{"id":19522,"date":"2020-02-23T01:06:07","date_gmt":"2020-02-23T01:06:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19522"},"modified":"2024-01-22T15:54:57","modified_gmt":"2024-01-22T15:54:57","slug":"weekend-links-505","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/02\/23\/weekend-links-505\/","title":{"rendered":"Weekend links 505"},"content":{"rendered":"

\"brown.jpg\"<\/a><\/p>\n

An imaginary book cover by Toby Melville-Brown<\/a>.<\/em><\/p>\n

\u2022 At the Internet Archive (for a change): Directory 1979<\/em><\/a>, a collection of John Cooper Clarke’s poetry designed by Barney Bubbles; 25 issues of Wrapped in Plastic<\/em><\/a>, the magazine devoted to all things David Lynch; and Cinefantastique<\/em><\/a>, 1970\u20132002, the magazine about special effects in cinema whose making-of articles were often the first such analyses published anywhere. No contents list for the latter, unfortunately, but the covers shown here<\/a> give an idea of the main features.<\/p>\n

\u2022 “Physicist Andreas Schinner recounted a rumor that the Voynich manuscript can be ‘pure poison’ for a scholarly career, because when studying the manuscript there\u2019s ‘always an easy option to make a ridiculous mistake.'” Jillian Foley<\/a> on the strange quest to decipher the Voynich manuscript.<\/p>\n

\u2022 At the BFI: Stephen Puddicombe<\/a> examines six mysterious paintings on film, and\u00a0Anna Bogutskaya<\/a> selects ten examples of Lovecraftian cinema. Regarding the latter, I deplore the omission of Huan Vu’s Die Farbe<\/em><\/a> (2011).<\/p>\n

\u2022 In The Driver’s Seat: Neil Fox<\/a> on the demented fun of Nicolas Winding Refn’s streaming site for cinematic obscurities, ByNWR<\/a>.<\/p>\n

\u2022 “Feed your head”: Akim Reinhardt<\/a> on the progress of a White Rabbit from Charles Lutwidge Dodgson’s novel to Grace Slick’s song.<\/p>\n

\u2022 Mixes of the week: Marshland: The Andrew Weatherall Mix<\/a>, and Music’s Not For Everyone<\/a>, hours of Weatherall mixes at NTS.<\/p>\n

\u2022 Borderland<\/em><\/a>, an album of music by Fordell Research Unit based on The House on the Borderland<\/em> by William Hope Hodgson.<\/p>\n

\u2022 At Dangerous Minds: Thirteen-year-old Mariangela<\/a> and her adventurous pop album, produced by Vangelis, 1975.<\/p>\n

\u2022 Heavy Metal, Year One: Kory Grow<\/a> on the inside story of Black Sabbath\u2019s groundbreaking debut.<\/p>\n

\u2022 “Theire Soe Admirable Herbe”: How the English Found Cannabis by Benjamin Breen<\/a>.<\/p>\n

\u2022 Derek Jarman and friends in Dungeness<\/a>: unseen pictures.<\/p>\n

\u2022 Closing periods<\/a> at Flickr.<\/p>\n

\u2022 Heavy Rock<\/a><\/em> (1976) by Sound Dimension | Heavy Denim<\/a><\/em> (1994) by Stereolab | Heavy Soul<\/a><\/em> (2002) by The Black Keys<\/p>\n","protected":false},"excerpt":{"rendered":"

An imaginary book cover by Toby Melville-Brown. \u2022 At the Internet Archive (for a change): Directory 1979, a collection of John Cooper Clarke’s poetry designed by Barney Bubbles; 25 issues of Wrapped in Plastic, the magazine devoted to all things David Lynch; and Cinefantastique, 1970\u20132002, the magazine about special effects in cinema whose making-of articles … Continue reading “Weekend links 505”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,29,7,5,22,26,43,3,44,12,17,10],"tags":[10481,10477,10484,10479,86,6081,1471,10482,10476,265,511,10485,10483,1687,2958,1854,10478,799,10487,10486,9669,5614,10488,10392,2407,10489,10475,3953,8639,1951],"class_list":["post-19522","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-gay","category-horror","category-lovecraft","category-magazines","category-music","category-painting","category-photography","category-psychedelia","category-typography","tag-akim-reinhardt","tag-andreas-schinner","tag-andrew-weatherall","tag-anna-bogutskaya","tag-barney-bubbles","tag-benjamin-breen","tag-black-sabbath","tag-charles-lutwidge-dodgson","tag-cinefantastique","tag-david-lynch","tag-derek-jarman","tag-fordell-research-unit","tag-grace-slick","tag-hp-lovecraft","tag-huan-vu","tag-internet-archive","tag-jillian-foley","tag-john-cooper-clarke","tag-kory-grow","tag-mariangela","tag-neil-fox","tag-nicolas-winding-refn","tag-sound-dimension","tag-stephen-puddicombe","tag-stereolab","tag-the-black-keys","tag-toby-melville-brown","tag-vangelis","tag-voynich-manuscript","tag-william-hope-hodgson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-54S","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19522"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19522\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}