{"id":19544,"date":"2020-03-08T01:03:36","date_gmt":"2020-03-08T01:03:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19544"},"modified":"2020-03-08T01:05:00","modified_gmt":"2020-03-08T01:05:00","slug":"weekend-links-507","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/03\/08\/weekend-links-507\/","title":{"rendered":"Weekend links 507"},"content":{"rendered":"

\"plone.jpg\"<\/a><\/p>\n

The next release on the Ghost Box label will be Puzzlewood<\/a> by Plone, “unironically joyful and melodic electronica; informed by library music, music for children\u2019s TV and a deep passion for the history of music technology”. The album will be available in April. Design, as always, is by Julian House.<\/em><\/p>\n

\u2022 “With his panting breath and dripping sweat infused in each page of his memoir, Patrick Cowley describes himself on his knees, bending over and ‘worshipping Phallus.'” Maxwell Shand<\/a> on\u00a0Dark Entries<\/a>‘ “holy trinity” of Patrick Cowley’s Mechanical Fantasy Box<\/em>, Hot Rod To Hell<\/em> by\u00a0Roy Garrett & Man Parrish, and Maxx Mann’s gay synth-pop.<\/p>\n

\u2022 \u201cWe\u2019re gonna do economic activity\u2014without money!\u201d: Inside the criminal glamour of the San Francisco Diggers with Kent\u00a0Minault<\/a>. The third installment of a verbal history of the hippie anarchists by Jay Babcock.<\/p>\n

\u2022 “Susanna Hoffs and friends remember David Roback, who stayed creative, and enigmatic, to the end.” By Randall Roberts<\/a>.<\/p>\n

My connection with [raga] was not to be able to duplicate or emulate it but to learn from it. I combined it with the electronics and the harmonizer and things like that. But I would have a line that was being drawn. You\u2019re thinking about it like a shape that\u2019s being drawn on a canvas. It\u2019s a line that\u2019s being drawn and another. You\u2019re holding three pencils at once while you\u2019re drawing on the wall. So, you\u2019re able to get the shapes. This was my thing with it, because I was into the harmony that it would make. So, it was an easy and natural thing to do, was to go and move into the electronics. Then we had equipment that was doing transposition and all that kind of thing. So that\u2019s one little part of it.<\/p>\n

Jon Hassell<\/a> talking to Aquarium Drunkard about his first album, Vernal Equinox<\/a>, which is reissued later this month<\/em><\/p><\/blockquote>\n

\u2022 Published next month by Strange Attractor Press: Rated SavX: The Savage Pencil Skratchbook<\/em><\/a>.<\/p>\n

\u2022 They came from outer Finland: the town where everyone saw UFOs, as photographed by Maria Lax<\/a>.<\/p>\n

\u2022 Mix of the week: Through A Landscape Of Mirrors Vol. VI \u2013 Sweden II by\u00a0David Colohan<\/a>.<\/p>\n

\u2022 Moonstrips Empire News<\/em><\/a> (1967) by Eduardo Paolozzi.<\/p>\n

\u2022 At Dennis Cooper’s: Shelley Duvall<\/a> Day.<\/p>\n

\u2022 Graham Massey<\/a>‘s favourite albums.<\/p>\n

\u2022 Phallus Dei<\/a> (1969) by Amon D\u00fc\u00fcl II<\/em> | Wrong Eye<\/a> (1990) by Coil<\/em> | Red Scratch<\/a> (1994) by ELpH<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

The next release on the Ghost Box label will be Puzzlewood by Plone, “unironically joyful and melodic electronica; informed by library music, music for children\u2019s TV and a deep passion for the history of music technology”. The album will be available in April. Design, as always, is by Julian House. \u2022 “With his panting breath … Continue reading “Weekend links 507”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,48,3,12,14],"tags":[9309,2169,7424,2272,8894,7160,10490,3109,700,8322,172,8468,10509,1801,212,954,10504,10501,10507,10499,10502,3697,10498,10506,10500,10503,1427,10508,98,10505],"class_list":["post-19544","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-illustrators","category-music","category-photography","category-politics","tag-amon-duul","tag-amon-duul-ii","tag-aquarium-drunkard","tag-coil-group","tag-dark-entries","tag-david-colohan","tag-david-roback","tag-dennis-cooper","tag-eduardo-paolozzi","tag-elph","tag-ghost-box","tag-ghost-box-label","tag-graham-massey","tag-jay-babcock","tag-jon-hassell","tag-julian-house","tag-kent-minault","tag-man-parrish","tag-maria-lax","tag-maxwell-shand","tag-maxx-mann","tag-patrick-cowley","tag-plone","tag-randall-roberts","tag-roy-garrett","tag-san-francisco-diggers","tag-savage-pencil","tag-shelley-duvall","tag-strange-attractor","tag-susanna-hoffs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-55e","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19544"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19544\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}