{"id":19129,"date":"2019-05-12T01:04:50","date_gmt":"2019-05-12T00:04:50","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19129"},"modified":"2019-05-12T01:04:50","modified_gmt":"2019-05-12T00:04:50","slug":"weekend-links-464","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/05\/12\/weekend-links-464\/","title":{"rendered":"Weekend links 464"},"content":{"rendered":"

\"picaud.jpg\"<\/a><\/p>\n

13 Circles by Julien Picaud<\/a>.<\/em><\/p>\n

\u2022 The 50th anniversary of the Apollo Moon landing is only two months away so it’s no surprise that Brian Eno’s Apollo: Atmospheres And Soundtracks<\/em><\/a> is being reissued. The latest release will include an additional disc of new music by Eno with his collaborators from the original sessions, Daniel Lanois and Roger Eno. Related: the Apollo 11 Command Module<\/a> as an explorable (and printable) 3D model.<\/p>\n

\u2022 From the real Moon to the presence of the satellite in myth and history, the next book from Strange Attractor will be Selene: The Moon Goddess & The Cave Oracle<\/em><\/a>, a volume which is also the final work by the late Steve Moore. With a foreword by Bob Rickard, and an afterword by Alan Moore.<\/p>\n

\u2022 Guitar-noise maestro Caspar Br\u00f6tzmann<\/a> released a handful of thrilling albums in the 1990s then disappeared from view. Spyros Stasis talked to Br\u00f6tzmann about his hiatus and his recent resurfacing on the Southern Lord label.<\/p>\n

\u2022 A year late, but I didn’t know Paul Schrader<\/a> had written an updated introduction to his 1972 study of Ozu, Bresson and Dreyer, Transcendental Style in Film<\/em>. I love the idea of “The Tarkovsky Ring” as a directorial event horizon.<\/p>\n

\u2022 “Nothing written is utterly without value, as I proved to myself by reading two random works.” Theodore Dalrymple<\/a> on the lasting worth of “worthless” books.<\/p>\n

\u2022 Cinemagician: Conversations with Kenneth Anger<\/em><\/a>, a documentary by Carl Abrahamsson about the director\/writer\/magus.<\/p>\n

\u2022 Mirror, Mirror: When Movie Characters Look Back at Themselves by Sheila O\u2019Malley<\/a>.<\/p>\n

\u2022 From Susan Sontag to the Met Gala: Jon Savage<\/a> on the evolution of camp.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 289 by Mondkopf<\/a>.<\/p>\n

\u2022 Portrait of the Artist as a Consumer: Anne Billson<\/a>.<\/p>\n

\u2022 A video by IMPATV for Religion<\/a><\/em> by Teleplasmiste.<\/p>\n

\u2022 Obscure Sound ~ Cosmic<\/a>: a list.<\/p>\n

\u2022 Mira Calix<\/a>‘s favourite records.<\/p>\n

\u2022 Transcendental Overdrive<\/a><\/em> (1980) by Harald Grosskopf |\u00a0Transcendental Moonshine<\/a><\/em> (1991) by Steroid Maximus | The Transcendent<\/a><\/em> (1999) by Jah Wobble<\/p>\n","protected":false},"excerpt":{"rendered":"

13 Circles by Julien Picaud. \u2022 The 50th anniversary of the Apollo Moon landing is only two months away so it’s no surprise that Brian Eno’s Apollo: Atmospheres And Soundtracks is being reissued. The latest release will include an additional disc of new music by Eno with his collaborators from the original sessions, Daniel Lanois … Continue reading “Weekend links 464”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,29,7,5,3,16,13,15],"tags":[103,214,4179,9904,10045,145,10051,3504,10046,6181,10056,10054,3877,246,10044,401,6430,10053,663,9516,7577,10052,9369,10047,10057,1429,98,2667,8801,10050,6391],"class_list":["post-19129","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-electronica","category-film","category-gay","category-music","category-occult","category-science","category-technology","tag-alan-moore","tag-andrei-tarkovsky","tag-anne-billson","tag-apollo-11","tag-bob-rickard","tag-brian-eno","tag-carl-abrahamsson","tag-carl-dreyer","tag-caspar-brotzmann","tag-daniel-lanois","tag-harald-grosskopf","tag-impatv","tag-jah-wobble","tag-jon-savage","tag-julien-picaud","tag-kenneth-anger","tag-mira-calix","tag-mondkopf","tag-paul-schrader","tag-robert-bresson","tag-roger-eno","tag-sheila-omalley","tag-southern-lord","tag-spyros-stasis","tag-steroid-maximus","tag-steve-moore","tag-strange-attractor","tag-susan-sontag","tag-teleplasmiste","tag-theodore-dalrymple","tag-yasujiro-ozu"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Yx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19129"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19129\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}