{"id":19551,"date":"2020-03-15T01:06:10","date_gmt":"2020-03-15T01:06:10","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19551"},"modified":"2020-03-15T01:06:10","modified_gmt":"2020-03-15T01:06:10","slug":"weekend-links-508","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/03\/15\/weekend-links-508\/","title":{"rendered":"Weekend links 508"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"lee-nova.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/03\/lee-nova.jpg\" \/><\/p>\n<p><em>Detecting the Forgery (1967), a collage print by Gary Lee-Nova.<\/em><\/p>\n<p>\u2022 Nigel Kneale&#8217;s adaptation of Susan Hill&#8217;s <em>The Woman in Black<\/em> was given a UK TV screening in 1989, followed by a brief video release after which it was buried for years, and subsequently overshadowed by the later (<a href=\"http:\/\/multiglom.wordpress.com\/2012\/03\/25\/some-reasons-why-the-woman-in-black-wasnt-scary\/\" target=\"_blank\">inferior<\/a>) big-budget feature film. <a href=\"https:\/\/networkonair.com\/all-products\/3177-the-woman-in-black-blu-ray-\">Network<\/a> will be releasing the Kneale version on blu-ray in May. I <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/21\/nigel-kneales-woman-in-black\/\">wrote about the TV film<\/a> a while ago.<\/p>\n<p>\u2022 At the BFI: David Parkinson on 10 essential films featuring the late <a href=\"https:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/lists\/max-von-sydow-10-essential-films\" target=\"_blank\">Max von Sydow<\/a>, a welcome riposte to obituaries that headlined the often mediocre Hollywood fare that Von Sydow elevated with his minor roles. And at the same site, John Berra on where to begin with the martial arts films of <a href=\"https:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/features\/where-begin-king-hu\" target=\"_blank\">King Hu<\/a>.<\/p>\n<p>\u2022 &#8220;<a href=\"http:\/\/entuzjasci.artmuseum.pl\/en\/\" target=\"_blank\">Enthusiasts Archive<\/a>, an artistic project by Neil Cummings and Marysia Lewandowska, is the result of extensive research amongst the remnants of amateur film clubs in Poland under socialism. It is a critical archive of amateur films found, restored and made available online.&#8221;<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=7MU7kvXIpOc\" target=\"_blank\">Stephen Calloway<\/a>, co-curator of the Tate Britain <a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-britain\/exhibition\/aubrey-beardsley\" target=\"_blank\">Aubrey Beardsley exhibition<\/a>, and drag performer <a href=\"https:\/\/www.youtube.com\/watch?v=7MU7kvXIpOc\" target=\"_blank\">Holly James Johnston<\/a> sit down to tea to discuss the &#8220;dos and don\u2019ts&#8221; of dandyism according to the artist.<\/p>\n<p>\u2022 Mutinous Jester: <a href=\"https:\/\/www.emptymirrorbooks.com\/literature\/collage-novels-akbar-del-piombo\" target=\"_blank\">The Collage Novels of Akbar Del Piombo<\/a> by Gregory Stephenson. Related:\u00a0<a href=\"https:\/\/evergreenreview.com\/read\/fuzz-against-junk\" target=\"_blank\"><em>Fuzz Against Junk: The Saga of the Narcotics Brigade<\/em><\/a> (1959) by Akbar Del Piombo.<\/p>\n<p>\u2022 Michael Richey on chindogu, the useless inventions of <a href=\"https:\/\/www.tofugu.com\/japan\/chindogu-japanese-inventions\/\" target=\"_blank\">Kenji Kawakami<\/a>.<\/p>\n<p>\u2022 From farting to fornication: <a href=\"https:\/\/ilovetypography.com\/2020\/03\/08\/from-farting-to-fornication-early-print-censorship\/\" target=\"_blank\">John Boardley<\/a> on early print censorship.<\/p>\n<p>\u2022 <a href=\"http:\/\/wormwoodiana.blogspot.com\/2020\/03\/a-plagiarism-in-early-weird-tales.html\" target=\"_blank\">Douglas A. Anderson<\/a> on a case of plagiarism in <em>Weird Tales<\/em>.<\/p>\n<p>\u2022 Mix of the week: mr.K&#8217;s Soundstripe vol 3 by <a href=\"https:\/\/www.mixcloud.com\/radioShirley\/mrks-soundstripe-vol-3\/\" target=\"_blank\">radioShirley<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/cafekaput.bandcamp.com\/album\/how-to-get-to-spring\" target=\"_blank\"><em>How To Get To Spring<\/em><\/a> is a new album by Jon Brooks.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/articles\/27954-rufus-wainwright-interview-favourite-music\" target=\"_blank\">Rufus Wainwright<\/a>&#8216;s favourite music.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/occultists\/\" target=\"_blank\">Occultists<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=sJHIadkRumI\" target=\"_blank\">Spring Rounds From The Rite Of Spring<\/a><\/em> (1975) by Alice Coltrane | <em><a href=\"https:\/\/www.youtube.com\/watch?v=HU3Lp4rDjUs\" target=\"_blank\">Springlight Rite<\/a><\/em> (1981) by Irmin Schmidt &amp; Bruno Spoerri | <em><a href=\"https:\/\/www.youtube.com\/watch?v=jQeT8sJE_Rk\" target=\"_blank\">Spring Returns<\/a><\/em> (1999) by Isao Tomita<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Detecting the Forgery (1967), a collage print by Gary Lee-Nova. \u2022 Nigel Kneale&#8217;s adaptation of Susan Hill&#8217;s The Woman in Black was given a UK TV screening in 1989, followed by a brief video release after which it was buried for years, and subsequently overshadowed by the later (inferior) big-budget feature film. Network will be &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/03\/15\/weekend-links-508\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 508&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,42,1029,29,57,7,22,43,3,16,19],"tags":[10516,637,94,7866,8415,3109,8780,10510,10517,10515,2697,8205,10511,7423,1017,10519,10512,10514,9438,10518,10513,263,167,10263,1276,825,5497,5529,2396],"class_list":["post-19551","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-books","category-collage","category-electronica","category-fashion","category-film","category-horror","category-magazines","category-music","category-occult","category-television","tag-akbar-del-piombo","tag-alice-coltrane","tag-aubrey-beardsley","tag-bruno-spoerri","tag-david-parkinson","tag-dennis-cooper","tag-douglas-a-anderson","tag-gary-lee-nova","tag-gregory-stephenson","tag-holly-james-johnston","tag-irmin-schmidt","tag-isao-tomita","tag-john-berra","tag-john-boardley","tag-jon-brooks","tag-kenji-kawakami","tag-king-hu","tag-marysia-lewandowska","tag-max-von-sydow","tag-michael-richey","tag-neil-cummings","tag-nigel-kneale","tag-obituaries","tag-radioshirley","tag-rufus-wainwright","tag-stephen-calloway","tag-susan-hill","tag-tomita","tag-weird-tales"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-55l","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19551"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19551\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}