{"id":19374,"date":"2019-11-08T01:03:44","date_gmt":"2019-11-08T01:03:44","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19374"},"modified":"2019-11-08T01:03:44","modified_gmt":"2019-11-08T01:03:44","slug":"the-romance-of-perfume","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/11\/08\/the-romance-of-perfume\/","title":{"rendered":"The Romance of Perfume"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"barbier01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier01.jpg\" \/><\/p>\n<p>The work of French artist and designer George Barbier is no stranger to these pages but this is a book of his I hadn&#8217;t seen before. Richard Le Gallienne is a name familiar to anyone acquainted with the London literary scene of the 1890s\u2014he was friends with Oscar Wilde and contributed to <em>The Yellow Book<\/em>\u2014but unlike many of his less fortunate contemporaries he also had a life and career that lasted beyond the Mauve Decade. <a href=\"https:\/\/archive.org\/details\/romanceofperfume00lega\" target=\"_blank\"><em>The Romance of Perfume<\/em><\/a> (1928) is one of his last books, a short history of the perfumer&#8217;s art which could well have been written thirty years earlier. George Barbier&#8217;s illustrations aren&#8217;t as carefully designed as in some of his earlier works but the pair are well-matched.<\/p>\n<p><img decoding=\"async\" alt=\"barbier02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier02.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier03.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"barbier04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier04.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier05.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier08.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/11\/barbier10.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/10\/16\/george-barbiers-le-bonheur-du-jour\/\">George Barbier\u2019s Le Bonheur du Jour<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/01\/george-barbiers-mirages\/\">George Barbier\u2019s Mirages<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/06\/tamara-karsavinas-salome\/\">Tamara Karsavina\u2019s Salom\u00e9<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/31\/george-barbiers-nijinsky\/\">George Barbier\u2019s Nijinsky<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/14\/george-barbiers-falbalas-et-fanfreluches\/\">George Barbier\u2019s Falbalas et Fanfreluches<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/04\/the-art-of-george-barbier-1882\u20131932\/\">The art of George Barbier, 1882\u20131932<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/29\/the-decorative-age\/\">The Decorative Age<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The work of French artist and designer George Barbier is no stranger to these pages but this is a book of his I hadn&#8217;t seen before. Richard Le Gallienne is a name familiar to anyone acquainted with the London literary scene of the 1890s\u2014he was friends with Oscar Wilde and contributed to The Yellow Book\u2014but &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/11\/08\/the-romance-of-perfume\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Romance of Perfume&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48],"tags":[695,116,3413,966],"class_list":["post-19374","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-george-barbier","tag-oscar-wilde","tag-perfume","tag-richard-le-gallienne"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-52u","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19374"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19374\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}