{"id":19103,"date":"2019-04-21T01:05:39","date_gmt":"2019-04-21T00:05:39","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19103"},"modified":"2019-04-21T01:05:39","modified_gmt":"2019-04-21T00:05:39","slug":"weekend-links-461","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/04\/21\/weekend-links-461\/","title":{"rendered":"Weekend links 461"},"content":{"rendered":"

\"meryon.jpg\"<\/a><\/p>\n

Le Stryge (The Vampire) (1853) by Charles M\u00e9ryon<\/a>.<\/em><\/p>\n

\u2022 Notre-Dame-de-Paris<\/a> in art and photography. Related: Chris Knapp<\/a> on the Notre-Dame fire, and John Boardley<\/a> on the print shops that used to cluster around the cathedral. Tangentially related: Mapping Gothic France<\/a>.<\/p>\n

\u2022 The Bodies Beneath: The Flipside of British Film & Television<\/em><\/a> by William Fowler and Vic Pratt will be published next month by Strange Attractor. With a foreword by Nicolas Winding Refn.<\/p>\n

\u2022 “In his new biweekly column, Pinakothek<\/em>, Luc\u00a0Sante<\/a> excavates and examines miscellaneous visual strata of the past.”<\/p>\n

I also gathered underland stories, from Aeneas\u2019s descent into Hades, through the sunken necropolises of Italo Calvino\u2019s Invisible Cities<\/em> and the Wind Cave cosmogony of the Dakota Sioux, to accounts of the many cavers, cave-divers and free-divers who have died seeking what Cormac McCarthy calls \u201cthe awful darkness inside the world\u201d\u2014often unable to communicate to themselves, let alone others, what metaphysical gravity drew them down to death. Why go low? Obsession, incomprehension, compulsion and revelation were among the recurrent echoes of these stories\u2014and they became part of my underland experiences, too.<\/p>\n

Robert Macfarlane<\/a> on underworlds real and imagined, past, present and future<\/em><\/p><\/blockquote>\n

\u2022 Mixes of the week: FACT Mix 703 by Mary Lattimore<\/a>, and The Colour Of Spring by cafekaput<\/a>.<\/p>\n

\u2022 A witty appraisal by Anna Aslanyan<\/a> of a lipogrammatic classic and its smart translation.<\/p>\n

\u2022 “Unseen Kafka works<\/a> may soon be revealed after Kafkaesque trial.”<\/p>\n

\u2022 “Why do cats love bookstores?” asks Jason Diamond<\/a>.<\/p>\n

\u2022 Sunn O)))<\/a> pick their Bandcamp favourites.<\/p>\n

\u2022 Le Grand Nuage de Magellan<\/a><\/p>\n

\u2022 Cathedral In Flames<\/a><\/em> (1984) by Coil | The Cathedral of Tears<\/a><\/em> (1995) by Robert Fripp | Cathedral Et Chartres<\/a><\/em> (2005) by Jack Rose<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Stryge (The Vampire) (1853) by Charles M\u00e9ryon. \u2022 Notre-Dame-de-Paris in art and photography. Related: Chris Knapp on the Notre-Dame fire, and John Boardley on the print shops that used to cluster around the cathedral. Tangentially related: Mapping Gothic France. \u2022 The Bodies Beneath: The Flipside of British Film & Television by William Fowler and … Continue reading “Weekend links 461”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,7,3,12,13,19],"tags":[9351,9724,1860,10018,2272,96,1013,10021,9550,407,852,8140,7423,7717,10020,5614,270,4773,98,2147,10019,6699],"class_list":["post-19103","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-film","category-music","category-photography","category-science","category-television","tag-anna-aslanyan","tag-cafekaput","tag-charles-meryon","tag-chris-knapp","tag-coil-group","tag-cormac-mccarthy","tag-franz-kafka","tag-georges-perec","tag-gilbert-adair","tag-italo-calvino","tag-jack-rose","tag-jason-diamond","tag-john-boardley","tag-luc-sante","tag-mary-lattimore","tag-nicolas-winding-refn","tag-robert-fripp","tag-robert-macfarlane","tag-strange-attractor","tag-sunn-o","tag-vic-pratt","tag-william-fowler"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Y7","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19103"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19103\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}