{"id":19351,"date":"2019-10-20T01:04:52","date_gmt":"2019-10-20T00:04:52","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19351"},"modified":"2019-10-20T01:04:52","modified_gmt":"2019-10-20T00:04:52","slug":"weekend-links-487","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/10\/20\/weekend-links-487\/","title":{"rendered":"Weekend links 487"},"content":{"rendered":"

\"october.jpg\"<\/a><\/p>\n

Art by Joe Mugnaini (1955).<\/em><\/p>\n

\u2022 Mixes of the week: The Ivy-Strangled Path Vol. XIX by David Colohan<\/a>, and The Ephemeral Man’s Teapot 2\u2014Atmosphere insomniac by The Ephemeral Man<\/a>.<\/p>\n

\u2022 Patrick Clarke talks to Morton Subotnick and Lillevan<\/a> about Subotnick’s pioneering synthesizer composition, Silver Apples Of The Moon<\/em> (1967).<\/p>\n

\u2022 A second volume of London’s Lost Rivers<\/em><\/a>, a walker’s guide by Tom Bolton with photography by SF Said, is published by Strange Attractor next month.<\/p>\n

“That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.”<\/p>\n

Ray Bradbury<\/a> quoted by Sam Weller in an examination of Bradbury’s dark tales and autumnal horror stories<\/em><\/p><\/blockquote>\n

\u2022 Lumberjacks In Heat<\/em><\/a> is 11 minutes of music from Mechanical Fantasy Box<\/i> by Patrick Cowley, the latest Cowley collection from Dark Entries.<\/p>\n

\u2022 They Poured Out Their Light Until Only Darkness Remained<\/em><\/a>: new eldritch vibrations from The Wyrding Module.<\/p>\n

\u2022 Carmen Villain on the magic of Jon Hassell’s Aka \/ Darbari \/ Java: Magic Realism<\/em><\/a>.<\/p>\n

\u2022 An Evil Medium: Elizabeth Horkley on the films of Kenneth Anger<\/a>.<\/p>\n

\u2022\u00a0Cosmic gardens and boulder boulevards by Charles Jencks<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Murray Melvin<\/a> Day.<\/p>\n

\u2022 Richard Dawson<\/a>‘s favourite music.<\/p>\n

\u2022 RIP John Giorno<\/a>.<\/p>\n

\u2022 My Girlfriend Is A Witch<\/a><\/em> (1968) by October Country | The October Man<\/a><\/em> (1982) by Bill Nelson | Late October<\/a><\/em> (1984) by Harold Budd<\/p>\n","protected":false},"excerpt":{"rendered":"

Art by Joe Mugnaini (1955). \u2022 Mixes of the week: The Ivy-Strangled Path Vol. XIX by David Colohan, and The Ephemeral Man’s Teapot 2\u2014Atmosphere insomniac by The Ephemeral Man. \u2022 Patrick Clarke talks to Morton Subotnick and Lillevan about Subotnick’s pioneering synthesizer composition, Silver Apples Of The Moon (1967). \u2022 A second volume of London’s … Continue reading “Weekend links 487”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,22,3,16,12,41],"tags":[2153,10270,10272,8894,7160,3109,10271,802,4111,2898,212,401,10268,4115,2530,5329,10274,8740,3697,665,10273,10269,6895,4116,98,5321,5337,4127],"class_list":["post-19351","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-photography","category-sculpture","tag-bill-nelson","tag-carmen-villain","tag-charles-jencks","tag-dark-entries","tag-david-colohan","tag-dennis-cooper","tag-elizabeth-horkley","tag-harold-budd","tag-joe-mugnaini","tag-john-giorno","tag-jon-hassell","tag-kenneth-anger","tag-lillevan","tag-morton-subotnick","tag-murray-melvin","tag-october-country","tag-october-country-group","tag-patrick-clarke","tag-patrick-cowley","tag-ray-bradbury","tag-richard-dawson","tag-sam-weller","tag-sf-said","tag-silver-apples","tag-strange-attractor","tag-the-ephemeral-man","tag-the-wyrding-module","tag-tom-bolton"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-527","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19351"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19351\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}