{"id":19257,"date":"2019-08-11T01:02:43","date_gmt":"2019-08-11T00:02:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19257"},"modified":"2019-08-11T01:02:43","modified_gmt":"2019-08-11T00:02:43","slug":"weekend-links-477","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/08\/11\/weekend-links-477\/","title":{"rendered":"Weekend links 477"},"content":{"rendered":"

\"starling.jpg\"<\/a><\/p>\n

Edge of Industry (2009) by Anne Starling<\/a>.<\/em><\/p>\n

\u2022 “In her darkroom with her silver salts and gelatine plates, she experimented with the mercurial effects of light, time and temperature.” Hailey Maxwell<\/a> on the photographic art of Dora Maar.<\/p>\n

\u2022 A Visionary Work Renew\u2019d: A conversational review of Swan River Press edition of William Hope Hodgson’s The House on the Borderland<\/em> by the late Sam Gafford & The joey Zone<\/a>.<\/p>\n

\u2022 Brian Blomerth<\/a>\u2019s graphic novel Bicycle Day<\/em> tells the story of the psychedelic ride made in 1943 by Swiss chemist Albert Hofmann while he was researching LSD.<\/p>\n

\u2022 “The cinema is not the industrial cinema. The cinema is independent cinema.” Francis Ford Coppola<\/a> on Apocalypse Now<\/em> and related matters.<\/p>\n

\u2022 More lunacy: “Fireworks, wild swans and super-cannons were propelling people mentally Moonwards long before 1969,” says David Seed<\/a>.<\/p>\n

\u2022 Mix of the week: Then Beautiful Swift Sparrows Led You Over the Black Earth by The Ephemeral Man<\/a>.<\/p>\n

\u2022 Working (You Are)<\/em><\/a>, a new recording by Stephen Mallinder, his first solo work since Pow Wow<\/em> in 1982.<\/p>\n

\u2022 Lost Proust stories of homosexual love<\/a> finally published (but only in French for the moment).<\/p>\n

\u2022 Oren Ambarchi<\/a>‘s favourite albums.<\/p>\n

\u2022 My White Bicycle<\/a><\/em> (1967) by Tomorrow | Trip On An Orange Bicycle<\/a><\/em> (1968) by\u00a0The Orange Bicycle | Blue Bicycle<\/a><\/em> (2008) by Hauschka<\/p>\n","protected":false},"excerpt":{"rendered":"

Edge of Industry (2009) by Anne Starling. \u2022 “In her darkroom with her silver salts and gelatine plates, she experimented with the mercurial effects of light, time and temperature.” Hailey Maxwell on the photographic art of Dora Maar. \u2022 A Visionary Work Renew\u2019d: A conversational review of Swan River Press edition of William Hope Hodgson’s … Continue reading “Weekend links 477”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,851,29,7,5,22,3,12,20,18],"tags":[1239,10174,2088,10176,10177,10069,2241,10175,10180,10178,124,2045,10179,4075,3069,8228,5321,7566,7808,4918,1951],"class_list":["post-19257","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-drugs","category-electronica","category-film","category-gay","category-horror","category-music","category-photography","category-science-fiction","category-surrealism","tag-albert-hofmann","tag-anne-starling","tag-apocalypse-now","tag-brian-blomerth","tag-david-seed","tag-dora-maar","tag-francis-ford-coppola","tag-hailey-maxwell","tag-hauschka","tag-his-first-solo-work-since-pow-wow","tag-lsd","tag-marcel-proust","tag-oren-ambarchi","tag-sam-gafford","tag-stephen-mallinder","tag-swan-river-press","tag-the-ephemeral-man","tag-the-joey-zone","tag-the-orange-bicycle","tag-tomorrow-group","tag-william-hope-hodgson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-50B","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19257"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19257\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}