{"id":19200,"date":"2019-06-23T01:06:37","date_gmt":"2019-06-23T00:06:37","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19200"},"modified":"2019-06-23T01:06:37","modified_gmt":"2019-06-23T00:06:37","slug":"weekend-links-470","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/06\/23\/weekend-links-470\/","title":{"rendered":"Weekend links 470"},"content":{"rendered":"

\"genso.jpg\"<\/a><\/p>\n

A rail station in ruins by Tokyo Genso<\/a>. From a series of views of Tokyo showing a ruined and abandoned city.<\/em><\/p>\n

\u2022 Old music technology of the week: The EKO ComputeRhythm<\/a>, a programmable drum machine from 1972 used by Chris Franke (who didn’t like the sounds so he used it to trigger other instruments), Manuel G\u00f6ttsching (the rhythms on New Age Of Earth<\/em>), and Jean-Michel Jarre (on Equinoxe<\/em>); and Yuri Suzuki<\/a>‘s digital reconstruction of Raymond Scott\u2019s Electronium.<\/p>\n

\u2022 At Dennis Cooper’s:\u00a0Spotlight on\u2026Ishmael Reed Mumbo Jumbo<\/em><\/a> (1972), and DC’s favourite fiction, poetry, non-fiction, film, art, and internet<\/a> of the year so far. Thanks again for the link here!<\/p>\n

\u2022 “Pauline told her to shove her shyckle up her khyber.” Philip Hensher<\/a> on the origins and revival of Polari, the secret gay argot. Related: a Polari word list<\/a>, plus other links.<\/p>\n

In Star<\/em>, Mishima fuses his major theme of the mask, the public role all humans are destined to play out, with the theme of suicide, an act which Mishima considered a work of art. All of his work is punctuated by suicide, and it is peopled with masks, with people knowing they are nothing but masks, who are aware that the center doesn\u2019t hold because there is no center, that character is a flowing fixture, a paradoxical constancy and a definite variable, always.<\/p>\n

Jan Wilm<\/a> on Star, a novella by Yukio Mishima receiving its first publication in English<\/em><\/p><\/blockquote>\n

\u2022 “How have these places managed to transform from monuments to atrocity and resistance into concrete clickbait?” Owen Hatherley<\/a> on the popularity of spomeniks<\/em><\/a>.<\/p>\n

\u2022 The late George Craig<\/a> on translating the scrawl of Samuel Beckett’s letters (written in French) into coherent English.<\/p>\n

\u2022 Outsider Literature, Part 1: a Wormwoodiana guide by RB Russell<\/a>.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 291 by Arturas Bumsteinas<\/a>.<\/p>\n

\u2022 Symbiose<\/a><\/em>, a split album by Prana Crafter and Tarotplane.<\/p>\n

\u2022 Robby M\u00fcller’s Polaroids<\/a><\/p>\n

\u2022 Apollo 11 in Real-time<\/a><\/p>\n

\u2022 Tokyo Shyness Boy<\/a><\/em> (1976) by Haruomi Hosono | Tokyo<\/a><\/em> (1979) by Jean-Claude Eloy | Tokyosaka Train<\/a><\/em> (2002) by Funki Porcini<\/p>\n","protected":false},"excerpt":{"rendered":"

A rail station in ruins by Tokyo Genso. From a series of views of Tokyo showing a ruined and abandoned city. \u2022 Old music technology of the week: The EKO ComputeRhythm, a programmable drum machine from 1972 used by Chris Franke (who didn’t like the sounds so he used it to trigger other instruments), Manuel … Continue reading “Weekend links 470”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,5,3,12,13,15],"tags":[9904,10119,6304,3109,3014,10118,8218,5651,10117,3515,7724,4682,1866,10115,10116,10120,10114,8103,10121,410,8020,10112,9067,625,10113],"class_list":["post-19200","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-gay","category-music","category-photography","category-science","category-technology","tag-apollo-11","tag-arturas-bumsteinas","tag-chris-franke","tag-dennis-cooper","tag-funki-porcini","tag-george-craig","tag-haruomi-hosono","tag-ishmael-reed","tag-jan-wilm","tag-jean-claude-eloy","tag-jean-michel-jarre","tag-manuel-gottsching","tag-owen-hatherley","tag-philip-hensher","tag-polari","tag-prana-crafter","tag-raymond-scott","tag-rb-russell","tag-robby-muller","tag-samuel-beckett","tag-tarotplane","tag-tokyo-genso","tag-wormwoodiana","tag-yukio-mishima","tag-yuri-suzuki"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4ZG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19200"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19200\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}