{"id":19021,"date":"2019-02-10T01:07:12","date_gmt":"2019-02-10T01:07:12","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19021"},"modified":"2019-02-10T01:07:12","modified_gmt":"2019-02-10T01:07:12","slug":"weekend-links-451","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/02\/10\/weekend-links-451\/","title":{"rendered":"Weekend links 451"},"content":{"rendered":"

\"smith.jpg\"<\/a><\/p>\n

Manifold (2015), a painting by Samantha Keely Smith<\/a> which will appear in April on the cover of Life Metal, a new album by Sunn O)))<\/a>.<\/em><\/p>\n

\u2022 At Expanding Mind: Professor and queer historian Heather Lukes<\/a> talks with Erik Davis about Silver Lake riots, gay bikers, house ball scenes, the nostalgia for repression, and the joys and challenges of working on the online archive The Grit and Glamour of Queer LA Subculture<\/a>.<\/p>\n

\u2022 A Stroke of Ingenious: Chatting Fear and Fantasy with Darius Hinks<\/a>.\u00a0 Also this week, Darius Hinks’ The Ingenious<\/em> (for which I created the cover art<\/a>) was featured in a Barnes & Noble list<\/a> of seven attractive (if hazardous) fantastic cities.<\/p>\n

\u2022 “From the late \u201960s and through the \u201970s broadcasters invested in home-grown kids\u2019 television, and much of it was decidedly weird.” Paul Walsh<\/a> on the vanished, thought-provoking strangeness of British TV.<\/p>\n

That late surrealism still needs rescuing by curators and critics is perhaps not a sign of its defeat but of the breadth and pervasiveness of its triumph. Could we have Pablo Picasso or Jackson Pollock without surrealism? What about David Lynch, JG Ballard or Angela Carter? As an influence, it\u2019s easy to give [Dorothy Tanning] a crucial place in the canon of feminist art. Louise Bourgeois was born just a year later than Tanning but only started to sew after Tanning had exhibited her first sculptures.<\/p>\n

Lara Fiegel<\/a> on the weird, wild world of Dorothea Tanning<\/em><\/p><\/blockquote>\n

\u2022 After its own death \/ Walking in a spiral towards the house<\/em><\/a> by Nivhek, a new album from Liz Harris (Grouper) “recorded using\u00a0Mellotron, guitar, field recordings, tapes, and broken FX pedals”.<\/p>\n

\u2022 At Dangerous Minds: Michael Rother<\/a> (Neu!\/Harmonia) on the forthcoming reissue of his solo albums from the 1970s.<\/p>\n

\u2022 Clesse<\/em><\/a> by Clesse, another pseudonymous musical project by Jon Brooks (The Advisory Council et al).<\/p>\n

\u2022 After Dark: The art of life at night\u2014and in new lights by Francine Prose<\/a>.<\/p>\n

\u2022 Elena Lazic<\/a> on where to begin with Gaspar No\u00e9.<\/p>\n

\u2022 Mix of the week: Headlands by David Colohan<\/a>.<\/p>\n

\u2022 Steven Heller<\/a>‘s confessions of a letterhead.<\/p>\n

\u2022 RIP Albert Finney<\/a>.<\/p>\n

\u2022\u00a0Void<\/a><\/em> (2009) by Monolake | Void<\/a><\/em> (2013) by Emptyset\u00a0| Void<\/a><\/em> (2014) by The Bug feat. Liz Harris<\/p>\n","protected":false},"excerpt":{"rendered":"

Manifold (2015), a painting by Samantha Keely Smith which will appear in April on the cover of Life Metal, a new album by Sunn O))). \u2022 At Expanding Mind: Professor and queer historian Heather Lukes talks with Erik Davis about Silver Lake riots, gay bikers, house ball scenes, the nostalgia for repression, and the joys … Continue reading “Weekend links 451”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,51,4,29,21,7,5,3,44,41,18,19],"tags":[9921,3053,9730,9918,9731,7160,265,9915,9920,3188,1686,9919,3507,9479,6996,9917,5447,137,1017,9916,7632,1385,1671,880,5842,976,9914,6227,9913,165,9912,1536,9922,6404],"class_list":["post-19021","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-cities","category-design","category-electronica","category-fantasy","category-film","category-gay","category-music","category-painting","category-sculpture","category-surrealism","category-television","tag-albert-finney","tag-angela-carter","tag-barnes-noble","tag-clesse","tag-darius-hinks","tag-david-colohan","tag-david-lynch","tag-dorothy-tanning","tag-elena-lazic","tag-emptyset","tag-erik-davis","tag-francine-prose","tag-gaspar-noe","tag-grouper","tag-harmonia","tag-heather-lukes","tag-jackson-pollock","tag-jg-ballard","tag-jon-brooks","tag-lara-fiegel","tag-liz-harris","tag-louise-bourgeois","tag-michael-rother","tag-monolake","tag-monolake-musician","tag-neu","tag-nivhek","tag-pablo-picasso","tag-paul-walsh","tag-picasso","tag-samantha-keely-smithn-sunn-o","tag-steven-heller","tag-the-bug","tag-the-bug-musician"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4WN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19021"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19021\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}