{"id":19698,"date":"2020-06-07T00:48:38","date_gmt":"2020-06-06T23:48:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19698"},"modified":"2020-06-07T23:25:08","modified_gmt":"2020-06-07T22:25:08","slug":"weekend-links-520","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/07\/weekend-links-520\/","title":{"rendered":"Weekend links 520"},"content":{"rendered":"

\"teleplasmiste.jpg\"<\/a><\/p>\n

Cover art by Ethel le Rossignol for To Kiss Earth Goodbye by Teleplasmiste.<\/em><\/p>\n

\u2022 I’ve been listening to London Zoo<\/em> by The Bug this week so two new releases by The Bug’s beatmaster, Kevin Martin, seem well-timed. Martin’s music isn’t all pummelling rhythms and abrasive noise, he also favours doomy ambience, as demonstrated on his landmark compilation album, Isolationism<\/em><\/a> (1994). The new releases, Frequencies For Leaving Earth, Vols 1 & 2<\/em><\/a>, are isolationist in multiple senses of the word, being further products of lockdown life, with the second volume described as reflecting Martin’s “ongoing obsession with scarce sci-fi scores”.<\/p>\n

\u2022 “It was designed to run counter to formalist & Hollywood Structuralist definitions & expectations.” M. John Harrison<\/a> in a discussion about his cycle of Viriconium<\/em> novels and stories. Harrison’s new novel, The Sunken Land Begins To Rise Again<\/em><\/a>, will be published at the end of this month.<\/p>\n

\u2022 Mix of the week: 31st May 2020 (Lovecraft 2) by French Rock Sampler<\/a>, a recording of Warren Hatter’s radio show devoted to French underground, synth and progressive music of the 1970s. The current season may be heard each Sunday at 3pm (London time) on Resonance FM<\/a>.<\/p>\n

This is a very important book. It may even be a historic book, one with which gay history can arm itself with more sufficient factual veracity as to start vanquishing at last the devil known as queer studies. Queer studies is that stuff that is taught in place of gay history and which elevates theory over facts because its practitioners, having been unsuccessful in uncovering enough of the hard stuff, are haughtily trying to make do. […] It is not only breathtaking to read this all in a work the likes of which so many Americans long to have written about our own gay history, but when one finishes reading it, one utters an audible huge sigh of relief. Of course this is how it was! Why did we all not know and accept this instinctively without having to create and\/or buy into the Foucaultian and Butlerian (to name but two) nightmares with the obtuse vocabularies they invented and demanded be utilized to pierce their dark inchoate spectacles of a world of their own imaginings. Homosexuality did not exist because there was no word for it, say they. What bushwa.<\/p>\n

The late Larry Kramer<\/a> in 2009 reviewing <\/em>Before Wilde: Sex between Men in Britain\u2019s Age of Reform by Charles Upchurch<\/em><\/p><\/blockquote>\n

\u2022 I mentioned in April that I’d designed the CD and vinyl packaging for Roly Porter’s latest album, Kistvaen<\/em>. It’s another monumental release, and it’s out now. Hear it for yourself at The Quietus<\/a>.<\/p>\n

\u2022 To Kiss Earth Goodbye<\/em><\/a>, the new album from Teleplasmiste, features cover artwork by Ethel le Rossignol, and a previously unheard trance recording of occultist Alex Sanders.<\/p>\n

\u2022 “It\u2019s impossible to completely quantify the effect of I Feel Love<\/em> on dance music.” John Doran<\/a> on Donna Summer and Giorgio Moroder’s finest moment.<\/p>\n

\u2022 More film lists:\u00a010 great Japanese film noirs selected by Matthew Thrift<\/a>, and the 15 best Czech horror films selected by Jason Pirodsky<\/a>.<\/p>\n

\u2022 Mark Blacklock<\/a> selects a top ten of four-dimensional novels (one of which isn’t a novel at all but a short story by Ian McEwan).<\/p>\n

\u2022 At Dennis Cooper’s: BDSM<\/a>.<\/p>\n

\u2022 Angry<\/a><\/em> (2008) by The Bug feat. Tippa Irie | Insane<\/a><\/em> (2008) by The Bug feat. Warrior Queen | Fuckaz<\/a><\/em> (2008) by The Bug feat. Spaceape<\/p>\n","protected":false},"excerpt":{"rendered":"

Cover art by Ethel le Rossignol for To Kiss Earth Goodbye by Teleplasmiste. \u2022 I’ve been listening to London Zoo by The Bug this week so two new releases by The Bug’s beatmaster, Kevin Martin, seem well-timed. Martin’s music isn’t all pummelling rhythms and abrasive noise, he also favours doomy ambience, as demonstrated on his … Continue reading “Weekend links 520”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,21,7,5,22,3,14,20,23],"tags":[7230,10652,3109,3696,5659,1399,10653,3594,5033,8395,2291,6120,8648,10656,2890,10655,8801,9922,10651,10654,2232,10181,6411],"class_list":["post-19698","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-fantasy","category-film","category-gay","category-horror","category-music","category-politics","category-science-fiction","category-work","tag-alex-sanders","tag-charles-upchurch","tag-dennis-cooper","tag-donna-summer","tag-ethel-le-rossignol","tag-giorgio-moroder","tag-jason-pirodsky","tag-john-doran","tag-kevin-martin","tag-larry-kramer","tag-m-john-harrison","tag-mark-blacklock","tag-matthew-thrift","tag-resonance-fm","tag-roly-porter","tag-spaceape","tag-teleplasmiste","tag-the-bug","tag-the-bug-group","tag-tippa-irie","tag-viriconium","tag-warren-hatter","tag-warrior-queen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-57I","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19698"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19698\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}