{"id":19206,"date":"2019-06-30T01:13:34","date_gmt":"2019-06-30T00:13:34","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19206"},"modified":"2019-06-30T01:13:34","modified_gmt":"2019-06-30T00:13:34","slug":"weekend-links-471","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/06\/30\/weekend-links-471\/","title":{"rendered":"Weekend links 471"},"content":{"rendered":"

\"maclean.jpg\"<\/a><\/p>\n

Pink Floyd, Lee Michaels, Clear Light (1967) by Bonnie MacLean.<\/em><\/p>\n

\u2022 Electronic musician Mort Garson has been subject to a revival of interest recently, with reissues of his works as Ataraxia (The Unexplained<\/em>), and Lucifer (Black Mass<\/em>). The latest reissue is Mother Earth’s Plantasia<\/em><\/a> (1976), an album released under Garson’s own name, and one of several works of plant mysticism from the 1970s (see Stevie Wonder’s Journey Through The Secret Life Of Plants<\/em>, and Green<\/em> by Steve Hillage).<\/p>\n

\u2022 “It is striking how much of this work sounds like a missing link from the art world to the popular groups of the time, such as the Detroit techno pioneers Cybotron and the Japanese electro legends Yellow Magic Orchestra.” Geeta Dayal<\/a> on the reconfigured Speak & Spell machinery of\u00a0Paul DeMarinis.<\/p>\n

The cost of free love and the designers who bore it: Madeleine Morley<\/a> meets the women of psychedelic design.<\/p>\n

For the transhumanist anarchist Wilson, the neurological relativism revealed by his own learning and personal deprogramming experiments called for a form of \u2018guerrilla ontology\u2019 that lampooned, rejected and transmitted much needed interference into the \u2018reality tunnels\u2019 that attempt to control much of contemporary society and individual behaviour. In the Schr\u00f6dinger\u2019s Cat Trilogy<\/i>, characters are repeatedly placed in positions of cognitive dissonance, where they are forced to reevaluate their own belief systems due to experiences that they are unable to accommodate.<\/p>\n

Sean Kitching<\/a> on the 40th anniversary of Robert Anton Wilson’s Schr\u00f6dinger’s Cat Trilogy<\/em><\/p><\/blockquote>\n

\u2022 They said books were dead, they were wrong: Adrian Shaughnessy<\/a> on a decade of Unit Editions.<\/p>\n

\u2022 Mixes of the week: Xianedelica by Jes\u00fas Bacal\u00e3o<\/a>, and Kosmische Mix By Tarotplane<\/a>.<\/p>\n

\u2022 Swinging 60s surrealist Penny Slinger<\/a>: “Collectors thought I came with the art”.<\/p>\n

\u2022 Cabaret Voltaire: Chance Versus Causality<\/em><\/a> (Teaser).<\/p>\n

\u2022 Luc Sante<\/a> on postcards of American violence.<\/p>\n

\u2022 At Dennis Cooper’s: Peter Whitehead<\/a> Day.<\/p>\n

\u2022 Computerwelt<\/a><\/em> (1981) by Kraftwerk | Speak And Spell<\/a><\/em> (1984) by Christina Kubisch | Time Space Transmat<\/a> <\/em>(1985) by Model 500<\/p>\n","protected":false},"excerpt":{"rendered":"

Pink Floyd, Lee Michaels, Clear Light (1967) by Bonnie MacLean. \u2022 Electronic musician Mort Garson has been subject to a revival of interest recently, with reissues of his works as Ataraxia (The Unexplained), and Lucifer (Black Mass). The latest reissue is Mother Earth’s Plantasia (1976), an album released under Garson’s own name, and one of … Continue reading “Weekend links 471”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,4,29,7,3,14,17,13,18,15],"tags":[3092,4993,150,10128,4261,3109,1393,9588,122,7717,461,10126,10129,7235,10125,9654,3982,89,8015,4006,5064,8020,10127,4255],"class_list":["post-19206","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-design","category-electronica","category-film","category-music","category-politics","category-psychedelia","category-science","category-surrealism","category-technology","tag-adrian-shaughnessy","tag-bonnie-maclean","tag-cabaret-voltaire","tag-christina-kubisch","tag-cybotron","tag-dennis-cooper","tag-geeta-dayal","tag-jesus-bacalao","tag-kraftwerk","tag-luc-sante","tag-lucifer","tag-madeleine-morley","tag-model-500","tag-mort-garson","tag-paul-demarinis","tag-penny-slinger","tag-peter-whitehead","tag-robert-anton-wilson","tag-sean-kitching","tag-steve-hillage","tag-stevie-wonder","tag-tarotplane","tag-unit-editions","tag-yellow-magic-orchestra"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4ZM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19206"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19206\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}