{"id":19464,"date":"2020-01-19T01:07:55","date_gmt":"2020-01-19T01:07:55","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19464"},"modified":"2020-01-20T15:35:43","modified_gmt":"2020-01-20T15:35:43","slug":"weekend-links-500","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/01\/19\/weekend-links-500\/","title":{"rendered":"Weekend links 500"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/01\/provensal-big.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"provensal.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2020\/01\/provensal.jpg\" \/><\/a><\/p>\n<p><em>Projet onirique (tombeau pour un po\u00e8te) (1901) by <a href=\"https:\/\/www.musee-orsay.fr\/en\/collections\/index-of-works\/notice.html?no_cache=1&amp;nnumid=163591&amp;cHash=7301a36104\" target=\"_blank\">Henry Provensal<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;20 years later, <em>Sexy Beast<\/em> remains something of an oddity&#8230;It offers a deconstruction of the genre, which is then reconstructed to marry the unhinged, convulsive beauty of surrealism with sturdy, universal storytelling.&#8221; <a href=\"https:\/\/thequietus.com\/articles\/27676-sexy-beast-20-anniversary\" target=\"_blank\">Thomas H. Sheriff<\/a> looks back at Jonathan Glazer&#8217;s debut feature.<\/p>\n<p>\u2022 <a href=\"https:\/\/laaps-records.com\/track\/blau-gers\" target=\"_blank\"><em>Blau Gers<\/em><\/a>, a new piece by The Alvaret Ensemble: Greg Haines (piano), Jan Kleefstra (voice, poems), Romke Kleefstra (guitar, bass and effects) and Sytze Pruiksma (percussion).<\/p>\n<p>\u2022 <a href=\"https:\/\/global.oup.com\/academic\/product\/wendy-carlos-9780190053468?cc=us&amp;lang=en&amp;#\" target=\"_blank\"><em>Wendy Carlos: A Biography<\/em><\/a> by Amanda Sewell, the first study of the life and work of the electronic composer, is out in March.<\/p>\n<blockquote><p>The prejudice against writing sex in Anglo-American literature is something that utterly baffles me. What a bizarre thing it is to claim that this central, profound territory of human life is off-limits to literary or artistic representation. Sex seems to me one of the densest and most intense human phenomena, one of the things I find it hardest to think about\u2014and so something I want to think about in art. The biggest surprise to me about the reception of my first book\u2014other than the fact of there being any reception at all\u2014was how much discussion there was about the sex in it. There isn\u2019t very much sex in it! It said something about the culture of mainstream publishing in America in 2016 that a novel with maybe three or four pages of explicit sex between men could seem surprising.<\/p>\n<p><em><a href=\"https:\/\/www.theparisreview.org\/blog\/2020\/01\/14\/promiscuity-is-a-virtue-an-interview-with-garth-greenwell\/\" target=\"_blank\">Garth Greenwell<\/a> talking to Ilya Kaminsky about literature and life<\/em><\/p><\/blockquote>\n<p>\u2022 Some (but not all) of <a href=\"http:\/\/parismuseescollections.paris.fr\/en\" target=\"_blank\">the museums of Paris<\/a> have made thousands of artworks available for free online.<\/p>\n<p>\u2022 The Work of Fate: <a href=\"https:\/\/nplusonemag.com\/online-only\/online-only\/the-work-of-fate\/\" target=\"_blank\">AS Hamrah<\/a> introduces a screening of Jean Cocteau&#8217;s <em>Orph\u00e9e<\/em>.<\/p>\n<p>\u2022 <a href=\"https:\/\/labyrintheque.wordpress.com\/\" target=\"_blank\">La Labyrinth\u00e8que<\/a>: Histoire de l&#8217;art jouissive &amp; enchantements litt\u00e9raires.<\/p>\n<p>\u2022 <a href=\"https:\/\/clivehicksjenkins.wordpress.com\/2020\/01\/18\/the-art-of-the-cover\/\" target=\"_blank\">Clive Hicks-Jenkins<\/a> on the art of the (book) cover.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/lists\/10-great-stressful-films\" target=\"_blank\">Tom Huddleston<\/a> on 10 great stressful films.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/malcolm-le-grice-day\/\" target=\"_blank\">Malcolm Le Grice<\/a> Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/publicdomainreview.org\/collection\/francois-de-nome-imaginary-ruins\/\" target=\"_blank\">Fran\u00e7ois de Nom\u00e9\u2019s Imaginary Ruins<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=tSk5U4oHhu0\" target=\"_blank\">Sexy Sadie<\/a><\/em> (1968) by The Beatles | <em><a href=\"https:\/\/www.youtube.com\/watch?v=CBkZy_Y9dqc\" target=\"_blank\">Sexy Photograph<\/a><\/em> (1995) by Ui | <em><a href=\"https:\/\/www.youtube.com\/watch?v=wouKI_myXxk\" target=\"_blank\">Sexy Boy<\/a><\/em> (1998) by Air<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Projet onirique (tombeau pour un po\u00e8te) (1901) by Henry Provensal. \u2022 &#8220;20 years later, Sexy Beast remains something of an oddity&#8230;It offers a deconstruction of the genre, which is then reconstructed to marry the unhinged, convulsive beauty of surrealism with sturdy, universal storytelling.&#8221; Thomas H. Sheriff looks back at Jonathan Glazer&#8217;s debut feature. \u2022 Blau &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/01\/19\/weekend-links-500\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 500&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,7,5,3,44],"tags":[3295,10435,8104,767,3109,10440,10436,481,10429,10437,10432,132,6771,10438,780,10433,10434,10431,178,10430,10439,10441,877],"class_list":["post-19464","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-music","category-painting","tag-air-group","tag-amanda-sewell","tag-as-hamrah","tag-clive-hicks-jenkins","tag-dennis-cooper","tag-francois-de-nome","tag-garth-greenwell","tag-greg-haines","tag-henry-provensal","tag-ilya-kaminsky","tag-jan-kleefstra","tag-jean-cocteau","tag-jonathan-glazer","tag-la-labyrintheque","tag-malcolm-le-grice","tag-romke-kleefstra","tag-sytze-pruiksma","tag-the-alvaret-ensemble","tag-the-beatles","tag-thomas-h-sheriff","tag-tom-huddleston","tag-ui","tag-wendy-carlos"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-53W","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19464"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19464\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}