{"id":19269,"date":"2019-08-25T01:07:43","date_gmt":"2019-08-25T00:07:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19269"},"modified":"2019-08-25T01:07:43","modified_gmt":"2019-08-25T00:07:43","slug":"weekend-links-479","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/08\/25\/weekend-links-479\/","title":{"rendered":"Weekend links 479"},"content":{"rendered":"

\"hinge.jpg\"<\/p>\n

Cover art by Mike Hinge<\/a>.<\/em><\/p>\n

\u2022 “[The Family<\/em>] is an unforgettable fusion of journalism and poetic prose that still holds up precisely because it has no use for category, for genre, or for being anything other than its own unique, obsessive self.” Sarah Weinman<\/a> on how Ed Sanders wrote the definitive account of the Manson murders.<\/p>\n

\u2022 “The best-known detail of Sartre\u2019s bad trip is Simone de Beauvoir\u2019s anecdote of him being haunted for weeks after by lobster-like creatures scuttling just beyond his field of vision.” Mike Jay<\/a> on Jean-Paul Sartre (and Walter Benjamin) under the influence of mescaline.<\/p>\n

\u2022 The MGM film of The Wizard of Oz<\/em> had its US premiere 80 years ago today. Of Oz the Wizard<\/em><\/a> is a cut-up of the entire film by Matt Busy which rearranges every piece of dialogue (and all the credits) alphabetically.<\/p>\n

\u2022 “The screenwriter Nagisa Oshima complained that Mishima\u2019s suicide ‘failed to satisfy our Japanese aesthetic’ because it was ‘too elaborate.'” Anna Sherman<\/a> on Yukio Mishima in Ichigaya.<\/p>\n

\u2022 “Anarchists don\u2019t like restrictive labels, including the word ‘anarchism’.” Terry Eagleton<\/a> reviewing The Government of No One<\/em> by Ruth Kinna.<\/p>\n

\u2022 At Strange Flowers: Schloss Zwickledt, home of artist and author Alfred Kubin<\/a>.<\/p>\n

\u2022 More French music: Zeuhl collection<\/a>, a list of recommended listening.<\/p>\n

\u2022 Caro C on Janet Beat<\/a>, a pioneer of British electronic music.<\/p>\n

\u2022 John Boardley<\/a> on pomp, type and circumstance.<\/p>\n

\u2022 10 Goth cheeses<\/a> and what to pair with them.<\/p>\n

\u2022 At Dennis Cooper’s: Peter Sellers Day<\/a>.<\/p>\n

\u2022 Longing, Love, Loss<\/em><\/a> by Majeure.<\/p>\n

\u2022 The Lobster<\/em><\/a> (1968) by Fairport Convention | Death Valley 69<\/em><\/a> (1985) by Sonic Youth | Return To Oz<\/em><\/a> (2004) by Scissor Sisters<\/p>\n","protected":false},"excerpt":{"rendered":"

Cover art by Mike Hinge. \u2022 “[The Family] is an unforgettable fusion of journalism and poetic prose that still holds up precisely because it has no use for category, for genre, or for being anything other than its own unique, obsessive self.” Sarah Weinman on how Ed Sanders wrote the definitive account of the Manson … Continue reading “Weekend links 479”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,29,7,3,14,20,10],"tags":[1592,10199,10204,3109,3218,1519,10205,2108,7423,10206,10198,10195,1940,4496,4953,10201,10196,10202,1269,10197,7586,2419,10200,613,1241,625,10203],"class_list":["post-19269","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-music","category-politics","category-science-fiction","category-typography","tag-alfred-kubin","tag-anna-sherman","tag-caro-c","tag-dennis-cooper","tag-ed-sanders","tag-fairport-convention","tag-janet-beat","tag-jean-paul-sartre","tag-john-boardley","tag-majeure-musician","tag-matt-busy","tag-mike-hinge","tag-mike-jay","tag-nagisa-oshima","tag-peter-sellers","tag-ruth-kinna","tag-sarah-weinman","tag-schloss-zwickledt","tag-scissor-sisters","tag-simone-de-beauvoir","tag-sonic-youth","tag-strange-flowers","tag-terry-eagleton","tag-the-wizard-of-oz","tag-walter-benjamin","tag-yukio-mishima","tag-zeuhl"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-50N","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19269"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19269\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}