{"id":19045,"date":"2019-03-08T01:07:45","date_gmt":"2019-03-08T01:07:45","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19045"},"modified":"2019-03-08T01:14:00","modified_gmt":"2019-03-08T01:14:00","slug":"the-dial","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/03\/08\/the-dial\/","title":{"rendered":"The Dial"},"content":{"rendered":"

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Yet another fin de si\u00e8cle<\/em> journal which we can now see in its entirety, The Dial<\/em> was a short-lived British publication which expired at a time when more prominent titles were being launched. The publishers were Charles Ricketts and Charles Shannon, a couple who were partners in life as well as art and publishing, and members of Oscar Wilde’s small circle of circumspect gay and lesbian friends. Ricketts and Shannon published some of Wilde’s poetry\u2014notably a beautiful edition of The Sphinx<\/em>\u2014and followed the William Morris ideal of using traditional techniques for art and printing rather than relying on the line block. Most of the illustrations in The Dial<\/em> are woodcuts although Ricketts and Shannon also produced etchings and the occasional painting, as with Ricketts’ Moreau-like piece below. Many of the Dial<\/em> pieces have been reprinted in books about the pair but these never show you everything so the journals contain a number of smaller works I hadn’t seen before. The Dial<\/em> ran for five issues from 1889 to 1897. The Internet Archive has a couple of sets of which these are the better copies:<\/p>\n

\u2022 Issue 1<\/a> | Issue 2<\/a> | Issue 3<\/a> |Issue 4<\/a> | Issue 5<\/a><\/p>\n

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\"dial01.jpg\"<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Form and Austin Osman Spare<\/a>
\n\u2022 In the Key of Blue by John Addington Symonds<\/a>
\n\u2022 Charles Ricketts\u2019 Salom\u00e9<\/a>
\n\u2022 Charles Ricketts\u2019 Hero and Leander<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Yet another fin de si\u00e8cle journal which we can now see in its entirety, The Dial was a short-lived British publication which expired at a time when more prominent titles were being launched. The publishers were Charles Ricketts and Charles Shannon, a couple who were partners in life as well as art and publishing, and … Continue reading “The Dial”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,5,43],"tags":[206,554,136,1854,116,1188],"class_list":["post-19045","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-gay","category-magazines","tag-charles-ricketts","tag-charles-shannon","tag-fin-de-siecle","tag-internet-archive","tag-oscar-wilde","tag-william-morris"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Xb","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19045"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19045\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}