{"id":19094,"date":"2019-04-14T01:05:08","date_gmt":"2019-04-14T00:05:08","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19094"},"modified":"2019-04-14T01:05:08","modified_gmt":"2019-04-14T00:05:08","slug":"weekend-links-460","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/04\/14\/weekend-links-460\/","title":{"rendered":"Weekend links 460"},"content":{"rendered":"

\"treister.jpg\"<\/a><\/p>\n

Black Hole (1987) by Suzanne Treister<\/a>.<\/em><\/p>\n

\u2022 “Most people who are considered heroes are always to be found messing about in someone else\u2019s affairs, and I don\u2019t think that\u2019s very heroic.” Robert Altman<\/a> talking in 1974 to Jan Dawson about The Long Goodbye<\/em>.<\/p>\n

\u2022 “Tea is calming, but alerting at the same time.” Natasha Gilbert<\/a> on the science of tea\u2019s mood-altering magic.<\/p>\n

\u2022 Alien spaceship, Hammer horror? Philip Hoare<\/a> on the pulsating visions of Harry Clarke.<\/p>\n

“…world cinema, particularly European cinema…hasn\u2019t shied away from sex and, in fact, has often found ways of using sex to tell a story. Movies like The Duke of Burgundy<\/em> or Sauvage<\/em> or BPM<\/em> gracefully integrate eroticism into the narrative\u2014even when the sex itself is far from graceful. Even the American films that have focused on sex tend to do it with a leer and luridness, regarding sex with a certain narrative fetishism, as opposed to matter-of-factly.”<\/p>\n

Rich Juzwiak talking to Catherine Shoard<\/a> about the current state of sex in the cinema<\/em><\/p><\/blockquote>\n

\u2022 Chernobyl again: photographs by David McMillan<\/a> from inside the exclusion zone.<\/p>\n

\u2022 Lasting Marks<\/a>: the 16 men put on trial for sadomasochism in Thatcher’s Britain.<\/p>\n

\u2022 Before Tarkovsky: Michael Brooke<\/a> on the Russian TV adaptation of Solaris<\/em>.<\/p>\n

\u2022 Mix of the week: XLR8R Podcast 588 by Rouge M\u00e9canique<\/a>.<\/p>\n

\u2022 Dustin Krcatovich on The Strange World of Mark Stewart<\/a>.<\/p>\n

\u2022 Your Surrealist literature starter kit by Emily Temple<\/a>.<\/p>\n

\u2022 John Peel’s Archive Things<\/em><\/a> (1970)<\/p>\n

\u2022 5fathom<\/a>: Things rich and strange<\/p>\n

\u2022 Hole In The Sky<\/a><\/em> (1975) by Black Sabbath | Thru The Black Hole<\/a><\/em> (1979) by Metabolist | Black Hole<\/a><\/em> (1993) by Total Eclipse<\/p>\n","protected":false},"excerpt":{"rendered":"

Black Hole (1987) by Suzanne Treister. \u2022 “Most people who are considered heroes are always to be found messing about in someone else\u2019s affairs, and I don\u2019t think that\u2019s very heroic.” Robert Altman talking in 1974 to Jan Dawson about The Long Goodbye. \u2022 “Tea is calming, but alerting at the same time.” Natasha Gilbert … Continue reading “Weekend links 460”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,7,5,48,3,44,12,20,13,18,19],"tags":[10015,1471,10009,9896,10010,10013,9120,99,10006,4418,10014,5027,10011,10007,592,10008,924,10012,2663,4685,10016],"class_list":["post-19094","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-film","category-gay","category-illustrators","category-music","category-painting","category-photography","category-science-fiction","category-science","category-surrealism","category-television","tag-5fathom","tag-black-sabbath","tag-catherine-shoard","tag-chernobyl","tag-david-mcmillan","tag-dustin-krcatovich","tag-emily-temple","tag-harry-clarke","tag-jan-dawson","tag-john-peel","tag-mark-stewart","tag-metabolist","tag-michael-brooke","tag-natasha-gilbert","tag-philip-hoare","tag-rich-juzwiak","tag-robert-altman","tag-rouge-mecanique","tag-stanislaw-lem","tag-suzanne-treister","tag-total-eclipse"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4XY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19094"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19094\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}