{"id":19494,"date":"2020-02-09T01:02:46","date_gmt":"2020-02-09T01:02:46","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19494"},"modified":"2020-02-09T01:02:46","modified_gmt":"2020-02-09T01:02:46","slug":"weekend-links-503","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/02\/09\/weekend-links-503\/","title":{"rendered":"Weekend links 503"},"content":{"rendered":"

\"kausch.jpg\"<\/a><\/p>\n

Rabbit Man with Skull Lady (1998) by Allan Kausch<\/a>.<\/em><\/p>\n

\u2022 “They were the first generation that said, \u2018Fuck it, we\u2019re not going to be intimidated.\u2019 They weren\u2019t going to make specifically pro-gay statements, but they were the first generation to really live that out. If you look at the Alternative Miss World, it\u2019s a kind of gender-fuck, it\u2019s almost like the English version of the Cockettes.” Jon Savage speaking in a piece by Alex Petridis<\/a> about “Them” (Kevin Whitney, Luciana Martinez de la Rosa, Duggie Fields, Derek Jarman, Zandra Rhodes, Andrew Logan et al). Related: Andrew Logan in Andrew’s Adventures in Loganland<\/em><\/a>.<\/p>\n

\u2022 Sex, Satanism, Manson, Murder, and LSD: Kenneth Anger tells his tale. “Anger rarely if ever veers from the script as he is a man who has carefully controlled his myth and reputation for decades,” says Paul Gallagher<\/a>.<\/p>\n

\u2022 “Don\u2019t even think about operating heavy machinery while listening to this mix.” The latest Dave Maier<\/a> collection of recent ambient drift, drone-works and beatless atmospherics.<\/p>\n

It is by no means easy to track or trace relationships between women, past or present. Women\u2019s relationships with other women are often disguised: by well-documented marriages to men, by a cultural refusal to see what is in full view or even to believe such relationships exist. In a world built by and for men and their pursuits, a woman who loves women does not register\u2014and is not registered, i.e., written down. Reasons for this layer one upon the other: A lesbian purposely hides her identity and remains closeted. A lesbian refuses to call herself a lesbian, disidentifying from the term and its associations for reasons personal or political. A woman does not know she is a lesbian\u2014because she does not ever have a relationship with another woman, or because she is not aware that the relationships she engages in could be called lesbian. I didn\u2019t call myself one for several years. Or, as in Carson\u2019s case, her own self-understanding and identification are difficult to determine because of the efforts of those who outlived her and pushed her into the closet.<\/p>\n

Jenn Shapland<\/a> on the closeting of Carson McCullers<\/em><\/p><\/blockquote>\n

\u2022 At The Paris Review: The Collages of Max Ernst<\/a>. Related: Kolaj: A directory of collage books<\/a>.<\/p>\n

\u2022 Adam Scovell<\/a> on the deathly hinterlands of Georges Franju’s Eyes without a Face<\/em>.<\/p>\n

\u2022 When Dorothy Parker got fired from Vanity Fair<\/em>, by Jonathan Goldman<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: The Proto-Psychedelic Art of CG Jung\u2019s Red Book<\/em><\/a>.<\/p>\n

\u2022 The abstract, single-stroke paintings of Daigoro Yonekura<\/a>.<\/p>\n

\u2022 Adam Gopnik<\/a> on the seriousness of George Steiner.<\/p>\n

\u2022 Caligula MMXX<\/a><\/p>\n

\u2022 The Ballad Of Dorothy Parker<\/a><\/em> (1987) by Prince | Lotus Collage<\/a><\/em> (1979) by Laraaji | Death Collage<\/a><\/em> (1992) by Snakefinger & The Residents<\/p>\n","protected":false},"excerpt":{"rendered":"

Rabbit Man with Skull Lady (1998) by Allan Kausch. \u2022 “They were the first generation that said, \u2018Fuck it, we\u2019re not going to be intimidated.\u2019 They weren\u2019t going to make specifically pro-gay statements, but they were the first generation to really live that out. If you look at the Alternative Miss World, it\u2019s a kind … Continue reading “Weekend links 503”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,851,29,7,5,22,3,16,17,18],"tags":[7917,7444,3008,10462,5284,10466,10467,2482,3109,511,1169,3301,3653,10464,10463,246,10465,401,10459,5662,10460,112,4448,7354,8525,879,10461],"class_list":["post-19494","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-drugs","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-psychedelia","category-surrealism","tag-adam-gopnik","tag-adam-scovell","tag-allan-kausch","tag-andrew-logan","tag-carson-mccullers","tag-cg-jung","tag-daigoro-yonekura","tag-dave-maier","tag-dennis-cooper","tag-derek-jarman","tag-dorothy-parker","tag-duggie-fields","tag-george-steiner","tag-georges-franju","tag-jenn-shapland","tag-jon-savage","tag-jonathan-goldman","tag-kenneth-anger","tag-kevin-whitney","tag-laraaji","tag-luciana-martinez-de-la-rosa","tag-max-ernst","tag-paul-gallagher","tag-prince-musician","tag-snakefinger","tag-the-residents","tag-zandra-rhodes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-54q","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19494"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19494\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}