{"id":19323,"date":"2019-09-22T01:02:23","date_gmt":"2019-09-22T00:02:23","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19323"},"modified":"2019-09-22T01:02:23","modified_gmt":"2019-09-22T00:02:23","slug":"weekend-links-483","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/09\/22\/weekend-links-483\/","title":{"rendered":"Weekend links 483"},"content":{"rendered":"

\"doetecum.jpg\"<\/a><\/p>\n

Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder<\/a>.<\/em><\/p>\n

\u2022 I’ve grown increasingly tired of Kubrick-related micro-fetishism (despite contributing to it myself with previous posts<\/a>) but this piece at Film and Furniture<\/a> about the history of David Hicks’ Hexagon carpet design is a good one.<\/p>\n

\u2022 “In hindsight, we can see how rarely one technology supersedes another…” Leah Price<\/a> on the oft-predicted, never arriving death of the book.<\/p>\n

\u2022 From Rome To Weston-Super-Mare: Eden Tizard<\/a> on Coil\u2019s Musick To Play In The Dark<\/em>.<\/p>\n

\u201cIt is,\u201d the editor of the London Sunday Express<\/i> had written nine years earlier, sounding like HP Lovecraft describing Necronomicon<\/i>:<\/p>\n

the most infamously obscene book in ancient or modern literature\u2026.All the secret sewers of vice are canalized in its flood of unimaginable thoughts, images and pornographic words. And its unclean lunacies are larded with appalling and revolting blasphemies directed against the Christian religion and against the name of Christ\u2014blasphemies hitherto associated with the most degraded orgies of Satanism and the Black Mass.<\/p><\/blockquote>\n

Regarded as a masterpiece by contemporary writers such as TS Eliot and Ernest Hemingway, celebrated for being as difficult to read as to obtain, Ulysses<\/i> had been shocking the sensibilities of critics, censors, and readers from the moment it began to see print between 1918 and 1920, when four chapters were abortively serialized in the pages of a New York quarterly called The Little Review<\/i>. Even sophisticated readers often found themselves recoiling in Lovecraftian dread from contact with its pages. \u201cI can\u2019t get over the feeling,\u201d wrote Katherine Mansfield, \u201cof wet linoleum and unemptied pails and far worse horrors in the house of [Joyce\u2019s] mind.\u201d Encyclopedic in its use of detail and allusion, orchestral in its multiplicity of voices and rhetorical strategies, virtuosic in its technique, Ulysses<\/i> was a thoroughly modernist production, exhibiting\u2014sometimes within a single chapter or a single paragraph\u2014the vandalistic glee of Futurism, the decentered subjectivity of Cubism, the absurdist blasphemies and pranks of Dadaism, and Surrealism\u2019s penchant for finding the mythic in the ordinary and the primitive in the low dives and nighttowns of the City.<\/p>\n

Michael Chabon<\/a> on the US trial of James Joyce’s Ulysses<\/em><\/p><\/blockquote>\n

\u2022 Mix of the week: Through A Landscape Of Mirrors Vol. III\u2014France II by David Colohan<\/a>.<\/p>\n

\u2022\u00a0Another Not The Best Ambient And Space Music Of The Year Post by Dave Maier<\/a>.<\/p>\n

\u2022 Sarah Angliss and friends<\/a> perform Air Loom<\/em> at Supernormal, 2019.<\/p>\n

\u2022 Out next month: The World Is A Bell<\/em><\/a> by The Leaf Library.<\/p>\n

\u2022 Amy Simmons<\/a> on where to start with Pier Paolo Pasolini.<\/p>\n

\u2022 At Dennis Cooper’s: Candy Clark Day<\/a>.<\/p>\n

\u2022\u00a0Uccellacci E Uccellini<\/a><\/em> (1966) by Ennio Morricone |\u00a0Liri\u00efk Necronomicus Kahnt<\/a><\/em> (1978) by Magma | Ostia (The Death Of Pasolini)<\/a><\/em> (1986) by Coil<\/p>\n","protected":false},"excerpt":{"rendered":"

Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder. \u2022 I’ve grown increasingly tired of Kubrick-related micro-fetishism (despite contributing to it myself with previous posts) but this piece at Film and Furniture about the history of David Hicks’ Hexagon carpet design is a good one. \u2022 “In hindsight, we can see how rarely one … Continue reading “Weekend links 483”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,25,3,15],"tags":[10243,10244,2272,2482,7160,3109,9483,4189,5768,1687,135,10239,4650,10240,1473,3851,320,1493,5043,3040,10242,468,428],"class_list":["post-19323","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-kubrick","category-music","category-technology","tag-amy-simmons","tag-candy-clark","tag-coil-group","tag-dave-maier","tag-david-colohan","tag-dennis-cooper","tag-eden-tizard","tag-ennio-morricone","tag-ernest-hemingway","tag-hp-lovecraft","tag-james-joyce","tag-johannes-van-doetecum-the-elder","tag-katherine-mansfield","tag-leah-price","tag-magma","tag-michael-chabon","tag-necronomicon","tag-pier-paolo-pasolini","tag-sarah-angliss","tag-stanley-kubrick","tag-the-leaf-library","tag-ts-eliot","tag-ulysses"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-51F","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19323"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19323\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}