{"id":19377,"date":"2019-11-10T01:07:05","date_gmt":"2019-11-10T01:07:05","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19377"},"modified":"2019-11-10T01:17:28","modified_gmt":"2019-11-10T01:17:28","slug":"weekend-links-490","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/11\/10\/weekend-links-490\/","title":{"rendered":"Weekend links 490"},"content":{"rendered":"

\"stoer.jpg\"<\/a><\/p>\n

An engraving from The Geometric Landscapes of Lorenz Stoer<\/a> (1567).<\/em><\/p>\n

\u2022 Curtis Harrington’s cult horror film, Night Tide<\/em> (1961), receives a lavish blu-ray reissue<\/a> from Powerhouse in January. The limited edition will include an extra disc of Harrington’s early short films which encompass Poe adaptations and also Wormwood Star<\/em>, his portrait of occult artist (and actor in Night Tide<\/em>) Marjorie Cameron.<\/p>\n

\u2022 “He was the first American representative of an electronic sound that was largely coming from Europe, from bands like Kraftwerk, or producers like Giorgio Moroder and Pete Bellotte…” Jude Rogers<\/a> on Patrick Cowley.<\/p>\n

\u2022 Clive Hicks-Jenkins<\/a> examines Hans Poelzig\u2019s and Marlene Moeschke\u2019s work on Paul Wegener\u2019s 1920 film of The\u00a0Golem<\/em>. Wegener’s film is released this month in a restored blu-ray edition by Eureka<\/a>.<\/p>\n

\u2022 “Conrad was uncompromising in his beliefs until the end, sticking to his ideals with tenacious fervor.” Geeta Dayal on Tony Conrad: Writings<\/em><\/a>, edited by Constance DeJong and
\nAndrew Lampert.<\/p>\n

\u2022 At Dennis Cooper’s: 47 dead films<\/a>. One of the films, Hu-Man<\/em> (1975), a French science-fiction drama starring Terence Stamp, isn’t as dead as was assumed<\/a>.<\/p>\n

\u2022 The Danske Filminstitut<\/a> has made a collection of Danish silent films available to watch for free online.<\/p>\n

\u2022 The Last Time I Saw John Giorno, an Extraordinary Performance Poet by Mark Dery<\/a>.<\/p>\n

\u2022 “Like looking through butterfly wings”: Ira Cohen’s Mylar chamber<\/a>\u2014in pictures.<\/p>\n

\u2022 Callum James<\/a> reviews the Early Poetical Works of Aleister Crowley<\/em>.<\/p>\n

\u2022 Drawing the Gaze: Revisiting Don’t Look Now<\/em> by Jesse Miksic<\/a>.<\/p>\n

\u2022 Mix of the week: FACT Mix 745 by Visible Cloaks<\/a>.<\/p>\n

\u2022 Mind Warp<\/a><\/em> (1982) by Patrick Cowley | Go-Go Golem<\/a><\/em> (1986) by Golem Orchestra | Night Tide<\/a><\/em> (1995) by Scorn<\/p>\n","protected":false},"excerpt":{"rendered":"

An engraving from The Geometric Landscapes of Lorenz Stoer (1567). \u2022 Curtis Harrington’s cult horror film, Night Tide (1961), receives a lavish blu-ray reissue from Powerhouse in January. The limited edition will include an extra disc of Harrington’s early short films which encompass Poe adaptations and also Wormwood Star, his portrait of occult artist (and … Continue reading “Weekend links 490”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,7,5,22,3,16,12,17],"tags":[391,10307,771,767,10306,1375,3109,1393,1399,402,10311,10308,2491,10310,2898,4725,10305,121,2389,10309,306,3697,361,3695,9591,4846,7153,9975],"class_list":["post-19377","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-photography","category-psychedelia","tag-aleister-crowley","tag-andrew-lampert","tag-callum-james","tag-clive-hicks-jenkins","tag-constance-dejong","tag-curtis-harrington","tag-dennis-cooper","tag-geeta-dayal","tag-giorgio-moroder","tag-golem","tag-golem-orchestra","tag-hans-poelzig","tag-ira-cohen","tag-jesse-miksic","tag-john-giorno","tag-jude-rogers","tag-lorenz-stoer","tag-marjorie-cameron","tag-mark-dery","tag-marlene-moeschke","tag-nicolas-roeg","tag-patrick-cowley","tag-paul-wegener","tag-pete-bellotte","tag-scorn-group","tag-terence-stamp","tag-tony-conrad","tag-visible-cloaks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-52x","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19377"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19377\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}