Under The Stars<\/em><\/a>, songs by Clara Engel.<\/p>\n

\u2022 Deborah Nicholls-Lee<\/a> on Johannes Hendrikus Moesman (1909\u20131988), “the erotic Dutch surrealist you should have heard of”.<\/p>\n

\u2022 Kate Solomon<\/a> on where to start with the Pet Shop Boys. I’d also recommend Introspective<\/em>.<\/p>\n

\u2022 Dal\u00ed in Holographic Space: Selwyn Lissack<\/a> on Salvador Dal\u00ed’s contributions to art holograms.<\/p>\n

\u2022 At Spoon & Tamago: An obsession with retro Japanese round-cornered windows<\/a>.<\/p>\n

\u2022 John Boardley<\/a> on the “writing mistresses” of the calligraphic golden age.<\/p>\n

\u2022 Mark Duguid<\/a> recommends Michael Reeves’ Witchfinder General<\/em> (1968).<\/p>\n

\u2022 The favourite music of Crammed Discs boss, Marc Hollander<\/a>.<\/p>\n

\u2022 Occult\/erotic prints by Eleni Avraam<\/a>.<\/p>\n

\u2022 Aqua: Every Raindrop Longs For The Sea (Jeder Tropfen Tr\u00e4umt Vom Meer) H2O<\/em><\/a> (1973) by Achim Reichel | Aqua<\/a><\/em> (1979) by Dvwb | Aqua<\/a><\/em> (1981) by Phew<\/p>\n","protected":false},"excerpt":{"rendered":"

Self-Portrait (1935) by Johannes Hendrikus Moesman. \u2022 At Biblioth\u00e8que Gay, Ren\u00e9 Bolliger (1911\u20141971), an artist whose homoerotica is being celebrated in an exhibition, Les Beaux M\u00e2les, at Galerie Au Bonheur du Jour, Paris, next month. There are more beaux m\u00e2les in a new book of photographs, Hi, Hello!, by Roman Duquesne. \u2022 The summer solstice … Continue reading “Weekend links 522”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 522","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,7,5,22,3,16,44,12,13,41,18,10],"tags":[5513,1993,10700,6169,10701,3109,10708,1909,10707,10697,7423,10702,2291,10706,10704,10705,3764,8674,465,3302,8706,10698,1890,10699,87,10703,889],"class_list":["post-19794","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-painting","category-photography","category-science","category-sculpture","category-surrealism","category-typography","tag-achim-reichel","tag-bibliotheque-gay","tag-clara-engel","tag-crammed-discs","tag-deborah-nicholls-lee","tag-dennis-cooper","tag-dvwb","tag-edgar-froese","tag-eleni-avraam","tag-johannes-hendrikus-moesman","tag-john-boardley","tag-kate-solomon","tag-m-john-harrison","tag-marc-hollander","tag-mark-duguid","tag-michael-reeves","tag-michael-snow","tag-olivia-laing","tag-paul-schutze","tag-pet-shop-boys","tag-phew-musician","tag-rene-bolliger","tag-roger-corman","tag-roman-duquesne","tag-salvador-dali","tag-selwyn-lissack","tag-tangerine-dream"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-59g","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19794"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19794\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}